Umberto Allemandi, 1996. In-4, broché sous couverture illustrée en couleurs, 259 pp.
Avec 100 illustrations en noir in texte et 24 planches couleurs.Textes en langue anglaise. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Braun, Emily: Cubism and the trompe l'oeil tradition. Exhibition: New York, Metropolitan Museum, 2022. 288 pages, 251 colour illustrations. Hardback. 26 x 24cms. Presenting a new take on Cubism, this book explores how Pablo Picasso, Georges Braque, and Juan Gris parodied classic trompe l'oeil motifs and devices, highlighting the connections between the Cubists and the trompe l'oeil artists of earlier centuries. Essays discuss the trompe l'oeil iconography within Cubist still lifes, the history of the trompe l'oeil genre and its changing status over the centuries, the materials and processes used in Gris's collages and Braque's grounding in trompe l'oeil interior decoration techniques. Over one hundred illustrated works juxtapose Cubist paintings, drawings, and collages with related compositions by the old masters.
Presenting a new take on Cubism, this book explores how Pablo Picasso, Georges Braque, and Juan Gris parodied classic trompe loeil motifs and devices, highlighting the connections between the Cubists and the trompe loeil artists of earlier centuries. Essays discuss the trompe loeil iconography within Cubist still lifes, the history of the trompe loeil genre and its changing status over the centuries, the materials and processes used in Griss collages and Braques grounding in trompe loeil interior decoration techniques. Over one hundred illustrated works juxtapose Cubist paintings, drawings, and collages with related compositions by the old masters.
PALADINO (Mimmo)]. BRAUN (Emily), ROSENTHAL (Norman).
Reference : 104467
(1993)
ISBN : 9788886158596
Milano Charta 1993 1 vol. broché in-4, broché, couv. illustrée, 198 pp., très nombreuses reproductions en noir et en couleurs. Publié à l'occasion de l'exposition du Museo de Arte Contemporaneo de Monterrey, janvier-mai 1994. Textes trilingues espagnol-italien-anglais. Très bon état.
Hunter College nof the City University of New York, Umberto Allemandi, Turin 1996 Livre en anglais. In-4 broché. 285 pages. Bon état d’occasion.
Bon état d’occasion
Guggenheim Museum Publications,U.S.; 1er édition (22 août 2007)
Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.
, Alex Hillman Family Foundation, 1994 Hardcover, 216 pages, ENG, 310 x 235 x 25 mm, in New condition, no dustjacket, illustrated in colour. ISBN 9780295973876.
"Manet to Matisse: The Hillman Family Collection is a history and catalogue of one of the foremost art collections formed in America in the 1950s and 1960s. The collection is best known for its Impressionist, Post-Impressionist, and early modern masters, among them Bonnard, Braque, Dufy, Gris, Manet, Matisse, Modigliani, Picasso, Pissarro, Renoir, and Rouault. The Hillman Collection also includes works by Americans of the WPA era and postwar European artists." "The introductory essays document the acquisitions made by the Hillmans over three decades and analyze many of the best-known images in an art historical context. The seventy-eight paintings, sculptures, and works on paper are illustrated in color and accompanied by detailed catalogue entries with complete exhibition histories and bibliographic references. An illustrated Appendix listing works formerly in the Hillman Collection is also included."