14 books for « boogerd dominic van de... »Edit

‎Jan van de Pavert - Huis‎

‎Centraal Museum Utrecht, 1994. In-8, broché sous couverture illustrée en noir, 111 pp. Voorword/Foreword, Marja Bosma, Sjarel Ex - Een nieuw huis. - Over de typologie van Jan van de Pavert/ A New House. - The Typology of Jan van de Pavert, D. van den Boogerd - Plates - Lijst van afgebeelde werken/Plates ...‎

‎Nombreuses illustrations en noir et blanc.catalogue bilingue néerlandais/anglais. --- Plus d'informations sur le site archivesdunord.com‎

‎Abri. Zeven ontwerpen voor een schuilplaats.‎

‎.: 2. Eindhoven, Stichting Plint, 1993, sq. in-8°, 59 pp, 40 ills., stiff paper wrapper. Text in Dutch. Publ. on the occasion of an exhibition held at Eindhoven, 17 Apr.-13 Jun. 1993, and Deventer, 30 Oct.-19 Dec. 1993. P. Müller, Th. Puckey, P. Perry, M. Toebosch, M. Boezem, M. Hooykaas & E. Stansfield, J. van den Dobbelsteen each designed a shelter.‎

‎VINCENT GEYSKENS‎

‎, Mercatorfonds / M Museum Leuven, 2021 softcover, 270 x 210 mm, 200 pages, 200 illustraties, Eng. edition. ISBN 9789462303157.‎

‎First monograph on this Belgian artist. In his work, Vincent Geyskens examines the position of painting in contemporary society. Abstraction, figuration, a variety of media and styles of painting are engaged with as he probes their possibilities and limits. For an artist, painting is a way of turning thoughts into something tangible, translating them into substance. The exhibition at M will place the spotlight on the breadth of his experience and will gather together diverse series and types of work produced over the course of his oeuvre. The focus will be on his output during the past ten years, complemented by a number of older reference works. The exhibition forges links between various approaches and gives voice to his quest as a painter for the status of the image and visual representation in the present day. M is displaying not only collages, sketches, and painted series of frames, but also paintings that range from still lifes and portraits to abstract colour compositions with thickly applied paint. The publication will also zoom in on his practical work over the past ten years, bringing together various series in free-ranging connection with one another. Dominic van den Boogerd has written an explanatory article on his recent work, while Eva Wittocx has interviewed the artist about his choices and thought processes. The book is amply illustrated. AUTHORS: Dominic van den Boogerd (1959, Breda) is an art critic based in Amsterdam. His reviews and essays have been published in numerous exhibition catalogues and art magazines, including Metropolis M, ArtReview and De Witte Raaf. His collected essays on painting, Great Temptations (2018), were published by Roma Publications in Dutch and English editions. Currently, he is Head of Research and Education at De Ateliers, Amsterdam, where he was director from 1995 to 2018. Eva Wittocx (1975, Mechelen) is Head of Department and Senior Curator of Contemporary Art at M Leuven . There, she has curated exhibitions for artists such as Ugo Rondinone, Eija-Liisa Ahtila, Yto Barrada, Patrick Van Caeckenbergh and Markus Schinwald. Previously, she worked as curator at STUK (Leuven) and S.M.A.K. (Ghent) . In addition, she is curator and co-founder of the live arts festival Playground , which M organizes annually together with STUK. In 2017 she represented Belgium at the Venice Biennale with artist Dirk Braeckman. Vincent Geyskens (1971, Lier) has previously had solo exhibitions of his work at S.M.A.K. (Ghent), Galerie Annette De Keyser (Antwerp), Trampoline (Antwerp), Envoy Gallery (New York) and CC De Garage (Mechelen). He has participated in various group exhibitions, including at KANAL - Centre Pompidou (Brussels), Roger Raveelmuseum (Machelen-Zulte), CIAP (Hasselt), Museum Dr. Guislain (Ghent) and Wiels (Brussels). Since 2007 he has taught at the Royal Academy of Fine Arts (Ghent). In addition, he also gives classes at La Cambre (Brussels) and at the Higher Institute of Fine Arts (Ghent). His work is included in numerous public and private collections.‎

‎Marlene Dumas‎

‎, Phaidon Press, 2009 Hardcover with dusjacket, 240 pages, very richly illustrated with coloured illustrations, *New. ISBN 9780714845845.‎

