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Pre-Eyckian Panel Painting in the Low Countries. 1. Catalogue. 2. Essay.
Turnhout, Brepols, 2009 hardbound, two volumes , original editor's jacket, english, 728 pp., 400 colour ill., 218 x 283 mm. ISBN 9782870330142.
Contributions to the Study of the Flemish Primitives CSFP 9. In the first volume ten objects, which in fact constitute the majority of pre-Eyckian works in Belgian collections, are documented as thoroughly as possible. Their interpretation is underpinned not only by classic art historical analysis but also by macro-photography, X-radiography, infrared photography and reflectography, dendrochronological data and, in so far as was feasible or justifiable, laboratory analysis of pigments and binding media. The research has benefited to the full from the expertise of the many specialists of the IRPA/KIK. In volume two of this publication are a number of individual contributions by ?guest authors?. They cover diverse topics, ranging from specific technical observations regarding one noteworthy feature or group of works, to historical context, peripheral iconographic phenomena, aspects of restoration, and the exploration of Ghent?s archives by way of a case study.
Flemish Primitives I. The Master of Flemalle and Rogier van der Weyden Groups.
, Brepols Publishers, 1996 hardback 308 pages ., incl. 67 colour ill. and 174 halftones, 210 x 297 mm, English Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium (CENP 1) . ISBN 9782503505015.
This catalogue includes paintings by the Master of Flemalle and Rogier van der Weyden Groups, now in the Royal Museums of Fine Arts of Belgium in Brussels, as well as thourough analyses and colour reproductions. The publication of the first in a five-volume scholarly catalogue of the 15th-century southern Netherlandish paintings in the Royal Museums of Fine Arts of Belgium in Brussels is a long awaited event. The museums' rich collection of Flemish Primitives boasts paintings by Rogier van der Weyden, Gerard David, Petrus Christus, Dirk Bouts, Hans Memling and Hieronymus Bosch. It also includes several important works by artists with provisional names from the schools of Tournai, Bruges and Brussels, such as the Master of Flemalle, the Master of the St Lucy Legend and the Master of the Life of Joseph. This multi-volume English-language catalogue will include approximately 100 paintings. Each work is the subject of a thourough analysis covering technical, historical, iconographical and stylistic aspects. The catalogue contains colour reproductions of each painting as well as other visual documentation from laboratory investigations (infrared reflectograms, ultra-violet fluorescence photographs; X-radiographs, macro photographs), photographs of related works and diagrams of the original frames. The wealth of documentation presented in this volumes makes it an indispensable reference for both scholars and amateurs interested in 15th-century painting.
Flemish Primitives III, Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter, Goossen van der Weyden.
, Brepols Publishers, 2002 hardcover, 392 p., 223 b/w ill. 140 colour ill., ills., 210 x 297 mm, English. ISBN 9782503512297.
The third volume comprises investigations on seventeen paintings by a final group of preeminent, identified artists from the period of transition at the end of the fifteenth and the beginning of the sixteenth century, to which the authors adjust various attributions and interpretations. The third volume includes a final group of preeminent, identified artists from the period of transition at the end of the 15th and the beginning of the 16th century. Artistic production at this time was still rooted in late medieval thought, yet more and more seized with new renaissance developments, and at a permanent state of ferment with constantly changing needs of society. The catalogue deals with correspondingly complex issues of interpretation through the works of Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen van der Weyden. It comprises a technical, stylistic and iconographical investigation of seventeen paintings on the basis of a scientific research method, which has been fully established over the years. The authors have been able to adjust various attributions and interpretations. At the same time most valuable discoveries have been made with regard to the provenance of some work belonging to the Albrecht Bouts and Colijn de Coter Groups. "Fur die weitere Forschung zu den betreffenden Kunstlern oder den fraglichen Werken wird der Band eine unverzichtbare Basis darstellen." (S. Kemperdick in Sehepunkte, 3 (2003), nr. 1, 15.01.2003)
Mayer Van den Bergh Museum, Antwerp.
, Brepols Publishers, 2003 hardback, 469 p., 220 x 280 mm English. FINE ISBN 9782870330111.
