1922 books for « bloch r »Edit

‎"Livre de prières (3 volumes); rituel de prières pour Yom Kippour, conforme au service adopté pour les synogogues de Paris (tomes 1 et 2)/ rituel de prières pour la fête de Rosch Haschana, conforme au service adopté pour les synogogues consistoriales de Paris."‎

‎Tel-Aviv (Israël), Edition Sinai, 1964. 8 x 12, 3 volumes, 409 + 410 + 299 pages, reliure d'édition skivertex vert sous étui (défraîchi), très bon état (livres en parfait état).‎

‎"Avec traduction nouvelle de Moïse Bloch; Prières en français pour diverses circonstances de la vie (17 pages)."‎

‎Le crépuscule des stars (roman). Collection : Le miroir obscur, Suspense, insolite, mystère, N° 100.‎

‎Paris, Nouvelles Editions Oswald (NEO), 1985. 14 x 22, 281 pp., broche, très bon état.‎

‎"Dessin de couverture par Jean-Claude Claeys; traduit de l'américain par Jean-Paul Gratias, avec une introduction inédite de Robert Bloch.."‎

‎Les origines de Rome‎

‎État : Bon état - Année : 1959 - Format : in 8° - Pages : 173pp - Editeur : Le Club français du Livre - Lieu d'édition : Paris - Type : Reliure toile éditeur - Divers : Edition hors-commerce tirée à 11000 exemplaires numérotés (n°3052). Couv légèrement insolée. - Commander rapidement : https://www.bons-livres.fr/livre/raymond-bloch/3884-les-origines-de-rome?lrb‎

‎Les origines de Rome ont toujours fasciné les historiens. Faire le tri entre la légende et l'histoire n'est pas chose facile. L'auteur de cet ouvrage de vulgarisation, simple mais précis, s'appuyant sur des sources irréfutables, s'efforce de faire le point sur l'état actuel (en 1959) des recherches dans ce domaine autour des grands thèmes qui ont fondé la civilisation romaine. Chacun connaît les travaux de Jérôme Carcopino sur la question. Travaux qui font encore référence. Il semble que tout ait été dit. Ce petit n'a pas vocation à ouvrir le débat, ni même à apporter des éléments nouveaux originaux. Il a été écrit pour offrir, à un large public, une synthèse et ˮfixer les points acquis, énoncer les problèmes, ouvrir des perspectivesˮ.‎

‎Les plus belles pages de Jean-Richard Bloch.‎

‎Paris, La Bibliothèque Française, 1947. "12 x 19, 302 pp., broché, état moyen (couverture défraîchie; papier jauni)."‎

‎présentées par Aragon.‎

‎Les chasses de Renaut, deuxième livre de contes.‎

‎Paris, Gallimard, 1927 12 x 19, 219 pp., broché, bon état‎

‎1 des 945 Ex. Num. sur vélin pur fil Lafuna Navarre‎

‎Marc Bloch, 1886-1944. Une biographie impossible / An Impossible Biography.‎

‎ Limoges, Culture et Patrimoine en Limousin, 1997, in-4°, 152 pp, préface de Jacques Le Goff, abondamment illustré de près de 150 photos, gravures et fac-similés, broché, couv. illustrée à rabats, bon état. Texte bilingue en français et en anglais‎

‎Préface ; Repères chronologiques ; Généalogie de Marc Bloch et de Simonne Vidal ; L'enfance de Marc Bloch ; Les années de formation ; La guerre de 1914-1918 ; Strasbourg ; Paris ; La guerre de 1939-1940 ; Les années noires ; Fougères ; Marc Bloch et Simonne Vidal, un couple indissoluble ; L'œuvre ; Les archives de Marc Bloch ; Hommages à Marc Bloch ; Bibliographie. / Preface. Milestones. Genealogy of Marc Bloch and Simonne Vidal. Childhood. The formative years. World War I - 1914-1918. Strasbourg. Paris. World War II - 1939-1940. The dark years. Fougères. Marc Bloch and Simonne Vidal, an unseparable couple. Marc Bloch's writings. The Archives of Marc Bloch. Tributes to Marc Bloch. Bibliography of Marc Bloch. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Uncut in the orig. dark grey-brown wrappers, printed in gold on front wrapper and spine. Spine and lettering thereupon faded. Some smaller nicks, creases and loss of paper to extremities. Minor loss to capitals and two smaller holes w. a bit of loss to hinges. Overall an excellent copy in the fragile wrappers, rarely seen in such fine condition. Internally some minor brownspotting throughout, due to the paper-quality. With the ownership signature of J.B. Dumont deted ""Sept. '21"" to title-page and his stamp on half-title. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Original dark grey-brown paper binding, printed in gold on front wrapper and spine. A tear across spine, crudely repaired with tape, also to front hinge. Apart from the spine, a fine and fresh copy. Old owner's name to title-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. A bit later, nice, dark blue half cloth with gilt lettering to spine. Half-title mounted with a few marginal repairs, otherwise a very nice and clean copy. Owner's signature to totle-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎"Aux portes de l'épouvante; dix nouvelles de deux maîtres de l'horreur, choisies par Kurt Singer. Collection : Bibliothèque Marabout, N° 354."‎