‎Marlene Dumas (b.1953) is a South African-born, Amsterdam-based painter, and an internationally admired artists. Dumas recalls in her work the painterly gestures of Expressionism, whilst combining the critical distance of Conceptual art with the pleasures of eroticism. Through her delicately painted oil-on-canvas or ink-and-watercolour depictions of the female form as well as portraits of children and erotic scenes, she comments on the state of painting today. What does it mean to be a woman working within the predominantly male genre of expressionist painting? The artist often depicts women: their expressions, their body and facial typologies, their self-image, their ideals. The relationships between art and female beauty ? or between art-historical models and twentieth-century supermodels ? are constant themes in her work. Dumas does not paint from life but deliberately chooses ?stock? images from a variety of sources, from magazine cuttings to picture postcards to Old Master paintings, as re-observed through her contemporary perspective. Since the late 1970s she has exhibited widely, with solo exhibitions at the Tate Gallery, London (1996), the Museum f r Moderne Kunst, Frankfurt (1998), the Museum van Hedendaagse Kunst, Antwerp (1999), the Centre Pompidou, Paris (2002), the New Museum, New York (2002), the Museum of Contemporary Art, Los Angeles (2008) and the Museum of Modern Art, New York (2008). Dutch art critic Dominic van den Boogerd surveys themes in Dumas? work in relation to a range of conceptual legacies in depictions of the human figure. New York artist Barbara Bloom interviews Dumas on questions contemporary women artists are asked, from issues of intellectual process to the representation of the self. Art journalist and former Editor of Vogue Italia Mariuccia Casadio focuses on Dumas? painting Josephine (1997), reflecting on the iconic legacy of Josephine Baker. For her Artist?s Choice Dumas has selected two authors: Oscar Wilde, whose story ?The Fisherman and His Soul? inspired the artist?s early series of works on the theme of mermaids; and Jean Genet, whose autobiography Le Journal du voleur (1949, trans. Thief?s Journal, 1964) is excerpted here. Marlene Dumas has often acted as a spokesperson for her work; the Artist?s Writings section features many such seminal texts on her own art as well as meditations on love, religion, politics, and a discussion of Goya?s painting The Fates. In the Update section art critic Jan Avgikos surveys Dumas? work from 1999 to present.‎

‎Marlene Dumas‎

‎, Phaidon Press, Softcover, 160 pages, 25,0 cm x 29,0 cm x 29,0 cm Illustrated. Texte en Francais, bon etat. ISBN 9780714896762.‎

‎Le critique d'art neerlandais Dominic van den Boogerd etudie les themes de l'?uvre de Marlene Dumas en relation avec divers heritages conceptuels ayant trait a la representation de la figure humaine. L'artiste Barbara Bloom s'entretient avec Marlene Dumas de la question des femmes artistes aujourd'hui, depuis leur mode de construction intellectuelle jusqu'a la representation d'elles-memes. La journaliste et ancienne redactrice en chef de Vogue Italia, Mariuccia Casadio, s'attache a analyser Josephine (1997), peinture interrogeant l'heritage legue par Josephine Baker en tant que figure feminine emblematique. Dans la section Choix de l'artiste, Marlene Dumas a selectionne des extraits de la nouvelle d'Oscar Wilde Le Pecheur et son ame, qui lui avait deja inspire une serie d'?uvres sur le theme des sirenes, et des extraits de l'autobiographie de Jean Genet, Journal du volet voleur (1949). Marlene Dumas se fait souvent le porte-parole de ses ?uvres ; la section Ecrits de l'artiste reunit plusieurs de ses textes de reference sur son art, des reflexions sur l'amour, la religion et la politique ainsi qu'une analyse du tableau de Goya Les Parques.‎

‎Hans Broek. monografie.‎

‎, Hannibal Books, 2023 hardcover, 29 x 24 cm, 192 bladzijden, Tweetalige editie Nederlands-Engels. ISBN 9789464666618.‎

‎De rode draad door het oeuvre van Hans Broek ( 1965) is de verbeelding van het landschap. Vaak schildert hij locaties waar de geschiedenis haar sporen achterliet en waar de kunstenaar over reflecteert, zijn credo indachtig dat goede kunst je wakker moet schudden. Zijn inspiratiebronnen vindt hij over de hele wereld: van een telefoonpaal onder een donkere Spaanse wolkenlucht over moderne bungalows aan de rand van Los Angeles tot smeltende ijskappen in Groenland en verwaaide, verregende landschappen aan de Atlantische kust in het zog van orkaan Sandy. Ook het wrange Nederlandse slavernijverleden laat Broek niet onberoerd. Dat leidde tot een omvangrijke serie schilderijen waarin kerkers, celdeuren en plantagehuizen fungeren als stille getuigen van wat zich onder Nederlands bewind heeft afgespeeld.‎

