Leuven, Davidsfonds, 1994 Gebonden, linnen mets stofomslag, 174pp., 22.5x28.5cm., rijkelijk geillustr. in kleur en z/w., goede staat. ISBN 9789061528432.
Leuven, Universitaire Pers 1989 155pp. met los toegevoegd: 63pp. partituren, 24cm., gebroch., in de reeks "Ancorae" vol.7, mooie staat, M72085
Universitaire Pers Leuven 1992 216 pages in8. 1992. Broché. 216 pages.
très bon état de conservation intérieur propre avec son livret
Leuven, Leuven University Press 2008 viii + 326pp.with ills., 24cm., in the series "Supplementa humanistica Lovaniensia" volume 23, softcover, fine condition, T74587
Peer, Alamire 1986 Facsimile edition of the original 1559 (2nd) edition by Antonio Gardano in Venice, 4 volumes (introduction, Bassus, Tenor, Cantus), [20] + [32] + [28] + [32] pp. with music scores, in oblong (21x16cm.), softcovers, in publisher's cart. slipcase, good condition, the first volume contains an introduction in English and in Dutch, ISBN 90-6853-013-6, M95236
Peer, Alamire 1987 Facsimile edition of the original 1549-edition by Antonio Gardane in Venice, 4 volumes (one for each voice: Bassus, Tenor, Altus, Superius), [27] + [27] + [27] + 16,25 + pp., softcovers, in oblong (15x22cm.), in publisher's cart. slipcase, good condition, [Interesting collection of music by M. Werrecore, a Flemish composer who spent most of his life in Italy. It contains the 4-part "La Bataglia Taliana" which celebrates the defeat of the French in the battle of Pavia in 1525, and some villotas. With an introduction in English], ISBN 90-6853-026-7, M95238
Leuven, Universitaire Pers Leuven 1992 216pp. + losse bijlage met 54 muziekvoorbeelden, 24cm., gebroch., in de reeks "Anchorae" volume 11 (actief luisteren naar muziek, deel 3), mooie staat, ISBN 90-6186-483-6, M97962
Universitaire Pers Leuven 1992 216 pages in8. 1992. Broché. 216 pages.
Très bon état intérieur propre ternissures sur tranche bords un peu frottés
, , 2004 Softcover, 188 pages Book language: English. ISBN 9789058674210.
This book is intended to provide the inquisitive listener with a guide to exploring the many layers of meaning found in Bach's Christmas Oratorio. The first section offers a general sketch of the specific context in which this composition was created at the end of 1734, shedding light on the work's liturgical function and taking a closer look at the biblical and broader religious themes. This first section will also focus on the contemporary textual and musical components of the oratorio genre, of which Bach's composition is a prime example. The second section is a detailed discussion of the 64 movements making up the work, with a focus on three aspects: the text, the music and the relation between the two. The nature of the musical setting and its structure depends on the nature of the text, be it prose (the Bible story) or poetry (the chorales and the inserted commentary), narrative or dramatic (indirect or direct speech). Moreover, the music was governed by the particular musical canons of the day, which largely determined and regulated the structure of each section and the coherence between successive sections or those at a greater remove from one another. In order to get to the essence of Bach's oeuvre, the reader-listener must be prepared to become immersed in the literary and musical idiom, the specific terminology and 'grammar' of the day.
Brussel, Paleis der Academiën, 1983, large in-8°, 200 pp, orig. wrappers, b/w ills, index, bibl..(Verhandelingen van de Kon. Academie van Wetenschappen, Lett. en Schone Kunsten van België, Klasse der Sch. K. jrg. 45 nr. 36).(Treatise of the Belgian Academy).
2. Brussel, Paleis der Academiën, 1983, large in-8°, 200 pp, orig. wrappers, b/w ills, index, bibl..(Verhandelingen van de Kon. Academie van Wetenschappen, Lett. en Schone Kunsten van België, Klasse der Sch. K. jrg. 45 nr. 36).(Treatise of the Belgian Academy). Ex-library copy with label on spine. cover slightly discolored. Text in Dutch.