Antwerps Museum Mayer van der Bergh houses a particularly valuable collection of Flemish Primitives, including paintings of exceptional quality by Juan de Flandes, Vrancke van der Stockt, the Master of the Saint Ursula Legend, works from the environments of Hans Memling, Rogier van der Weyden and the Master of Hoogstraten, as well as an exceptional pre-Eyckian tower retable and two panels from the Antwerp-Baltimore quadriptych. All twenty-one paintings have recently been subjected to scientific examination. The research results are presented in a clear and revised structure of the Corpus series. With its modern layout and over 300 illustrations, the publication offers attractive and exciting reading to every researcher and amateur of 15th-century painting from the Southern Netherlands and the Principality of Liege. "Diese Veranderungen sind uneingeschrankt zu begrussen. Sie machen das Buch nicht nur attraktiver ? und damit insbesondere fur des interessierten Laien reizvoller -, sondern auch fur den Spezialisten viel besser benutzbar" (Kemperdick, Stefan, in : Sehepunkte 04, 2004) "Insgesamt (aber) ist die hier vorgenommene Umgestaltung sehr zy begrussen. Sie hat die Benutzbarkeit der Bande und die Uberzeugungkraft der Argumentationen eindeutig erhoht." (Kemperdick, Stefan, in : Sehepunkte 04, 2004)
Vision and Material. Interaction between Art and Science in Jan van Eyck's Time
Brussel, KVAB Press, 2012 Hardcover, cloth with dustjacket, 330pp., ills. in col. and b/w., 22.5x29cm., new. ISBN 9789065691057.
Contributions to the BRUSSELS conference held in 2010 at the Palace of the Academies. by: Inigo Bocken (Radbout University, Nijmegen), Till-Holger Borchert (Groeninge Museum, Bruges), Mark Clarke (Lisbon University), Bruno Cornelis (Vrije Universiteit, Brussels), Ingrid Daubechies (Duke University, USA), Marc De Mey (Ghent University), Dominique Deneffe (KIKIRPA, Brussels), Ann Dooms (Vrije Universiteit, Brussels), Bart Fransen (KIKIRPA, Brussels), Ingrid Geelen (KIKIRPA, Brussels), Alan Gilchrist (Rutgers University, USA), Jan Koenderink (MIT, USA and universities of Delft and Leuven), Maximiliaan P.J. Martens (Ghent University), Aleksandra Pi?urica (Ghent University), Ljiljana Plati?a (Ghent University), Tijana Ru?ic (Ghent University), Wolfgang Schneider (Hildesheim University), Harald Schwaetzer (Alanus Hochschule), Cyriel Stroo (KIKIRPA, Brussels), Boris Uspenskij (National Research University, Moscow), Abbie Vandivere (Amsterdam University). On the themes: The viewers in the Ghent Altarpiece ?Form and function of van Eyck?s portraiture Changing drapery Spatiogram features to characterize pearls and beads The lines and luster of the light Painting techniques and human representation in pre-Eyckian painting The making of portraits before Jan van Eyck Modeling splendor: applied brocade in the Ghent Altarpiece, grayscale range in pigment, paintings and perception
Ghent Altarpiece, Research and Conservation of the Exterior
, Brepols - Harvey Miller, 2020 Hardcover, X+430 pages ., 220 x 280 mm,. English. ISBN 9782930054384.
The outer panels of the Ghent Altarpiece had been overpainted to a considerable extent. The virtuosity of the Eyckian technique and aesthetics remained hardly visible. And yet, this had never been observed before the start of the conservation treatment. By removing the overpaint, the tonal richness and the coherent rendering of light and space once again came to the fore. Especially the suggestion of volumes and the spaciousness of the ensemble gained strength because of the virtuoso play of deep shadows and bright light accents, and not in the least because of the surprising trompe-l'oeil effect of the frames conceived as a stone framework. Or to put it in the words of the comments of one of the experts, dr. Maryan Ainsworth: The paintings live and breathe again in the time of the Van Eyck brothers. The sharp observation skills, the quick, accurate execution, the knowledge, curiosity and ingenuity about all the things that are depicted, are now unveiled after centuries. The profit for the knowledge of and further research into the essence of Eyckian aesthetics is considerable. And finally there is the discovery that the much-discussed quatrain was applied simultaneously with the polychromy of the frames: a real 'coup de foudre' in the discourse of the current art-historical research! The subtleties of the Eyckian technique could also be mapped out in more detail. How the Van Eycks managed to keep the final result and the desired effect in mind during every phase of the execution, from imprimatura to finishing touch. The artists made a statement about the art of painting, giving ?technique? as such a new prominence. The Ghent