‎Bendt Eyckermans, A dream of thirst.‎

‎Antwerp, Posture Editions 37, 2020 hardcover, 168 pages, illustrated, 30 x 21 cm, , English and Dutch. ISBN 9789491262388.‎

‎Bendt Eyckermans (b. 1994) is a young Belgian painter who paints everyday scenes from his own life. However, in the process of painting, he transforms reality into a very personal language: figures, landscapes and objects turn into an almost sculptural parallel world. The book Posture Editions will publish, unfolds like an artichoke. As the heart of the book consists of a series of reproductions of the paintings, the reader has to peel off fragments of text and fragments of the painting's details to reach it. This layered approach seeks to highlight the depth in the artist?s works. The combination of pages with large, sharp details, pages with entire paintings, the sketchbooks and gouaches guides the reader into Eyckermans?s bizarre, but also recognizable world.‎

‎Painting after Painting, Contemporary Painting in Belgium.‎

‎, Borgerhoff & Lamberigts, 2025 paperback, 376 pages, 31x24cm, Illustrated. English, *New. ISBN 9789464983609.‎

‎Painting after Painting explores the dynamic and evolving landscape of contemporary painting in Belgium, reflecting on its complex history and diverse practices. Published alongside the eponymous exhibition at the S.M.A.K. Museum in Ghent, this exciting title presents the works of 75 artists, from the late 90s to today, including figures such as K, Kati Heck, and Ben Sledsens. Highlighting the vibrant dialogue between emerging talents and their predecessors, the catalog showcases how contemporary artists navigate identity, history, and social contexts. By questioning artistic boundaries and celebrating the ongoing reinvention of the medium, Painting after Painting affirms painting?s enduring relevance in an ever-changing world.‎

‎Jan van de Pavert HOUSE.‎

‎.: 2. Utrecht, Centraal Museum, 1994, in-8°, 111 pp, sewn, original stiff paper wrapper.Text in Dutch. ISBN 90-73285-24-0 .‎

‎Offspring 2009 (exhibition catalogue '' de Ateliers Amsterdam '').‎

‎.: 2. Amsterdam, stichting Ateliers 63, 2009, in-8°, 124 pp, sewn, original stiff paper wrapper.Text in Dutch and English. ISBN 978-90-807318-6-8 .‎

‎Early Works. De Ateliers 1998 - 2002 (exhibition catalogue '' de Ateliers Amsterdam '').‎

‎.: 2. Amsterdam, stichting Ateliers 63, 2002, in-8°, 112 pp, sewn, original stiff paper wrapper.Texts in Dutch and English. ISBN 90-807318-1-1 .‎

‎Offspring 2010. O.FF.S.P.R.I.N.G. MMX (exhibition catalogue '' de Ateliers Amsterdam '').‎

‎.: 0. Amsterdam, stichting Ateliers 63, 2010, in-8°, ca. 100 nn pp, sewn, original stiff paper wrapper.Text in Dutch and English. ISBN 978-90-807318-6-8 .‎

‎Ilse D'Hollander land(e)scapes - Ilse D'Hollander landescapes‎

‎Antwerpen , Gallery Sofie Van de Velde / Ric Urmel, 2020 Hardcover, 88 pages, 26x22cm Illustrated. English. *new.‎

‎Exosition catalogue; In her short life, Ilse D'Hollander (1968-1997) created an intelligent, sensual and highly resonant body of work. Born in Sint-Niklaas, Belgium, in 1968, graduating from the Hoger Instituut voor Beeldende Kunsten, St Lucas, Gent, in 1991, D'Hollander was steadfastly committed to painting as an intellectual and emotional endeavour. Her often small-scale canvases and works on paper are charged with references to the everyday. Yet, enlivened by an expressive, though always economical, touch, her work resonates just as strongly as a sustained, self-reflexive enquiry into the act of painting: what it might take to bring an image into being on a bounded, flat plane. **works on paper ans oil.‎

‎Atelier van Lieshout : new tribal labyrinth‎

‎Amsterdam, Grimm Gallery / Frame, 2014 softcover, 211 pages . ISBN 9789491727290.‎

‎Atelier Van Lieshout Tentoonstellingscatalogus ‎