Lexis Nexis 1995 331 pages in8. 1995. Broché. 331 pages.
Bon Etat cependant abondamment annoté au crayon à papier
Paris Editeurs Masson et Cie (Société française d'ophtalmologie) 1970 973 pages in-8. 1970. broché. 973 pages. In-8 broché (240x160 mm) 973 pages. Auteurs : R. Campinchi J.P. Faure E. Bloch-Michel & J. Haut. Nombreuses figures en noir et en couleurs ainsi que des tableaux. Couverture en bon état avec de fines plissures verticales au dos n'altérant pas la solidité du brochage. Tranche supérieure un peu salie sinon intérieur propre. Poids : 1800 gr
Kornfeld et Klipstein 1971 Editions Kornfeld et Klipstein, 1971, 344 p., cartonnage éditeur sous jaquette, environ 295x245mm, jaquette frottée avec des déchirures sans manque dont certaines ont été restaurées avec une bande adhésive, page de garde annotée (envoi de Georges Bloch ?). Bon état pour le reste.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Les Cahiers de Paris, 1927, 1 volume de 120x190 mm environ, 86 pages, broché sous couverture rempliée illustrée d'une vignette au centre. Exemplaire N° VIII/1500, sur Vergé d'Arches. Dos insolé avec frottements et début de fente sur le bas, sinon bon état.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
BROUILLET - BOUCHARD - BOUTIGNY - BERNE-BELLECOUR - BLOCH - BRISSET - BRUNET- HOUARD -CAIN - COESSIN DE LA FOSSE - COLLIN - COUTURIER - DAUBEUIL - DAVID - DECAEN - DETAILLE - DURAND - FERRY - FOUACE - GAVARNI - GERVAIS - GIGOUX - GIRARDET - GROLLERON - GUILLON - HIRSCH - HUAS - KLUMPKE - LAMBERT - LE BIHAN - LEROY - LHERMITTE - MONFALLET - MOREAU DE TOURS - MOROT - DU PATY - RENARD - RICHTER - ROUSSEAU - ROY - SERGENT - TAVERNIER - VAN DER BOS - WALKER - WEERTS - WORMS...
Reference : 85027
100 photogravures légendées reliées en 2 volumes de 245x315 mm environ, montées sur onglet, sans date (fin XIXe), A. Le Vasseur & Cie Editeurs, dans une demi reliure en chagrin vert foncé, dos à nerfs portant le titre "Estampes modernes", et tomaisons dorés. Petits frottements sur les nerfs les coins et les coupes. Nombreux onglets fendus sans que cela porte atteinte aux photogravures autrement qu'un coin un peu corné pour certaines d'entre elles. Bon état pour le reste.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
BLOCH (Etienne), avec la collaboration d'Alfredo Cruz-Ramirez.
Reference : 24302
(1997)
ISBN : 9782911167119
Limoges, Culture et Patrimoine en Limousin, 1997, in-4°, 152 pp, préface de Jacques Le Goff, abondamment illustré de près de 150 photos, gravures et fac-similés, broché, couv. illustrée à rabats, bon état. Texte bilingue en français et en anglais
Préface ; Repères chronologiques ; Généalogie de Marc Bloch et de Simonne Vidal ; L'enfance de Marc Bloch ; Les années de formation ; La guerre de 1914-1918 ; Strasbourg ; Paris ; La guerre de 1939-1940 ; Les années noires ; Fougères ; Marc Bloch et Simonne Vidal, un couple indissoluble ; L'oeuvre ; Les archives de Marc Bloch ; Hommages à Marc Bloch ; Bibliographie. / Preface. Milestones. Genealogy of Marc Bloch and Simonne Vidal. Childhood. The formative years. World War I - 1914-1918. Strasbourg. Paris. World War II - 1939-1940. The dark years. Fougères. Marc Bloch and Simonne Vidal, an unseparable couple. Marc Bloch's writings. The Archives of Marc Bloch. Tributes to Marc Bloch. Bibliography of Marc Bloch.
