1912 books for « bloch l »Edit

‎These are a few of my favorite things. The third edition of Rich Bloch’s lecture notes. Including thirty-one effects, routines and Thoughts, as well as one shameless publicity section‎

‎Washington, D.C., Collectors’ Workshop, Inc. 1990 In-4 28 x 21,5 cm. Agrafé, couverture ivoire, titre en brun sur le premier plat, 33 pp., sommaire. Exemplaire en bon état.‎

‎Texte en anglais. Bon état d’occasion ‎

‎RUE VUE.‎

‎Draeger Frères Paris 1970 In-4 demi-basane vieux-rouge, dos lisse titré en doré, étui de basane ( Reliure signée HERMES ). Superbes photographies de Paris, certaines à pleine page en noir dans et hors-texte de Jean-Louis BLOCH-LAINE. Tirage à 600 exemplaires nominatifs, celui-ci est l'exemplaire de l'ancien Ministre Joseph COMITI. Très rare sur le marché, recherché aussi pour la luxueuse présentation du maroquinier HERMES. Très minimes griffures sur l'étui, bel exemplaire.‎

‎Marc Bloch, 1886-1944. Une biographie impossible / An Impossible Biography.‎

‎ Limoges, Culture et Patrimoine en Limousin, 1997, in-4°, 152 pp, préface de Jacques Le Goff, abondamment illustré de près de 150 photos, gravures et fac-similés, broché, couv. illustrée à rabats, bon état. Texte bilingue en français et en anglais‎

‎Préface ; Repères chronologiques ; Généalogie de Marc Bloch et de Simonne Vidal ; L'enfance de Marc Bloch ; Les années de formation ; La guerre de 1914-1918 ; Strasbourg ; Paris ; La guerre de 1939-1940 ; Les années noires ; Fougères ; Marc Bloch et Simonne Vidal, un couple indissoluble ; L'œuvre ; Les archives de Marc Bloch ; Hommages à Marc Bloch ; Bibliographie. / Preface. Milestones. Genealogy of Marc Bloch and Simonne Vidal. Childhood. The formative years. World War I - 1914-1918. Strasbourg. Paris. World War II - 1939-1940. The dark years. Fougères. Marc Bloch and Simonne Vidal, an unseparable couple. Marc Bloch's writings. The Archives of Marc Bloch. Tributes to Marc Bloch. Bibliography of Marc Bloch. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Uncut in the orig. dark grey-brown wrappers, printed in gold on front wrapper and spine. Spine and lettering thereupon faded. Some smaller nicks, creases and loss of paper to extremities. Minor loss to capitals and two smaller holes w. a bit of loss to hinges. Overall an excellent copy in the fragile wrappers, rarely seen in such fine condition. Internally some minor brownspotting throughout, due to the paper-quality. With the ownership signature of J.B. Dumont deted ""Sept. '21"" to title-page and his stamp on half-title. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Original dark grey-brown paper binding, printed in gold on front wrapper and spine. A tear across spine, crudely repaired with tape, also to front hinge. Apart from the spine, a fine and fresh copy. Old owner's name to title-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. A bit later, nice, dark blue half cloth with gilt lettering to spine. Half-title mounted with a few marginal repairs, otherwise a very nice and clean copy. Owner's signature to totle-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Israël‎

‎Paris ; Genève ; New York ; Karlsruhe, Nagel, coll. « Les Guides Nagel » 1953 In-16 16 x 10,5 cm. Reliure éditeur toile rouge, titre doré sur le dos et le premier plat de couverture, VIII-336 pp., 24 plans en couleurs, 14 plans en noir, index, sommaire. Exemplaire en bon état.‎

‎ Bon état d’occasion ‎

‎La philosophie de Gassendi. Nominalisme, Matérialisme et Métaphysique‎

‎Martinus Nijhoff, coll. « International Archives of the History of Ideas Archives internationales d'histoire des idées », n° 38 1971 In-8 reliure éd. sous jaquette 23,4 cm sur 15,69. 525 pages. Jaquette en bon état. Bon état d’occasion.‎

‎Traces de ruban adhésif sur les pages de garde + ex-libris en page de garde Bon état d’occasion ‎

