1953 books for « bloch d p »Edit

‎L’ANOBLISSEMENT EN FRANCE AU TEMPS DE FRANÇOIS IER. ESSAI D'UNE DÉFINITION DE LA CONDITION JURIDIQUE ET SOCIALE DE LA NOBLESSE AU DÉBUT DU XVIE SIÈCLE‎

‎Librairie Félix Alcan, Bibliothèque de la Revue historique, 1934. Un volume in-12, broché.‎

‎Un volume in-12, broché. 216 pages.ENVOI à son frère Marcel [Bloch] et Ludmila [Savitzky]. [18868]‎

‎Première journée à Rufisque.‎

‎Aux éditions du Sagittaire, chez Simon Kra, “Les cahiers nouveaux”, 1926. Un volume in-16 carré, broché.‎

‎Envoi à son frère Marcel [Bloch] et Ludmila [Savitzky]. Plat de l’enveloppe d’expédition conservé. [18866]‎

‎Marc Bloch, 1886-1944. Une biographie impossible / An Impossible Biography.‎

‎ Limoges, Culture et Patrimoine en Limousin, 1997, in-4°, 152 pp, préface de Jacques Le Goff, abondamment illustré de près de 150 photos, gravures et fac-similés, broché, couv. illustrée à rabats, bon état. Texte bilingue en français et en anglais‎

‎Préface ; Repères chronologiques ; Généalogie de Marc Bloch et de Simonne Vidal ; L'enfance de Marc Bloch ; Les années de formation ; La guerre de 1914-1918 ; Strasbourg ; Paris ; La guerre de 1939-1940 ; Les années noires ; Fougères ; Marc Bloch et Simonne Vidal, un couple indissoluble ; L'œuvre ; Les archives de Marc Bloch ; Hommages à Marc Bloch ; Bibliographie. / Preface. Milestones. Genealogy of Marc Bloch and Simonne Vidal. Childhood. The formative years. World War I - 1914-1918. Strasbourg. Paris. World War II - 1939-1940. The dark years. Fougères. Marc Bloch and Simonne Vidal, an unseparable couple. Marc Bloch's writings. The Archives of Marc Bloch. Tributes to Marc Bloch. Bibliography of Marc Bloch. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Uncut in the orig. dark grey-brown wrappers, printed in gold on front wrapper and spine. Spine and lettering thereupon faded. Some smaller nicks, creases and loss of paper to extremities. Minor loss to capitals and two smaller holes w. a bit of loss to hinges. Overall an excellent copy in the fragile wrappers, rarely seen in such fine condition. Internally some minor brownspotting throughout, due to the paper-quality. With the ownership signature of J.B. Dumont deted ""Sept. '21"" to title-page and his stamp on half-title. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Original dark grey-brown paper binding, printed in gold on front wrapper and spine. A tear across spine, crudely repaired with tape, also to front hinge. Apart from the spine, a fine and fresh copy. Old owner's name to title-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. A bit later, nice, dark blue half cloth with gilt lettering to spine. Half-title mounted with a few marginal repairs, otherwise a very nice and clean copy. Owner's signature to totle-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Marc Bloch (1886-1944) - Une biographie impossible‎

‎ Culture & Patrimoine en Limousin (1997) - In-4 broché de 152 pages - Couverture illustrée à rabats - Abondamment illustré de près de 150 photos en noir et blanc, gravures et fac-similés - Texte bilingue en français et en anglais - Préface de Jacques Le Goff - Exemplaire en très bon état‎

‎Préface - Repères chronologiques - Généalogie de Marc Bloch et de Simonne Vidal - L'enfance de Marc Bloch - Les années de formation - La guerre de 1914-1918 - Strasbourg - Paris - La guerre de 1939-1940 - Les années noires - Fougères Marc Bloch et Simonne Vidal, un couple indissoluble - L'oeuvre - Les archives de Marc Bloch - Hommages à Marc Bloch - Bibliographie. ‎

‎ELIE FAURE.‎

‎Europe, n° 141, Paris, Les éditeurs français réunis, septembre 1957. In-8, broché, 176 pages.‎

‎[4694]‎

‎CARNAVAL EST MORT. Premiers essais pour mieux comprendre mon temps.‎

‎Paris, Editions de la nouvelle revue française, (13 juillet) 1920. In-12 carré (192 x 143 mm), broché, 268 pages.‎

‎Edition originale. Un des 940 exemplaires sur vélin pur fil. [4741]‎

‎EUROPE, n° 118, Paris, Les éditions Rieder, 15 octobre 1932. In-8, broché.‎

‎Contient, de Céline : "Lola d'Amérique". [5511]‎

‎GOETHE. Le centenaire.‎

‎Numéro spécial de la revue EUROPE, n°112, 15 avril 1932. In-8, broché.‎

‎[5738]‎

‎GORKI.‎

‎EUROPE, n° 370-371, février mars 1960. In-8, broché.‎

‎[6144]‎

‎EUGENE LE ROY.‎

‎EUROPE, n° 137, mai 1957. In-8, broché.‎

‎[9230]‎

‎Congrès international de psychologie de l'enfant. Paris, juillet 1979.‎

‎Enfance, n° 4-5, 1980. In-8, broché.‎

‎[9631]‎

‎Rhétoriques fin de siècle.‎

‎Paris, Bourgois, 1992. In-8, broché.‎

‎[10954]‎

‎Le développement dans la première année.‎

‎PUF, 1983. In-8, broché.‎

‎[11964]‎

‎La nouvelle revue française, n°104, 5/1922. In-8, broché.‎

‎Exemplaire défraîchi. [12720]‎

‎Les caractères originaux de l’histoire rurale française. Tome premier.‎

‎Armand Colin, 1960. In-8°, broché, 18 planches hors-texte.‎

‎[15113]‎

‎Goethe. Avec seize planches hors-texte en héliogravure.‎

‎Numéro spécial d’Europe, Les éditions Rieder, 15 avril 1932. Un volume in-8°, broché.‎

‎[16906]‎

‎Les chasses de Renaut. Deuxième livre de contes.‎

‎Gallimard, 1927. Un volume in-12, broché.‎

‎Mention de 8e édition. Bandeau d’annonce conservé, reproduisant la signature de l’auteur. [18870]‎

‎Le dernier empereur. Une histoire.‎

‎Librairie Gallimard, 1926. Un volume in-12, broché.‎

‎Mention de troisième édition. [18874]‎

‎Offrande à la musique (Dix filles dans un pré - La nuit kurde - L'illustre magicien). ‎

‎Librairie Gallimard, 1930. Un volume in-12, broché.‎

‎Mention de quatrième édition. Papier bruni. [18876]‎

‎Locomotives. Avec un portrait en lithographie par Berthold Mahn.‎

‎Editions de la Nouvelle Revue Française, “Une oeuvre, un portrait”, 1924. Un volume in-12, broché.‎

‎Edition originale. Tirage limité. Très bel exemplaire sur vergé. [18879]‎

‎Sur un cargo.‎

‎Librairie Gallimard, collection “Succès”, 1933. Un volume in-12, broché, sous couverture illustrée.‎

‎Exemplaire du service de presse, en parti non coupé. Petit manque en pied. Papier bruni. [18885]‎

‎Carnaval est mort. Premiers essais pour mieux comprendre mon temps.‎

‎Librairie Gallimard, 1933. Un volume in-12 carré, broché.‎

‎[19054]‎