München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Uncut in the orig. dark grey-brown wrappers, printed in gold on front wrapper and spine. Spine and lettering thereupon faded. Some smaller nicks, creases and loss of paper to extremities. Minor loss to capitals and two smaller holes w. a bit of loss to hinges. Overall an excellent copy in the fragile wrappers, rarely seen in such fine condition. Internally some minor brownspotting throughout, due to the paper-quality. With the ownership signature of J.B. Dumont deted ""Sept. '21"" to title-page and his stamp on half-title. 445 pp.
The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions.
München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Original dark grey-brown paper binding, printed in gold on front wrapper and spine. A tear across spine, crudely repaired with tape, also to front hinge. Apart from the spine, a fine and fresh copy. Old owner's name to title-page. 445 pp.
The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions.
München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. A bit later, nice, dark blue half cloth with gilt lettering to spine. Half-title mounted with a few marginal repairs, otherwise a very nice and clean copy. Owner's signature to totle-page. 445 pp.
The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions.
Culture & Patrimoine en Limousin (1997) - In-4 broché de 152 pages - Couverture illustrée à rabats - Abondamment illustré de près de 150 photos en noir et blanc, gravures et fac-similés - Texte bilingue en français et en anglais - Préface de Jacques Le Goff - Exemplaire en très bon état
Préface - Repères chronologiques - Généalogie de Marc Bloch et de Simonne Vidal - L'enfance de Marc Bloch - Les années de formation - La guerre de 1914-1918 - Strasbourg - Paris - La guerre de 1939-1940 - Les années noires - Fougères Marc Bloch et Simonne Vidal, un couple indissoluble - L'oeuvre - Les archives de Marc Bloch - Hommages à Marc Bloch - Bibliographie.
Berlin, 1954-59. Lex 8vo. All three in the original blue full cloth bindings, in excellent condition, in- as well as ex-ternally. Some light pencil-underlinings. 477, (3) 512, (1)" 518, (1) pp. + Errata for vols. I+II laid loose in vol. With a five-line presentation-inscription to front free end-paper of volume 1, signed in full: ""Herrn Gehrke/ in freundlicher Gesinnung/ mit besten Wünschen/ 30.VIII.54/ Ernst Bloch"".
The scarce first edition of all three volumes, with signed and dated presentation-inscription (in the year of appearance), of Bloch's magnum opus, his seminal ""The Principle of Hope"", which constitutes his philosophy of concrete utopia. The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. As his first book, ""Geist der Utopie"" was written while in exile in Switzerland during the First World War, this his main work was written while in exile in America during the Second World War, between 1938 and 1947, and it appeared for the first time in the DDR between 1954 and 1959. ""The Principle of Hope"" is considered a philosophical-political piece of art, which consideres in both philosophical-scientific and humanistic ways the possibilities for a utopia, at the same time as it traces throughout history man's strivings for utopia. The world is presented as open to man - open for man to make it the place that enables us to live like proper human beings. ""Ernst Bloch's Principle of Hope is one of the key books of our century. Part philosophic speculation, part political treatise, part lyric vision, it is exercising a deepening influence on thought and on literature. . . . No political or theological appropriations of Bloch's leviathan can exhaust its visionary breadth."" (editorial review by George Steiner, the 1986 English language edition). As his ""Geist der Utopie"" begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."", so his ""Das Prinzip Hoffnung"" begins with the equally powerful words: ""Who are we? Where do we come from? Where are we going? What do we expect? What awaits us? Many feel as nothing but confused. The ground rocks, they do not know why and from what. This their state is fear, if it becomes more defined, it is fear. Once, someone set out to learn fear."" (""""Wer sind wir? Wo kommen wir her? Wohin gehen wir? Was erwarten wir? Was erwartet uns? Viele fühlen sich nur als verwirrt. Der Boden wankt, sie wissen nicht warum und von was. Dieser ihr Zustand ist Angst, wird er bestimmter, so ist er Furcht. Einmal zog einer aus, das Fürchten zu lernen.""The conception of ""Prinzip Hoffnung"" has now, due to this work, become a frequently used saying, not only in Germany, but also in America and large parts of Europe, where ""The Pronciple of Hope"" is used in numerous political and economical discussions, most actually for instance in the climate debate. The influence of the work has been immense, and it has done much to re-create modern man's belief in the world today and our ability to do good.
