1907 books for « bloch m a »Edit

‎Du jour au lendemain‎

‎Studiocanal 2017 18x14x1cm. 2017. DVD.‎

‎DVD Zone 2 europe - L'article présente des traces d'utilisation sur le boitier et le DVD mais reste en bon état d'ensemble. Expédition soignée sous blister depuis la France‎

‎Robert bloch Monde des ténèbres Gallimard Série Noire n1584‎

‎Editions Gallimard 1973 1973. Robert Bloch: Monde des ténèbres / Gallimard Série Noire N°1584 1973‎

‎Très bon état‎

‎Ne me dites plus jamais bon courage‎

‎VENTANA EDITIONS Sans date. Ce livre de Philippe Bloch identifie douze expressions négatives du langage courant qui affectent le bien-être quotidien et propose des méthodes pour s'en débarrasser dans une approche de psychologie positive visant à adopter un discours plus optimiste‎

‎Recueil d'articles de Jules Bloch, 1906-1955‎

‎Paris 1985 Collège de France Soft cover ‎

‎Couverture souple original de l'éditeur, 25 x 17 cm, 614 pp., français, état du livre: Très bon. ‎

‎Des papillons dans l'estomac: Et autres expressions autour de l'école en anglais et en français‎

‎CIRCONFLEXE 2016 40 pages 17 8x24 6x1cm. 2016. Relié. 40 pages.‎

‎Bon état‎

‎Robert Bloch Monde des Ténèbres Série Noire Nº1584 gallimard 1983‎

‎Editions Gallimard 1983 1983. Robert Bloch - Monde des Ténèbres : Série Noire Nº1584 / Gallimard 1983‎

‎Etat correct‎

‎Les filles et les garçons‎

‎BAYARD ÉDITIONS Sans date.‎

‎Bon état‎

‎lécharpe Robert Bloch‎

‎ Sans date. Éditions PAC‎

‎Robert bloch Monde des Ténèbres gallimard Série Noire n1584‎

‎Editions Gallimard 1973 1973. Gallimard Série Noire N°1584 1973 Réf: LMA7a‎

‎Très bon état‎

‎Vieux Airs Français du XVIIe siècle 20 chansons à danser à boire‎

‎ Sans date. ANDRE-BLOCH Vieux Airs Français du XVIIe siècle 20 chansons à danser & à boire‎

‎Bon état‎

‎LES étrusques‎

‎ 1956 1956. 5 RAYMOND BLOCH - LES ÉTRUSQUES / 1956‎

‎Bon état‎

‎La cantine‎

‎Casterman Sans date.‎

‎Dix Filles dans un pré Ballet Imaginaire‎

‎Paris 1926 Au sans pareil Soft cover Very Good 1st Edition ‎

‎Couverture souple originale avec jaquette ( un peu décoloré ): Très bon, 19 x 15 cm, 112 pp., français, 1ère édition, illustrations, état du livre: Très bonrnAvec quatre gravures a l'eau-forte en hors-texte par Marie Laurencin. rnCe Ballet a été composé et tiré par R. Coulouma a Argenteuil, cet exemplaire es le n° 699 / 800 sur Vélin d'Annonay des frères Montgolfier. ‎

‎La vie héroïque de Jacques Bloch dit 'Borel'‎

‎ Sans date.‎

‎Bon état‎

‎Destin du siècle‎

‎Presses Universitaires de France - PUF 1996 384 pages 12 4x2x19cm. 1996. mass_market. 384 pages.‎

‎Bon état‎

‎L'Uvéite. phénomènes immunologiques et allergiques‎

‎Paris Editeurs Masson et Cie (Société française d'ophtalmologie) 1970 973 pages in-8. 1970. broché. 973 pages. In-8 broché (240x160 mm) 973 pages. Auteurs : R. Campinchi J.P. Faure E. Bloch-Michel & J. Haut. Nombreuses figures en noir et en couleurs ainsi que des tableaux. Couverture en bon état avec de fines plissures verticales au dos n'altérant pas la solidité du brochage. Tranche supérieure un peu salie sinon intérieur propre. Poids : 1800 gr‎

