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Marc Bloch, Lucien Febvre et les Annales d’Histoire Economique et Sociale. Correspondance. Tome deuxième 1934-1937. De Strasbourg à Paris. Edition établie, présentée et annotée par Bernard Müller.
Paris, Fayard 2003, 245x160mm, 544pages, reliure d'éditeur sous jaquette. Dédicace de l’éditeur sur page titre. Exemplaire à l'état de neuf.
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Marc Bloch, Lucien Febvre et les Annales d’Histoire Economique et Sociale. Correspondance. Tome deuxième 1938-19373. Les Annales en crises. Edition établie, présentée et annotée par Bernard Müller.
Paris, Fayard 2003, 245x160mm, 356pages, reliure d'éditeur sous jaquette. Exemplaire à l'état de neuf.
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BLOCH (Etienne), avec la collaboration d'Alfredo Cruz-Ramirez.
Reference : 24302
(1997)
ISBN : 9782911167119
Marc Bloch, 1886-1944. Une biographie impossible / An Impossible Biography.
Limoges, Culture et Patrimoine en Limousin, 1997, in-4°, 152 pp, préface de Jacques Le Goff, abondamment illustré de près de 150 photos, gravures et fac-similés, broché, couv. illustrée à rabats, bon état. Texte bilingue en français et en anglais
Préface ; Repères chronologiques ; Généalogie de Marc Bloch et de Simonne Vidal ; L'enfance de Marc Bloch ; Les années de formation ; La guerre de 1914-1918 ; Strasbourg ; Paris ; La guerre de 1939-1940 ; Les années noires ; Fougères ; Marc Bloch et Simonne Vidal, un couple indissoluble ; L'œuvre ; Les archives de Marc Bloch ; Hommages à Marc Bloch ; Bibliographie. / Preface. Milestones. Genealogy of Marc Bloch and Simonne Vidal. Childhood. The formative years. World War I - 1914-1918. Strasbourg. Paris. World War II - 1939-1940. The dark years. Fougères. Marc Bloch and Simonne Vidal, an unseparable couple. Marc Bloch's writings. The Archives of Marc Bloch. Tributes to Marc Bloch. Bibliography of Marc Bloch.
Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]
München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Uncut in the orig. dark grey-brown wrappers, printed in gold on front wrapper and spine. Spine and lettering thereupon faded. Some smaller nicks, creases and loss of paper to extremities. Minor loss to capitals and two smaller holes w. a bit of loss to hinges. Overall an excellent copy in the fragile wrappers, rarely seen in such fine condition. Internally some minor brownspotting throughout, due to the paper-quality. With the ownership signature of J.B. Dumont deted ""Sept. '21"" to title-page and his stamp on half-title. 445 pp.
The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions.
Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]
München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Original dark grey-brown paper binding, printed in gold on front wrapper and spine. A tear across spine, crudely repaired with tape, also to front hinge. Apart from the spine, a fine and fresh copy. Old owner's name to title-page. 445 pp.
![Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]. "BLOCH, ERNST.](https://static.livre-rare-book.com/pictures/LLX/49061_1_thumb.jpg)
![Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]. "BLOCH, ERNST.](https://static.livre-rare-book.com/pictures/LLX/49061_2_thumb.jpg)
The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions.
Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]
München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. A bit later, nice, dark blue half cloth with gilt lettering to spine. Half-title mounted with a few marginal repairs, otherwise a very nice and clean copy. Owner's signature to totle-page. 445 pp.
![Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]. "BLOCH, ERNST.](https://static.livre-rare-book.com/pictures/LLX/49149_1_thumb.jpg)
![Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]. "BLOCH, ERNST.](https://static.livre-rare-book.com/pictures/LLX/49149_2_thumb.jpg)
The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions.
Marc Bloch (1886-1944) - Une biographie impossible
Culture & Patrimoine en Limousin (1997) - In-4 broché de 152 pages - Couverture illustrée à rabats - Abondamment illustré de près de 150 photos en noir et blanc, gravures et fac-similés - Texte bilingue en français et en anglais - Préface de Jacques Le Goff - Exemplaire en très bon état
Préface - Repères chronologiques - Généalogie de Marc Bloch et de Simonne Vidal - L'enfance de Marc Bloch - Les années de formation - La guerre de 1914-1918 - Strasbourg - Paris - La guerre de 1939-1940 - Les années noires - Fougères Marc Bloch et Simonne Vidal, un couple indissoluble - L'oeuvre - Les archives de Marc Bloch - Hommages à Marc Bloch - Bibliographie.
