[Carlo Cattaneo] - Cattaneo, Carlo (ill.) - [Giorgio Soavi]
Reference : 2205
(1997)
1997 Milan (Milano), sn, 1997. 2 gravures en noir à sujet érotique tirées sur fond de teinte jaune, signées et numérotées 11/70 et placées dans une chemise imprimée, pour le livre de Giorgio Soavi : "Topi". Feuilles : 20,3 x 29 cm, cuvettes : 11 x 17 cm et 10,5 x 14 cm.
Suite seule, complète. Très bel état.
[Corse] Pierre-Charles Laurent de Villedeuil (1742-1828), contrôleur général des finances sous Louis XVI ; Paul-Baptiste Cattaneo (1743-1793), avocat à Bastia, suppléant adjoint aux Etats-Généraux, relation de Napoléon qu'il suivit dans les campagnes d'Italie puis d'Egypte où il mourut (au Caire).
Reference : 013340
[Corse] Pierre-Charles Laurent de Villedeuil (1742-1828), contrôleur général des finances sous Louis XVI ; Paul-Baptiste Cattaneo (1743-1793), avocat à Bastia, suppléant adjoint aux Etats-Généraux, relation de Napoléon qu'il suivit dans les campagnes d'Italie puis d'Egypte où il mourut (au Caire). P.S. par les deux, 30 juin 1787, 1p in-folio. Pièce concernant un paiement à Cattaneo. [277-2]
LONDON Jack Illustrations de Cattaneo et Clavé. Couverture de Ghilia.
Reference : 206254
(1967)
Couverture rigide. Cartonné. 124 pages. Quelques rousseurs.
Livre. Illustrations de Cattaneo et Clavé. Couverture de Ghilia. Editions O.D.E.G.E, 1967.
Turnhout, Brepols, 2011 Hardback, 470 p., 3 b/w ill. 16 colour ill., 210 x 270 mm. ISBN 9782503523781.
Fra Mauro's mappamundi, drawn around 1450 in the monastery of San Michele on Murano in the lagoon of Venice, is among the most relevant compendia of knowledge of the Earth and the Cosmos of the fifteenth century. By examining literary, visual, textual and archival evidences, some long considered lost, this book places the map within the larger context of Venetian culture in the fifteenth century. It provides a detailed analysis of both its main sources (auctores veteres such as Pliny, Solinus, Ptolemy, and novi, like Albert the Great, Thomas Aquinas, Marco Polo and Niccolo de' Conti) as well as of the composite networks of contemporary knowledge (scholasticism, humanism, monastic culture, as well as more technical skills such as marine cartography and mercantile practices), investigating the way they combine in the epistemological unity of the imago mundi. More a work on intellectual history than cartography, the book constructs a complex set of frameworks within which to situate Fra Mauro's monumental effort. These range from the cultural history of the reception of the world map from the fifteenth to the nineteenth centuries to the analysis of the material conditions under which map-makers such as Fra Mauro worked; from the history of ideas, especially of natural philosophy to the links between world representations and travel literature. It also addresses the Venetian reception of Ptolemy's Geography, the interactions between Venetian art, theology and cosmography and the complexities of the Venetian vernacular. The books develops a multi-tiered approach, in which different elements of the rich cultural context in which this world map was created, interact with each other, each casting a new light on the encyclopaedic work being analyzed. Terrarum Orbis (TO 8). New
Editions du Parvis Broché D'occasion bon état 01/01/2008 150 pages
, brepols, 2011 Hardback. 470 pages ., 3 b/w ill. 16 colour ill., 210 x 270 mm, Languages: English, Terraum orbis 8 ISBN 9782503523781.
Fra Mauro's mappamundi, drawn around 1450 in the monastery of San Michele on Murano in the lagoon of Venice, is among the most relevant compendia of knowledge of the Earth and the Cosmos of the fifteenth century. By examining literary, visual, textual and archival evidences, some long considered lost, this book places the map within the larger context of Venetian culture in the fifteenth century. It provides a detailed analysis of both its main sources (auctores veteres such as Pliny, Solinus, Ptolemy, and novi, like Albert the Great, Thomas Aquinas, Marco Polo and Niccolo de? Conti) as well as of the composite networks of contemporary knowledge (scholasticism, humanism, monastic culture, as well as more technical skills such as marine cartography and mercantile practices), investigating the way they combine in the epistemological unity of the imago mundi. More a work on intellectual history than cartography, the book constructs a complex set of frameworks within which to situate Fra Mauro?s monumental effort. These range from the cultural history of the reception of the world map from the fifteenth to the nineteenth centuries to the analysis of the material conditions under which map-makers such as Fra Mauro worked; from the history of ideas, especially of natural philosophy to the links between world representations and travel literature. It also addresses the Venetian reception of Ptolemy?s Geography, the interactions between Venetian art, theology and cosmography and the complexities of the Venetian vernacular. The books develops a multi-tiered approach, in which different elements of the rich cultural context in which this world map was created, interact with each other, each casting a new light on the encyclopaedic work being analyzed.