Altarpiece may be understood at some point as a major showpiece for a highly sophisticated pictorial technique. We hope that this publication of the results of the research and conservation campaign on the exterior of the altarpiece can help future researchers to ask better questions. Questions, and answers, that may produce a more balanced picture of Van Eyck's techniques, methods and materials. Table of Contents Foreword Ludo Collin Preface Hilde De Clercq, Christina Ceulemans Introduction Maximiliaan Martens, Christina Ceulemans, Ron Spronk, Anne van Grevenstein-Kruse Transformations in the Sixteenth and Seventeenth Centuries H l ne Dubois Frames and Support: Technique and Structural Treatment Jochen Ketels, Jean-Albert Glatigny, Anne-Sophie Augustyniak Paint and Polychromy: Chemical Investigation of the Overpaints Jana Sanyova, Geert Van der Snickt, H Koen Janssens, Peter Vandenabeele Conservation and Restoration Treatment The Painted Surface Livia Depuydt-Elbaum, Fran The Frames: In Search of Lost Unity Anne-Sophie Augustyniak, Laure Mortiaux The Van Eycks' Creative Process The Paintings: from (Under)drawing to the Final Touch in Paint Marie Postec, Griet Steyaert The Frames: an Exceptional Polychromy Anne-Sophie Augustyniak, Laure Mortiaux, Jana Sanyova The Authenticity of the Quatrain and the other Frame Inscriptions Susan Frances Jones, Anne-Sophie Augustyniak, H l ne Dubois Imagining the Original Display Bart Fransen, Jean-Albert Glatigny Restoring in the Public Eye Bart Devolder Epilogue: Implications and Perspectives Cyriel Stroo, Maximiliaan Martens Documentation Photography before and after Treatment St phane Bazzo, Jean-Luc Elias, Katrien Van Acker Inscriptions on the Exterior Susan Frances Jones, Marc H. Smith The Quatrain: a New Reconstruction Marc H. Smith, Susan Frances Jones, Anne-Sophie Augustyniak Dimensions of Frames and Supports Jochen Ketels, Jean-Albert Glatigny, Anne-Sophie Augustyniak The Ghent Altarpiece: a Bibliography Dominique Deneffe, Jeroen Reyniers Bibliography Project Participants Photographic Acknowledgements Abbreviations Index of Names Index of Works of Art
The Flemish Primitives III: The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen Van der Weyden Groups. Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Vol 3. Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium
Stroo, Cyriel et al: The Flemish Primitives III: The Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen Van der Weyden Groups. Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Vol 3. Brussels: 2001. Series: Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium. 392pp with 24 colour and 31 monochrome plates, 116 colour and 179 monochrome illustrations. Boards. 30x21.5cms. Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden.
Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden. Text in English
Vlaamse meesters - Zes eeuwen schilderkunst
Leuven, Davidsfonds 2004 303pp. rijkelijk geïllustreerd in kleur, gecart. uitgeversband, geïllustreerde stofwikkel, 32cm., zeer goede staat, S57396
Early Netherlandish Painting (1400-1500). A bibliography (1984-1998)
Brussels, Centre international d'étude de la peinture médiévale des bassins de l'Escaut et de la Meuse 1998 385pp., 30cm., softcover, in the series "Contributions to fifteenth-century painting in the Southern Netherlands and the Principality of Liège" volume 8, good condition, S84472
HÉLÈNE MUND, CYRIEL STROO, HANS NIEUWDORP
Reference : 012888
(2003)
ISBN : 9782870330111
The Mayer van den Bergh Museum Antwerp
Brussels 2003 Centre d'Etude de la Peinture du Quinzième siècle Hardcover
The Mayer van den Bergh Museum Antwerp cataloge hard cover,290 x 225 mm, 468 pages, blue cloth binding with gold-colored print and fabric wrap, in good condition
The Flemish Primitives III Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter, Goossen Van Der Weyden: 3 (Catalogue of Early Netherlandish Painting: Royal Museums of)
2003 Brepols N.V. Soft cover
The Flemish Primitives: Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter, Goossen Van Der Weyden: 3 (Catalogue of Early Netherlandish Painting: Royal Museums of) soft cover: 295 x 215 mm, 392 p, very good condition
Early Netherlandish painting (1400-1500) a bibliography (1984-1998)
1998 Interantionaal studiecentrum voor de middeleeuwse schilderkunst in het schelde- en maasbekken Soft cover
Early Netherlandish painting (1400-1500) a bibliography (1984-1998) soft cover, 29,5 x 21 cm, 385 p, contribution to fithteenth-century painting in hte southern Netherlands and the principality of LIège 8 as new, almost mint condition
Mayer Van den Bergh Museum, Antwerp,
Turnhout, Brepols, 2003 Hardback, 469 p., 220 x 280 mm. ISBN 9782870330111.