‎Thomas MUNZER. Théologien de la révolution.‎

‎Julliard Paris 1964 In-8 ( 220 X 135 mm ) de 264 pages, broché sous couverture imprimée. Traduit de l'allemand par Maurice de GANDILLAC. EDITION ORIGINALE. Bel exemplaire.‎

‎Le Gaullisme‎

‎Plon 1968 In-12 broché 19,5 cm sur 14. 238 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Dictionnaire étymologique de la langue française [2 volumes]. Préface d'A. Meillet...‎

‎Paris, Presses Universitaires de France 1932 2 volumes. In-4 26,5 x 15 cm. Reliures de l’époque toile lie-de-vin, XVIII-407-406 pp. édition originale. Exemplaires en très bon état.‎

4 Images

‎ Bon état d’occasion ‎

‎Madame Zola‎

‎Bernard Grasset 1997 In-8 broché 24 cm sur 15,5. 368 pages. Cahier d’illustrations en noir et blanc. Tranches poussiéreuses sinon bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎La France exaspérée. Le Nouveau Congrès de Versailles, pour la transparence et la justice dans la République‎

‎Belami 2002 In-8 broché. Très bon état d’occasion.‎

‎Avec la collaboration de Dominique Labarrière. Très bon état d’occasion ‎

‎Spectacles d’eau‎

‎Magellan 2001 In-4 reliure éditeur, 141 pp. Illustrations couleurs‎

‎ Très bon état d’occasion ‎

‎Sidi Ahmed Benyoussef. Saint tutélaire de Miliana. Biographie‎

‎Maisonneuve & Larose 2004 In-4 broché, 248 p.‎

‎ Très bon état d’occasion ‎

‎Ribbentrop‎

‎Plon 1996 Traduit par Jean-Luc Barré‎

‎ Bon état d’occasion ‎

‎L'Art des Étrusques‎

‎La Bibliothèque des arts, coll. « Civilisation de l’art » 1965 In-4 pleine toile éditeur 28 cm sur 25. Nombreuses ill. en noir et en couleur. Jaquette en mauvais état. 103 pages. Assez bon état d’occasion. Poids sans emballage : 1005 grammes.‎

‎ Bon état d’occasion ‎

‎Etude sur l’histoire économique de la France 1760- 1789 préface de LEVASSEUR, Emile. Reprint de 1900- Paris ‎

‎SLATKINE MEGARIOTIS reprints- Genève 1977 In-8 reliure éditeur vert foncé, très bon état d’occasion. ‎

‎ Très bon état d’occasion ‎

‎Les chasses de Renaut deuxième livre de contes‎

‎Nouvelle Revue Française 1927 In-8. Broché, couverture imprimée, 215 pp. Très bon exemplaire non coupé.‎

‎édition originale. L’un des cents sur papier vergé Lafuma-navarre destinés aux Bibliophiles de la Nouvelle Revue Française. Très bon état d’occasion ‎

‎Le Verre en France. Les années 80‎

‎Les Editions de L'Amateur 1988 In-4 relié sous jaquette en couleurs, gondoles d’humidité. En l’état. ‎

‎ Etat correct d’occasion ‎

‎Dictionnaire étymologique de la langue française‎

‎Presses Universitaires de France 1950 In-8 reliure toile verte 24 cm sur 16. Deuxième édition. 652 pages. Dos insolé. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎La Nuit de l’éventreur‎

‎Clancier-Guenaud, coll. « Série 33 » 1988 In-12 broché 18 cm sur 10. 307 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Le Maître du Passé‎

‎Clancier-Guenaud, coll. « Série 33 » 1988 In-12 broché 18 cm sur 10. 281 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Psychopathe‎

‎Clancier-Guenaud, coll. « Série 33 » 1988 In-12 broché 18 cm sur 10. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Das Klassische Berlin : Die Berliner Bildhauerschule im neunzenthen Jahrhundert‎

‎Franfurt am Main - Berlin - Wien, Verlag Ullstein, Propyläen Verlag 1978 Grand in-4 32,5 x 23 cm. Reliure éditeur pleine grise, dos lisse, pièce de titre contrecollée, nombreuses illustrations dans le texte, 391 planches hors-texte, 510 pp., bibliographie, index des artistes. Exemplaire en très bon état.‎

‎Texte en allemand. Très bon état d’occasion ‎