Das Prinzip Hoffnung. 3 Bde. - [THE PRINCIPLE OF HOPE - PRESENTATION-COPY]
Berlin, 1954-59. Lex 8vo. All three in the original blue full cloth bindings, in excellent condition, in- as well as ex-ternally. Some light pencil-underlinings. 477, (3) 512, (1)" 518, (1) pp. + Errata for vols. I+II laid loose in vol. With a five-line presentation-inscription to front free end-paper of volume 1, signed in full: ""Herrn Gehrke/ in freundlicher Gesinnung/ mit besten Wünschen/ 30.VIII.54/ Ernst Bloch"".
![Das Prinzip Hoffnung. 3 Bde. - [THE PRINCIPLE OF HOPE - PRESENTATION-COPY]. BLOCH, ERNST.](https://static.livre-rare-book.com/pictures/LLX/49060_1_thumb.jpg)
![Das Prinzip Hoffnung. 3 Bde. - [THE PRINCIPLE OF HOPE - PRESENTATION-COPY]. BLOCH, ERNST.](https://static.livre-rare-book.com/pictures/LLX/49060_2_thumb.jpg)
The scarce first edition of all three volumes, with signed and dated presentation-inscription (in the year of appearance), of Bloch's magnum opus, his seminal ""The Principle of Hope"", which constitutes his philosophy of concrete utopia. The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. As his first book, ""Geist der Utopie"" was written while in exile in Switzerland during the First World War, this his main work was written while in exile in America during the Second World War, between 1938 and 1947, and it appeared for the first time in the DDR between 1954 and 1959. ""The Principle of Hope"" is considered a philosophical-political piece of art, which consideres in both philosophical-scientific and humanistic ways the possibilities for a utopia, at the same time as it traces throughout history man's strivings for utopia. The world is presented as open to man - open for man to make it the place that enables us to live like proper human beings. ""Ernst Bloch's Principle of Hope is one of the key books of our century. Part philosophic speculation, part political treatise, part lyric vision, it is exercising a deepening influence on thought and on literature. . . . No political or theological appropriations of Bloch's leviathan can exhaust its visionary breadth."" (editorial review by George Steiner, the 1986 English language edition). As his ""Geist der Utopie"" begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."", so his ""Das Prinzip Hoffnung"" begins with the equally powerful words: ""Who are we? Where do we come from? Where are we going? What do we expect? What awaits us? Many feel as nothing but confused. The ground rocks, they do not know why and from what. This their state is fear, if it becomes more defined, it is fear. Once, someone set out to learn fear."" (""""Wer sind wir? Wo kommen wir her? Wohin gehen wir? Was erwarten wir? Was erwartet uns? Viele fühlen sich nur als verwirrt. Der Boden wankt, sie wissen nicht warum und von was. Dieser ihr Zustand ist Angst, wird er bestimmter, so ist er Furcht. Einmal zog einer aus, das Fürchten zu lernen.""The conception of ""Prinzip Hoffnung"" has now, due to this work, become a frequently used saying, not only in Germany, but also in America and large parts of Europe, where ""The Pronciple of Hope"" is used in numerous political and economical discussions, most actually for instance in the climate debate. The influence of the work has been immense, and it has done much to re-create modern man's belief in the world today and our ability to do good.
[Bloch-Lainé] - Francois Mathey - Jean-Louis Bloch-Lainé - André Wogenscky - Antoine Kieffer et Karen Lombard & Françoise Choay
Reference : 007541
RUE VUE - ESPACEMENTS : essai sur l'évolution de l'espace urbain en France.
Paris Groupe de l'Immobilière-Constructions de Paris Draeger Frères Aulatd 0 2 volumes in-4 Cartonnages éditeur, étuis Edition originale
2 VOLUMES illustrés par Bloch-Lainé : RUE VUE. 1970. Textes de Francois Mathey, André Wogenscky. Mise en page de Antoine Kieffer et Karen Lombard. Photographies de Jean-Louis Bloch-Lainé en héliogravure. Cartonnage éditeur et étui. Un des 600 exemplaires nominatifs. 142pp. ----- ESPACEMENTS. 1969. Texte de Françoise Choay. Photographies de Jean-Louis Bloch-Lainé en héliogravure. Impression en accordéon sous couverture à rabat éditeur, et son étui illustré. unes 700 exemplaires nominatifs sur couché mat Job de Dujardin. Les 2 volumes en bel état. TRES BON ETAT 0
Traces. Traduit de l’allemand par Pierre Quillet et Hans Hildenbrand. Collection Les Essais CXLI.
Paris, Editions Gallimard 1968, 185x115mm, 242pages, broché. Couverture rempliée. Très bel exemplaire.
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Sujet-Objet. Eclaircissements sur Hegel. Traduit de l’allemand par Maurice de Gandillac. Collection Bibliothèque de Philosophie.
Paris, Gallimard 1977, 225x140mm, 498pages, broché. Bel exemplaire.
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L’athéisme dans le christianisme. Traduit de l’allemand par Eliane Kaufholz et Gérard Raulet. Collection Bibliothèque de Philosophie.
