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Catalogue of Illuminated Manuscripts Museum Plantin-Moretus, Antwerp
Peeters; 1er édition (24 janvier 2013)
Relié, jaquette illustrée, nombreuses illustrations, comme neuf.
Catalogue of Illuminated Manuscripts of the Museum Plantin-Moretus, Antwerp: (Low Countries Series 15) (Corpus of Illuminated Manuscripts: Low Countries Series 15)
Leuven 2013 Peeters Publishers Hardcover
Catalogue of Illuminated Manuscripts of the Museum Plantin-Moretus, Antwerp: (Low Countries Series 15) (Corpus of Illuminated Manuscripts: Low Countries Series 15) cataloge hard cover, 310 x 230 mm, 303 pages, red linen binding with white print, fabric wrap, lots of illustrations, in good condition
Catalogue of Illuminated Manuscripts of the Museum Plantin-Moretus, Antwerp: (Low Countries Series 15) (Corpus of Illuminated Manuscripts: Low Countries Series 15)
Leuven 2013 Peeters Publishers Hardcover
Catalogue of Illuminated Manuscripts of the Museum Plantin-Moretus, Antwerp: (Low Countries Series 15) (Corpus of Illuminated Manuscripts: Low Countries Series 15) cataloge hard cover, 310 x 230 mm, 303 pages, red linen binding with white print, fabric wrap, lots of illustrations, in good condition
Catalogue of Illuminated Manuscripts of the Museum Plantin Moretus, Antwerp.
, , 2013 Bound, Pages: 303 p. illustrated in color. fine condition. new. ISBN 9789042929159.
From the 16th to the 19th century, illuminated manuscripts were collected by the great printer-publisher Christophe Plantin and his Moretus successors and descendants. Ranging in date from the 9th to the mid-16th centuries, the manuscripts in the Museum Plantin-Moretus come from all over Europe, chiefly the Southern Netherlands and France with a significant representation of 15th-century Dutch illumination. More surprisingly, about a quarter of the collection comes from England: manuscripts of the 10th to 15th centuries that left the country with Catholic refugees. Alongside the acknowledged masterpieces and rarities, like the Bohemian Bible of 1402, are volumes that have remained virtually unknown, their aesthetic appeal and historical or textual interest often passing unnoticed in the absence of published reproductions. In this beautifully produced catalogue, each of the 102 volumes is illustrated in colour, with more extensive coverage of the 55 volumes with the most rewarding illumination. For the first time it is possible to gauge the extent and nature of this fascinating and under-explored collection, still housed in the building on the Vrijdagmarkt in Antwerp to which Plantin moved his famous sign of the Golden Compasses in 1576. Corpus of Illuminated Manuscripts, 20 - Low Countries Series 15.
Rogier Van Der Weyden in Context. Proceedings of Symposium XVII, Leuven, November 2009
BE - , Peeters leuven,, 2012 Gebonden, Hardcover.402 Pages, Illustrated. 30x305x221 mm. English. ISBN 9789042926929.
On 20 September 2009 the new M-Museum Leuven (Belgium) was inaugurated with the opening of the exhibition Rogier van der Weyden 1400-1464 - Master of Passions. The starting point of the exhibition was the work of Rogier van der Weyden himself and the intention was to display and define his individual style and contribution. To demonstrate the significance of his overwhelming influence across artistic media, his own works were brought together with those of his contemporaries and followers: painters, designers, sculptors, tapestry weavers and embroiderers. His significance was reflected in the international Colloquium Rogier van der Weyden in Context, which took place on 22, 23 and 24 October 2009. It was organised by Illuminare - Centre for the Study of Medieval Art (KU Leuven), the Art History Department KU Leuven and Artes.Leuven, in conjunction with the UCL (Catholic University of Louvain-la-Neuve, Laboratoire d'etude des oeuvres d'art par les methodes scientifiques) and the KIK-IRPA (Royal Institute for Cultural Heritage, Belgium). It was the XVIIth Symposium for the Study of Underdrawing and Technology in Painting, yet its scope was extended beyond the technical examination of paintings so that the work of one great genius, Rogier van der Weyden, could be considered in a variety of contexts. The papers in this volume are grouped around the following themes: (i) Rogier van der Weyden, painter and designer; (ii) Archival sources; (iii) Studies in painting; (iv) Studies in underdrawing; (v) Studies in sculpture; (vi) The legacy of Van der Weyden.
Catalogue of illuminated manuscripts museum Plantin-Moretus Antwerp.
Paris, Leuven, Peeters, 2013. In-4, rel. éd. pleine toile rouge sous jaquette ill. en coul., 301 pp., très nb. ill. en coul., texte en anglais, concordances, index bibliographie in fine.
Collection "Corpus of illuminated manuscripts: volume n° 20. Low Countries. Series 15. Illuminare. Centre for the study of medieval art, Ku Leuven. Très bel ex. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €)
WATTEEUW Lieve - Catharine REYNOLDS ( authors ) - Jan VAN DER STOCK ( editor ) :
Reference : 40980
Catalogue of Illuminated Manuscripts Museum Plantin-Moretus , Antwerp.
Leuven, Peeters, 2013, in-4°, 301 pp, colour ills. Publisher's cloth with printed wrapper. Describes 102 manuscripts. Indices. Published in the series '' Corpus of Illuminated manuscripts - Low Countries series 15 '' Volume 20.
WATTEEUW Lieve - Catharine REYNOLDS ( authors ) - Jan VAN DER STOCK ( editor ) :
Reference : 56381
Catalogue of Illuminated Manuscripts Museum Plantin-Moretus , Antwerp.
Leuven, Peeters, 2013, in-4°, 301 pp, colour ills. Publisher's cloth with printed wrapper. Describes 102 manuscripts. Indices. Published in the series '' Corpus of Illuminated manuscripts - Low Countries series 15 '' Volume 20. Mint copy.
