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[Jean-Michel Basquiat] - Buchhart, Dieter, and Faith Almiron
Reference : 122366
(2022)
ISBN : 9783775753319
Jean-Michel Basquiat. Art and Objecthood
Buchhart, Dieter, and Faith Almiron: Jean-Michel Basquiat. Art and Objecthood. 2022. 288 pages, fully illustrated. Hardback. Featuring a breadth of works that the artist made using unconventional painted supports and found-object sculptures, this publication will provide an innovative, in-depth look into the artist's sculptural practice. In addition to painting and drawing on items within his domestic spaces-refrigerators, chairs, and cabinets-Basquiat also left his mark on items he encountered on the street-discarded windows and doors, mirrors, wood boards, and subway tiles.
Featuring a breadth of works that the artist made using unconventional painted supports and found-object sculptures, this publication will provide an innovative, in-depth look into the artist's sculptural practice. In addition to painting and drawing on items within his domestic spaces-refrigerators, chairs, and cabinets-Basquiat also left his mark on items he encountered on the street-discarded windows and doors, mirrors, wood boards, and subway tiles. Text in English
BESSIERES Vincent , BUCHHART Dieter, DESMARAIS Mary-Dailey.
Reference : 28090
ISBN : 9782073000507
Basquiat Soundtracks.
<meta charset="utf-8"><span>Jean-Michel Basquiat fait son apparition à la toute fin des années 1970 dans les clubs branchés du Lower East Side de Manhattan, où s’inventent alors les premières musiques réellement urbaines : la no-wave et, surtout, le hip-hop. Musiques déstructurées, maniant le collage, le sampling et la syncope, avec lesquelles ses tableaux présentent d’évidentes analogies. Toutes les musiques habitent l’atelier et les œuvres de ce mélomane compulsif et éclectique, dont la collection de plus de 3000 disques mixe les styles – du classique au rock, en passant par le zydeco de Louisiane, la soul, la new-wave et, par-dessus tout, le jazz –, et qui écoute de la musique en permanence lorsqu’il travaille. Ses tableaux abondent ainsi en références à l’histoire de la musique, en particulier au classique (Bach, Beethoven, Mozart…) et au jazz. Des références qui ne sont pas uniquement des citations, mais qui souvent participent aussi d’une stratégie d’affirmation de ses racines afro-américaines, dont témoigne en particulier le culte qu’il voue au blues et au be-bop, et notamment à la figure de Charlie Parker.</span> Paris, 2023 Gallimard/Philharmonie de Paris. 288 p., illustré, reliure toile éditeur. 24 x 30
Neuf
Dieter Buchhart Anna Karina Hofbauer Donatien Grau Eva Van Diggelen
Reference : 57467
Calder Now
, Lannoo, 2021 Gebonden, Hardcover 208 pagina's, 290x220mm.(NL) ISBN 9789401479684.
Calder Now presenteert de blijvende en onmiskenbare invloed van de moderne meester op de hedendaagse kunst. Naast kunstwerken van de meester zelf, toont het boek, de catalogus bij de gelijknamige tentoonstelling in Kunsthal Rotterdam, werken van tien hedendaagse kunstenaars: Olafur Eliasson, Zilvinas Kempinas, Simone Leigh, Ernesto Neto, Carsten Nicolai, Aki Sasamoto, Roman Signer, Monika Sosnowska, Sarah Sze en Rirkrit Tiravanija. Wonderlijke installaties die de zwaartekracht tarten, sculpturen die leiden tot buitengewone optische ervaringen, en werken die een beroep doen op alle zintuigen brengen nieuwe verbindingen binnen het iconische oeuvre van Calder aan het licht.
SEEING LOUD : BASQUIAT AND MUSIC
, Gallimard, 2022 Hardcover, 288 pages, ENG.edition, 305 x 245 mm, NEW, illustrated in colour / b/w. ISBN 9782072985942.
During the late 1970s and early 1980s, New York City was financially and socially bankrupt, but the art and music scene was flourishing. During these years, the downtown New York music scene - no wave, hip-hop, disco funk and club culture - shaped Jean-Michel Basquiat as both a musician and an artist. This catalogue for a travelling exhibition explores how Basquiat's painting has parallels in his music (sampling, cut-up, rapping), and takes a new look at his production as a writer and a poet in light of his connections with the then-emerging hip-hop culture. This beautifully illustrated exhibition catalogue of rarely seen photographs and images sheds new light on Basquiat as a musician, exploring how his art and music are related, and how they reflect on his identity as a Black artist in the United States, the downtown New York music scene, and contemporary culture.