[Bloch-Lainé] - Francois Mathey - Jean-Louis Bloch-Lainé - André Wogenscky - Antoine Kieffer et Karen Lombard & Françoise Choay
Reference : 007541
Paris Groupe de l'Immobilière-Constructions de Paris Draeger Frères Aulatd 0 2 volumes in-4 Cartonnages éditeur, étuis Edition originale
2 VOLUMES illustrés par Bloch-Lainé : RUE VUE. 1970. Textes de Francois Mathey, André Wogenscky. Mise en page de Antoine Kieffer et Karen Lombard. Photographies de Jean-Louis Bloch-Lainé en héliogravure. Cartonnage éditeur et étui. Un des 600 exemplaires nominatifs. 142pp. ----- ESPACEMENTS. 1969. Texte de Françoise Choay. Photographies de Jean-Louis Bloch-Lainé en héliogravure. Impression en accordéon sous couverture à rabat éditeur, et son étui illustré. unes 700 exemplaires nominatifs sur couché mat Job de Dujardin. Les 2 volumes en bel état. TRES BON ETAT 0
IMP. R. BUSSIERE, saint amand. 1946. In-8. Broché. Etat d'usage, Couv. convenable, Agrafes rouillées, Quelques rousseurs. 8 pages - envoi de Madeleine Charles Bloch sur le 1er contreplat, voir 2e photo. . . . Classification Dewey : 97.2-Dédicace, envoi
"""Ancien combattant de la Première Guerre mondiale, membre de la mission militaire française en Roumanie, titulaire de la Croix de guerre 14-18 et chevalier de la Légion d’Honneur (1928), Jacques Bloch fut interne des hôpitaux de Paris , promotion 1910, à l’Hôtel Dieu de Paris (IVe arr.), avant d’exercer comme chirurgien à l’Hospice d’Ivry-sur-Seine (Seine, Val-de-Marne) / médecin, chirurgien ; résistant Castille CND."" Classification Dewey : 97.2-Dédicace, envoi"
Il saggiatore 1984 in8. 1984. Broché.
Bon état avec sa jaquette ex-libris sur la page titre intérieur propre bonne tenue
Rieder 1931 in12. 1931. Broché.
Bon état bonne tenue sous papier de soie intérieur propre
Julliard 1964 in8. 1964. Broché.
bon état de conservation couverture défraîchie intérieur propre
Armand Colin Cahiers des Annales 1959 Armand Colin, Cahiers des Annales, 1959, 110 p., broché, couverture insolée, bon état.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Rieder 1933 in12. 1933. Broché.
Bon état de conservation sous papier de soie intérieur propre
Presses universitaires de france 1969 in12. 1969. Broché.
ex-libris note en bas de la page titre intérieur propre couverture défraîchie
Gallimard 1929 in12. 1929. Broché.
bon état de conservation intérieur propre fente en bas de charnière du premier plat
Editions de l'Ecole des Hautes Etudes en Sciences Sociales 1983 in8. 1983. Broché.
intérieur propre bonne tenue
Paris Librairie Arthème Fayard 1961 251 pages in-8. 1961. broché. 251 pages. In-8 broché 251 pages. Couverture en bon état avec le dos bruni. Intérieur propre. Poids : 250 gr
Le Monde de la musique sacrée 2012 37 pages in8. 2012. Cartonné. 37 pages. Avec des illustrations en noir et 2 CD. Très bon état. Poids : 290 gr
Très Bon Etat
Le club français du livre 1963 242 pages in-8. 1963. Reliure éditeur. 242 pages. Illustrations en noir - Complet de la carte dépliante - Ex. n° A 4864
Bon Etat Général
S.i.p.e.p 1956 in12. 1956. Broché.
bon état de conservation couverture défraîchie tachée intérieur propre