, Brepols - Harvey Miller, 2011 Hardcover. 470 p., 3 b/w ill. 16 colour ill., 210 x 270 mm, Languages: English, Including an index. Fine copy. ISBN 9782503523781.
Fra Mauro?s mappamundi, drawn around 1450 in the monastery of San Michele on Murano in the lagoon of Venice, is among the most relevant compendia of knowledge of the Earth and the Cosmos of the fifteenth century. By examining literary, visual, textual and archival evidences, some long considered lost, this book places the map within the larger context of Venetian culture in the fifteenth century. It provides a detailed analysis of both its main sources (auctores veteres such as Pliny, Solinus, Ptolemy, and novi, like Albert the Great, Thomas Aquinas, Marco Polo and Niccolo de? Conti) as well as of the composite networks of contemporary knowledge (scholasticism, humanism, monastic culture, as well as more technical skills such as marine cartography and mercantile practices), investigating the way they combine in the epistemological unity of the imago mundi. More a work on intellectual history than cartography, the book constructs a complex set of frameworks within which to situate Fra Mauro?s monumental effort. These range from the cultural history of the reception of the world map from the fifteenth to the nineteenth centuries to the analysis of the material conditions under which map-makers such as Fra Mauro worked; from the history of ideas, especially of natural philosophy to the links between world representations and travel literature. It also addresses the Venetian reception of Ptolemy?s Geography, the interactions between Venetian art, theology and cosmography and the complexities of the Venetian vernacular. The books develops a multi-tiered approach, in which different elements of the rich cultural context in which this world map was created, interact with each other, each casting a new light on the encyclopaedic work being analyzed. Angelo Cattaneo, who holds a Ph.D. in History from the European University Institute in Florence, is a researcher at the Centro de Historia de Alem-Mar of the Universidade Nova de Lisboa (Center for Overseas History of the New University of Lisbon). Currently he is studying the global circulation of knowledge, technology and material culture from the fifteenth to the seventeenth centuries, particularly cosmography, cartography and travel literature. He is the author of Mappa mundi 1457 (Rome, 2008). He also co-edited the volumes The Making of European Cartography (Florence, 2003) and, with Nathalie Bouloux and Patrick Gautier Dalche, Humanisme et decouvertes geographiques (Medievales 58, 2010).
Helette Jean Curutchet 1998 1 vol. broché in-8, broché, couverture illustrée, 155 pp., portrait-frontispice et 12 planches de photographies hors-texte. Infime tache en tête de la couverture, sinon bon état.
Carouge (Genève), Imprimerie des Bergues, Pierre et Jacques Chevalier 1993, 155x225mm, reliure d'éditeur. Relié cahiers, format à l’italienne. Bel exemplaire.
Cattaneo, Giulio: L'Opera Completa di Duccio. Milan: Rizzoli, 1972. Series: Classici dell'Arte. 100pp with 64 colour plates and 1347 monochrome illustrations. Cloth, 31.5x24.5cms.
Text in Italian
CONFERENCE EDITIONS
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9791097497347
CONFERENCE EDITIONS
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9791097497484
CONFERENCE EDITIONS
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9791097497491
Einaudi 1939 338 pages in8. 1939. Broché. 338 pages.
Bon état de conservation bords frottés intérieur propre
Mondadori 2001 283 pages 38x470x279cm. 2001. Broché. 283 pages.
Très bon état bonne tenue intérieur propre
Sansoni 1986 588 pages in8. 1986. Cartonné jaquette. 588 pages.
livre en bon état intériuer propre avec sa jaquette (déchirure en bas du premier plat)
Marcianum Press 2006 356 pages 17x2 4x23 8cm. 2006. Broché. 356 pages.
bon état de conservation deux rides sur le dos intérieur propre
Rizzoli Editore, coll. « Classici Della’Arte », n° 60 1981 Livre en italien. In-4 cartonnage éditeur 31,5 cm sur 24. 100 pages. Bon état d’occasion.
Bon état d’occasion
Berlin Chez Chretien Frederic Voss 1754
in-12, 396p. :: Edition originale de cet ouvrage de controverse écrit par un adversaire vénitien des Lumières. :: Reliure ancienne (brisée), recouverte d'un papier fort (muet).
Matteo Bianchi, Felix Billeter, Simone Soldini, R. Bucher, M. Cattaneo, E. Maehlmann
Reference : lc_74072
Museo d'Arte Mendrisio; Illustrated édition (1 avril 2011)
Broché, comme neuf.
Paris, Beauchesne 1981 xx + 269pp., 22cm., dans la série "Théologie historique" volume 58, brochure originale, cachet, bon état, R106426
Cattaneo Marco Trifoni Jasmina Collectif Boisset Geneviève Lamy Martine
Reference : 500012539
(2004)
ISBN : 9782700026528
Gründ 2004 400 pages 26x36x3cm. 2004. Relié. 400 pages.
Comme neuf - L'ouvrage qui n'a jamais été lu pourrait présenter de légères traces de stockage - remis sous blister et expédié soigneusement dans emballage adapté -