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Giorgio Vasari: The Book of Drawings. The Fate of a Mythical Collection
Frank, Louis, and Carina Fryklund: Giorgio Vasari: The Book of Drawings. The Fate of a Mythical Collection. Exhibition: Paris, Musée du Louvre and Stockholm, Nationalmuseum, 2022. 240 pages, over 100 colour and black and white illustrations. Paperback. 25 x 20cms. A study and recreation of Giorgio Vasari's 'Libro de' disegni', his lost collection of drawings accompanying his 'Lives of the Most Eminent Painters, Sculptors and Architects'. Ten essays discuss the historiography of Vasari's lost book of drawings, his classification system, the collection's dispersal, figures like Niccolo di Sinibaldo Gaddi, and includes a technical analysis of extant mounts. Appendices include excerpts from Vasari's 'Lives' written in Italian.
A study and recreation of Giorgio Vasaris 'Libro de disegni', his lost collection of drawings accompanying his Lives of the Most Eminent Painters, Sculptors and Architects. Ten essays discuss the historiography of Vasaris lost book of drawings, his classification system, the collections dispersal, figures like Niccolo di Sinibaldo Gaddi, and includes a technical analysis of extant mounts. Appendices include excerpts from Vasaris Lives written in Italian. Text in English
Görel Cavalli-Björkman, Janna Herder ; Carina Fryklund, Karin Sidén; translation : David Jones
Reference : 60181
Dutch and Flemish Paintings III : Flemish Paintings c. 1600 - c.1800.
, Nationalmuseum Sweden, 2010 Hardcover, 488 pages, ENG, 290 x 215 x 40 mm, dustjacket, in very good condition ! , brown linen with gold colour imprint, illustrations in colour / b/w. ISBN 9789171008220.
Flemish Paintings c. 1600 - c. 1800 is the third and final volume in a series of catalogues raisonnés dealing with Dutch and Flemish paintings in the Nationalmuseum. This volume covers famous painters like Anthonis van Dyck, Peter Paul Rubens, Jan Brueghel I, Jacob Jordaens, Frans Snyders and Jan Fyt, but also less known artists. The research conducted into the collections covers not only provenance, iconography and stylistic analysis but also documents all 239 paintings from a material and technical point of view. This includes pigment analyses, dendrochronological examination and an examination of the paintings with the aid of UV, X-radiography and infrared reflectography. The findings have in some cases offered new information and a number of paintings have as a result been given new attributions and dates. The authors of the catalogue are Professor Görel Cavalli-Björkman, PhD Carina Fryklund and Director of Research and Associate Professor Karin Sidén in collaboration with Lena Dahlén and Stefan Ohlsson in the museum?s conservation studio and Professor Peter Klein in Hamburg for the dendrochronological analyses.
Flemish Wall Painting Late Gothic Wall Painting in the Southern Netherlands
Turnhout, Brepols, 2011 Hardback, IV 435 pages., 454 b/w ill. 80 colour ill., ills., 220 x 280 mm. ISBN 9782503512372.
The present book considers the development of figurative wall painting in the southern Low Countries over a period of two centuries, between circa 1300 and 1500. The region had a long-standing tradition of monumental figurative painting, of which the earliest, romanesque, examples are still preserved at Tournai and Ghent. Despite the central role that figurative wall painting clearly continued to play in the art, propaganda, and liturgy of the courts and churches of the late medieval southern Low Countries, the medium has been largely overlooked in comparison with the attention paid by art historians to other contemporary art forms. A variety of factors have contributed to this neglect, of which the most significant are undoubtedly the random survival, and the often damaged condition, of extant wall paintings, as well as the frequently remote locations and difficulty of access to the buildings housing them. Benign neglect and active vandalism have ensured that only a fraction of the great wall painting ensembles of the late medieval era have survived. Today, only fifty or so individual murals or ensembles of the Late Gothic period -not including a large number of tomb paintings -once in the churches and monasteries, town halls and guild chapels, castles and hotels of the southern Low Countries, have survived the passage of time, wars, iconoclasm, and changing fashions of interior decoration. These include many previously unrecorded wall paintings discovered beneath layers of whitewash in churches and private residences within the last twenty-five years or so, and restored by conservation staff. New book.
Late Gothic Wall Painting in the Southern Netherlands
Fryklund, C.: Late Gothic Wall Painting in the Southern Netherlands. Turnhout: Brepols, 2011. 435 pages, 80 colour and 454 monochrome illustrations. Hardback. 28 x 23cms. With a long-standing tradition of figurative painting, the area of the Netherlands and Belgium, once part of the southern Low Countries, is rich in these monumental works. Although relatively abundant and with the earliest Romanesque examples still being preserved in Tournai and Ghent, remote locations and lack of attention mean that many are in bad condition. This book chronicles the history of this art form and looks at restoration projects underway to salvage it.
With a long-standing tradition of figurative painting, the area of the Netherlands and Belgium, once part of the southern Low Countries, is rich in these monumental works. Although relatively abundant and with the earliest Romanesque examples still being preserved in Tournai and Ghent, remote locations and lack of attention mean that many are in bad condition. This book chronicles the history of this art form and looks at restoration projects underway to salvage it. Text in English