‎ANDRE-BLOCH : Vieux Airs Français du XVIIe siècle 20 chansons à danser et à boire‎

‎Sd Ch. Gras éd° Sans date.‎

‎ANDRE-BLOCH : Vieux Airs Français du XVIIe siècle 20 chansons à danser et à boire‎

‎Sd Ch. Gras éd° Sans date.‎

‎Robert Bloch L'Eventreur‎

‎Pocket 1994 1994.‎

‎Bon état‎

‎RUE VUE.‎

‎Draeger Frères Paris 1970 In-4 demi-basane vieux-rouge, dos lisse titré en doré, étui de basane ( Reliure signée HERMES ). Superbes photographies de Paris, certaines à pleine page en noir dans et hors-texte de Jean-Louis BLOCH-LAINE. Tirage à 600 exemplaires nominatifs, celui-ci est l'exemplaire de l'ancien Ministre Joseph COMITI. Très rare sur le marché, recherché aussi pour la luxueuse présentation du maroquinier HERMES. Très minimes griffures sur l'étui, bel exemplaire.‎

‎Marc Bloch, 1886-1944. Une biographie impossible / An Impossible Biography.‎

‎ Limoges, Culture et Patrimoine en Limousin, 1997, in-4°, 152 pp, préface de Jacques Le Goff, abondamment illustré de près de 150 photos, gravures et fac-similés, broché, couv. illustrée à rabats, bon état. Texte bilingue en français et en anglais‎

‎Préface ; Repères chronologiques ; Généalogie de Marc Bloch et de Simonne Vidal ; L'enfance de Marc Bloch ; Les années de formation ; La guerre de 1914-1918 ; Strasbourg ; Paris ; La guerre de 1939-1940 ; Les années noires ; Fougères ; Marc Bloch et Simonne Vidal, un couple indissoluble ; L'œuvre ; Les archives de Marc Bloch ; Hommages à Marc Bloch ; Bibliographie. / Preface. Milestones. Genealogy of Marc Bloch and Simonne Vidal. Childhood. The formative years. World War I - 1914-1918. Strasbourg. Paris. World War II - 1939-1940. The dark years. Fougères. Marc Bloch and Simonne Vidal, an unseparable couple. Marc Bloch's writings. The Archives of Marc Bloch. Tributes to Marc Bloch. Bibliography of Marc Bloch. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Uncut in the orig. dark grey-brown wrappers, printed in gold on front wrapper and spine. Spine and lettering thereupon faded. Some smaller nicks, creases and loss of paper to extremities. Minor loss to capitals and two smaller holes w. a bit of loss to hinges. Overall an excellent copy in the fragile wrappers, rarely seen in such fine condition. Internally some minor brownspotting throughout, due to the paper-quality. With the ownership signature of J.B. Dumont deted ""Sept. '21"" to title-page and his stamp on half-title. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Original dark grey-brown paper binding, printed in gold on front wrapper and spine. A tear across spine, crudely repaired with tape, also to front hinge. Apart from the spine, a fine and fresh copy. Old owner's name to title-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. A bit later, nice, dark blue half cloth with gilt lettering to spine. Half-title mounted with a few marginal repairs, otherwise a very nice and clean copy. Owner's signature to totle-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Marc Bloch (1886-1944) - Une biographie impossible‎

‎ Culture & Patrimoine en Limousin (1997) - In-4 broché de 152 pages - Couverture illustrée à rabats - Abondamment illustré de près de 150 photos en noir et blanc, gravures et fac-similés - Texte bilingue en français et en anglais - Préface de Jacques Le Goff - Exemplaire en très bon état‎

‎Préface - Repères chronologiques - Généalogie de Marc Bloch et de Simonne Vidal - L'enfance de Marc Bloch - Les années de formation - La guerre de 1914-1918 - Strasbourg - Paris - La guerre de 1939-1940 - Les années noires - Fougères Marc Bloch et Simonne Vidal, un couple indissoluble - L'oeuvre - Les archives de Marc Bloch - Hommages à Marc Bloch - Bibliographie. ‎