Paris, Gallimard 1978, 225x140mm, 356pages, broché. Bel exemplaire.
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Picasso. Tome II. Catalogue de l'oeuvre gravé et lithographié 1966 - 1969. Volume II Catalogue of the printed graphic work 1966 - 1969. Band II Katalog des graphischen Werkes 1904 - 1967.
Berne, Editions Kornfeld et Kilpstein 1968, 300x245mm, 344pages, reliure d'éditeur sous jaquette. Très bel exemplaire.
photos n/b, édition trilingue: français - anglais - allemand, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
Picasso. Tome I. Catalogue de l'oeuvre gravé et lithographié 1904-1967. Volume II Catalogue of the printed graphic work 1904-1967. Band II Katalog des graphischen Werkes 1904-1967..
Berne, Editions Kornfeld et Kilpstein 1968, 300x245mm, 310pages, reliure d'éditeur sous jaquette. Très bel exemplaire.
photos n/b, édition trilingue: français - anglais - allemand, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
Histoire Ancienne. Troisième partie. Tome II. La République Romaine de 133 avant J.-C. à la mort de le César. Des gracques à Sulla. Collection Histoire Générale.
Paris, Presses Universitaires de France 1940, 255x165mm, 525pages, broché. Bon état.
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Les caractères originaux de l'histoire rurale française. Préface de Pierre Toubert. Collection Références “Histoire”.
Paris, Librairie Armand Colin 1999, 240x160mm, 316pages, broché. Exemplaire à l'état de neuf.
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Aquamaniles. Objets sacrés et profanes du Moyen Age.
Milan, Franco Maria Ricci 1982, 250x235mm, 19pages, reliure d'éditeur sous jaquette. Bel exemplaire.
41 planches en couleurs, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
Bloch, R. - Danielou, J. - Eliade, M. - Griaule, M. - Hentze, C. - Puech, H.C. - Tucci. G.
Reference : 61041
Le Symbolisme cosmique des mouvements religieux. Actes de la conférence internationale qui à eu lieu sous les auspices de lÎs.M.E.O., à Rome, avril-mai 1955.
Roma, 1957, 245x160mm, 122pages, broché. Déchirure au coin supérieur de la couverture inférieure.
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Il plagiario di Dio. Prefazione di Umberto Eco. Collana: Il sapere del libro.
Milano, Edizioni Sylvestre Bonnard sas 2002, 210x140mm, 155pagine, in brossura. Copertine con alette. Ottimo stato.
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Locomotives.
Paris, Edition de la NRF (coll. "Une oeuvre, un portrait"), 1924. In-8°, 69p. Broché.
Edition originale numérotée 1/500 exemplaires sur vergé. Avec un portrait en lithographie de l'auteur par Berthold Mahn. Exemplaire en parfaite condition.
Dictionnaire étymologique de la langue française. Cinquième édition revue et augmentée par Walther von Wartburg.
Paris, Presses Universitaires de France 1968, 245x170mm, XXXII - 682pages, reliure d’éditeur sous jaquette. Inscriptions manuscrites sur le haut de la page de garde supérieure. Petites déchirures sur le haut et le bas du dos de la jaquette. Intérieur propre.
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Dix filles dans un pré. Ballet imaginaire.
Paris, Au sans pareil, 1926. 1 vol. petit in-8 carré. Broché, couvertures vertes imprimées et rempliées.
Édition originale illustrée de quatre gravures à l’eau-forte hors-texte de Marie Laurencin dont une en frontispice.Tirage à 995 exemplaires numérotés, celui-ci un des 800 exemplaires sur vélin d’Annonay.Bon état malgré une décoloration du dos ayant atteint les marges de la première de couverture. Mahé I, 275. Monod, 1600.
Discours & Circonstances.
Montpellier, Editions Méridianes, 2013. In-8°, 155p. Broché, couverture rempliée.
Edition originale limitée à 900 exemplaires sur papier Munken Print (seul tirage après 100 exemplaires de tête sur papier Rivoli). Edition bilingue français avec en regard la traduction anglaise par Lucy Pons. Exemplaire enrichi d'un envoi autographe signé de l'artiste en page de garde.
Discours & Circonstances.
Montpellier, Editions Méridianes, 2013. In-8°, 155p. Broché, couverture rempliée.
Edition originale limitée à 900 exemplaires sur papier Munken Print (seul tirage après 100 exemplaires de tête sur papier Rivoli). Edition bilingue français avec en regard la traduction anglaise par Lucy Pons. A l'état de neuf.
Les Origines du Sénat Romain. Recherches sur la formation et la dissolution du Sénat patricien. Thèse.
Paris, Ernest Thorin 1883, 230x150mm, VII- 334pages, demi-percaline. Plats papier marbré. Pièce de titre au dos aux lettres dorées. Très bel exemplaire.
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