Antwerp's Museum Mayer van der Bergh houses a particularly valuable collection of 'Flemish Primitives', including paintings of exceptional quality by Juan de Flandes, Vrancke van der Stockt, the Master of the Saint Ursula Legend, works from the environments of Hans Memling, Rogier van der Weyden and the Master of Hoogstraten, as well as an exceptional pre-Eyckian tower retable and two panels from the Antwerp-Baltimore quadriptych. All twenty-one paintings have recently been subjected to scientific examination. The research results are presented in a clear and revised structure of the Corpus series. With its modern layout and over 300 illustrations, the publication offers attractive and exciting reading to every researcher and amateur of 15th-century painting from the Southern Netherlands and the Principality of Liege. Languages: English.
Gentil Tigre
Paris Albin Michel Jeunesse 1999 In Quarto , Oblong Un tigre résoud tous les problèmes des autres animaux , mais trop disponible il n'a plus une minute à lui et se retrouve très fatigué . Il prend sa valise et s'en va . Cette interruption est salutaire , elle lui permet de mettre des limites quand il revient . Livre intelligent pour bien cadrer les choses vis à vis d'un frère ou une soeur qui en demande trop à l'aîné de la famille . Illustrations en couleurs . - 32 p. , 500 gr.
Couverture rigide Parfait État . 1° Édition En Français
SMEYERS Maurits - Bert CARDON - Brigitte DEKEYZER - Cyriel STROO a.o. - [ ] CORPUS OF ILLUMINATED MANUSCRIPTS Vol. 6 :
Reference : 6446
VLAAMSE MINIATUREN VOOR VAN EYCK, Catalogus. Volume 6 of the ''Corpus of the illuminated manuscripts.
.: 4. Leuven, Peeters, 1993, large in-8°, 248 pp, coloured & b/w ills. sewn, orig. wrappers. Published on the occasion of the exhibition in Louvain 7 September 1993. Describes 67 illuminated manuscripts which originated in Flanders ca.1380 - 1420.
Early Netherlandish Painting (1400 1500). A Bibliography (1984 1998)- Contributions to fifteenth century painting in the southern Netherlands and the principality of Liège 8.
.: Brussels, Centre d'Etude de la Peinture médiévale etc., 1998, in-8°, 385 pp, index, sewn, orig.wrapper.
Mayer van den Bergh Museum Antwerp. Volume 20 (of the ) Corpus of Fifteenth-Cenrury Painting in the Southern Netherlands and the Principality of Liège.
.: Brussels, Koninklijke Vlaamse Academie, 2003, in-4°, 468 pp, coloured and b/w ills., publisher's cloth with dustjacket. Mint copy.
The Flemish Primitives. Volume I . The Master of Flémalle and Rogier van der Weyden Groups. Catalogue of Early Netherlandish painting in the Royal Museums of Fine Arts in Belgium.
.: 0. Brussel, Turnhout, Brepols, 1996, in-4°, 29,5 cm, 275 pp, coloured and black/white illustrations, index, bibliography, sewn, orig. stiff wrapper.
De celebratie van de macht. Presentatieminiaturen en aanverwante voorstellingen in handschriften van Filips de Goede (1419 - 1467) en Karel de Stoute ( 1467-1477).
.: Brussel, Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, ( treatise of the Royal Belgian Acadamy ) , 2002, in-8°, 26 x 18 cm, 388 pp + 143 plates , index, bibliography , sewn, original stiff wrapper, published as treatise no. 7, new series of the Royal Academy. Text in Dutch. Boek in het Nederlands.
SMEYERS Maurits - Bert CARDON - Brigitte DEKEYZER - Cyriel STROO a.o. - [ ] CORPUS OF ILLUMINATED MANUSCRIPTS Vol. 6 :
Reference : 53252
VLAAMSE MINIATUREN VOOR VAN EYCK, Catalogus. Volume 6 of the ''Corpus of the illuminated manuscripts.
.: Leuven, Peeters, 1993, large in-8°, 248 pp, coloured & b/w ills. Softcover, orig. wrapper. Published on the occasion of the exhibition in Louvain 7 September 1993. Describes 67 illuminated manuscripts which originated in Flanders ca.1380 - 1420.
SMEYERS Maurits - Bert CARDON - Brigitte DEKEYZER - Cyriel STROO a.o. - [ ] CORPUS OF ILLUMINATED MANUSCRIPTS Vol. 6 :
Reference : 53784
VLAAMSE MINIATUREN VOOR VAN EYCK, Catalogus. Volume 6 of the ''Corpus of the illuminated manuscripts.
.: Leuven, Peeters, 1993, large in-8°, 248 pp, coloured & b/w ills. Softcover, orig. wrapper. Published on the occasion of the exhibition in Louvain 7 September 1993. Describes 67 illuminated manuscripts which originated in Flanders ca.1380 - 1420. Text in Dutch. Boek in het Nederlands. ISBN 9068315161 .