‎Verviers, Gérard/Marabout, s.d. (ca 1970). 12 x 18, 211 pp., broché, bon état.‎

‎"Offrande à la musique (dix filles dans un pré; la nuit Kurde; l'illustre magicien)."‎

‎Paris, Librairie Gallimard, Editions de la Nouvelle Revue Française, 1930. 12 x 19, 279 pp., broché, bon état.‎

‎"Edition originale sur papier ordinaire; mention fictive de 7e édition."‎

‎ et Cie.‎

‎Paris, Editions Mornay, 1930. 19 x 25, 440 pp., broché, non rogné, couverture rempliée, bon état (bas du dos très légèrement endommagé).‎

‎"N° 73 sur 350 exemplaires numérotés sur papier vélin de Rives; illustrations de Berthold Mahn."‎

‎L'apport des Juifs à la Belgique. Belgia 2000, toute l'histoire de la Belgique, N° 25.‎

‎Bruxelles, Editions Jean-Marie Collet, 1986. 11 x 18, 192 pp., quelques illustrations en N/B, broché, très bon état.‎

‎Histoires terribles d'animaux.‎

‎Paris, Librairie des Champs-Elysées, 1981. 16 x 24, 255 pp., broché, bon état.‎

‎Anthologie établie et présentée par Jean-Baptiste Baronian.‎

‎Etoiles filantes. Collection : Le miroir obscur, Suspense, insolite, mystère, N° 57.‎

‎Paris, Nouvelles Editions Oswald (NEO), 1983. 14 x 22, 187 pp., broche, très bon état.‎

‎"Dessin de couverture par Jean-Claude Claeys; traduit de l'américain par Charles B. Mertens."‎

‎Démocratie aujourd'hui. Bibliothèque de la recherche sociale.‎

‎Paris, Spes, 1963. 13 x 20, 188 pp., broché + jaquette, bon état.‎

‎L'apport des Juifs à la Belgique. Belgia 2000, toute l'histoire de Belgique, N° 25. ‎

‎Bruxelles, J-M Collet, 1986. 11 x 18, 191 pp., quelques illustrations en N/B, broché, très bon état.‎

‎Tite-Live et les premiers siècles de Rome. Collection d'études anciennes.‎

‎Paris, Les Belles Lettres, 1965. 13 x 20, 125 pp., 12 figures, 8 illustrations, reliure d'édition pleine toile + rhodoïd, très bon état.‎

‎La divination, essai sur l'avenir et son imaginaire.‎

‎Paris, Fayard, 1991. 13 x 21, 211 pp., 22 illustrations en N/B, broché, bon état.‎

‎Le mystère étrusque. Collection : Histoire.‎

‎Paris, Le Club Français du Livre, 1963. 14 x 21, 255 pp., nombreuses illustrations en N/B, reliure d'édition carton imprimé, très bon état.‎

‎2e édition revue et augmentée.‎

‎ Et Cie.‎

‎Paris, Editions de La Nouvelle Revue Française, 1918. "13 x 19, 367 pp., broché, état moyen (couverture salie; papier jauni)."‎

‎Edition originale sur papier ordinaire.‎

‎"La Pensée, revue du rationalisme moderne (arts, sciences, philosophie); Nouvelle série, N° 14 : septembre-octobre, 1947."‎

‎Paris, La Pensée, 1947. 19 x 28, 160 pp., 1 photo en N/B, broché, bon état.‎

‎Chez Zola à Médan.‎

‎Saint-Cyr-sur-Loire (France), Christian Pirot, 1999. 14 x 21, 191 pp., photos en N/B, broché, très bon état.‎

‎"Photographies d'Alain szczuczynski; mise en page de Jean Jack Martin."‎

‎Madame Zola. Collection : Biographie.‎

‎Paris, Bernard Grasset, 1997. 15 x 24, 370 pp., 17 illustrations en N/B, broché, bon état.‎

‎Sur un cargo. Collection : Les documents bleus, N° 10.‎

‎Paris, Edition de la Nouvelle Revue Française, 1924. 12 x 19, 237 pp., broché, bon état (dos insolé).‎