1972 books for « bloch »Edit

‎De la France trahie à la France en armes.. Commentaires à Radio-Moscou 1941-1944. Préface de Charles Tillon‎

‎Paris, Editions Sociales, 1949 fort in-12, 554 pp., 4 cartes dépliantes en couleurs, broché. Couverture abîmée.‎

‎Textes des commentaires de Jean-Richard Bloch (exilé en URSS en 1941) à la radio soviétique. Les émissions duraient 15 minutes, en général deux fois par semaine, de juillet 1941 à octobre 1944 (avec 4 interruptions de plusieurs mois). - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎(JUDAISME) Rituel de prières pour la fête de Rosch Haschana conforme au service adopté pour les synagogues consistoriales de Paris. Avec traduction nouvelle de Moise Bloch.‎

‎ 1913 Paris, Chez les Libraires du Culte Israélite et Chez les Gardiens du Temple, 1913. in-12, plein maroquin marron, toutes tranches dorées, 299p. Edition bilingue. Nom de l'ancien propiétaire gravé sur le premier plat. Epidermures aux charnières. Intérieur de toute fraîcheur. ‎

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‎Espagne, Espagne !.‎

‎Paris, Éditions sociales internationales, 1936 in-12, 268 pp., un f. n. ch., broché. ‎

‎Édition originale. Jean-Richard Bloch (1884-1947), beau-frère d'André Maurois, avait adhéré au Parti communiste dès 1921. Ce qui nous dispensera de donner des précisions sur l'orientation de son ouvrage. - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Marc Bloch, 1886-1944. Une biographie impossible / An Impossible Biography.‎

‎ Limoges, Culture et Patrimoine en Limousin, 1997, in-4°, 152 pp, préface de Jacques Le Goff, abondamment illustré de près de 150 photos, gravures et fac-similés, broché, couv. illustrée à rabats, bon état. Texte bilingue en français et en anglais‎

‎Préface ; Repères chronologiques ; Généalogie de Marc Bloch et de Simonne Vidal ; L'enfance de Marc Bloch ; Les années de formation ; La guerre de 1914-1918 ; Strasbourg ; Paris ; La guerre de 1939-1940 ; Les années noires ; Fougères ; Marc Bloch et Simonne Vidal, un couple indissoluble ; L'oeuvre ; Les archives de Marc Bloch ; Hommages à Marc Bloch ; Bibliographie. / Preface. Milestones. Genealogy of Marc Bloch and Simonne Vidal. Childhood. The formative years. World War I - 1914-1918. Strasbourg. Paris. World War II - 1939-1940. The dark years. Fougères. Marc Bloch and Simonne Vidal, an unseparable couple. Marc Bloch's writings. The Archives of Marc Bloch. Tributes to Marc Bloch. Bibliography of Marc Bloch. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Uncut in the orig. dark grey-brown wrappers, printed in gold on front wrapper and spine. Spine and lettering thereupon faded. Some smaller nicks, creases and loss of paper to extremities. Minor loss to capitals and two smaller holes w. a bit of loss to hinges. Overall an excellent copy in the fragile wrappers, rarely seen in such fine condition. Internally some minor brownspotting throughout, due to the paper-quality. With the ownership signature of J.B. Dumont deted ""Sept. '21"" to title-page and his stamp on half-title. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Original dark grey-brown paper binding, printed in gold on front wrapper and spine. A tear across spine, crudely repaired with tape, also to front hinge. Apart from the spine, a fine and fresh copy. Old owner's name to title-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. A bit later, nice, dark blue half cloth with gilt lettering to spine. Half-title mounted with a few marginal repairs, otherwise a very nice and clean copy. Owner's signature to totle-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Thomas Münzer. théologien de la révolution. Traduit de l'allemand par Maurice de Gandillac‎

‎Collection Les Lettres NouvellesParis, Julliard, 1964 in-8, 269 pp., broché. ‎

‎ - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Histoire Ancienne. La République Romaine de 133 à 44 avant J.-C.. Première partie : des Gracques à Sulla. Deuxième partie : César‎

‎Collection Glotz, Histoire Romaine, IIParis, P.U.F., 1935-1936 2 vol. grand in-8, 1059 pp., nombreuses cartes in et h.-t., index, broché. ‎

‎ - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Recherches sur quelques gentes patriciennes.. Extrait des mélanges d'archéologie et d'histoire publiés par l'école française de Rome‎

‎Rome, Imprimerie de la paix, 1882 grand in-8, 38 pp., broché. Couverture salie.‎

‎ - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎La Guerre chimique.. Préface du général Weygand‎

‎Paris, Berger-Levrault, 1927 in-8, XIV-117 pp., croquis in-t., broché. Dos factice. Cachets (annulés). Qqs annotations et marques au crayon rouge.‎

‎Sur les menaces de guerre chimique par l'Allemagne. - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Charles De Gaulle, premier ouvrier de France.‎

‎Paris, Fasquelle, 1945; in-16, 115 pp., 4 planches dont un portrait-frontispice, broché. Cachets (annulés). Trace d'étiquette de bibliothèque au dos.‎

‎ - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎L' Assistance et l'Etat en France à la veille de la Révolution.. Généralités de Paris, Rouen, Alençon, Orléans, Chalons, Soissons, Amiens (1764-1790)‎

‎Paris, Picard, 1908 in-8, LXIV-504 pp., broché. Dos cassé, manque angulaire au premier plat de couverture.‎

‎Première édition très peu commune. - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎La Société féodale.. Les classes et le gouvernement des hommes‎

‎Collection L'Évolution de l'humanitéParis, Albin Michel, 1949 in-8, XXII-288 pp., 8 planches, broché. ‎

‎ - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎L'Anoblissement en France au temps de François Ier.. Essai d'une définition de la condition juridique et sociale de la noblesse au début du XVIè siècle‎

‎Paris, Alcan, 1934 in-12, XI-216 pp., biblio., demi-chagrin noir, dos à nerfs orné de fleurs de lys (reliure de l'époque). ‎

‎ - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Locomotives. Avec un portrait en lithographie par Berthold Mahn. ‎

‎Paris, Editions de la Nouvelle Revue Française, 20 juin 1924, 13x18cm, broché, 69p. Edition originale. Un des 535 ex. sur vergé navarre. Lithographie tirée sur Chine. Complet de sa serpente volante. TRES BON ETAT. ‎

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‎Le brave soldat Chveïk.‎

‎Paris, Club Français du Livre / Romans 289, 1964, in-8, pleine toile éditeur, 331p. Bel état. Maquette de Jacques Daniel. ‎

‎Le pétrole mène le jeu... 1919-1939‎

‎Paris, G. Durassié et Cie, 1961, in-12, broché, 123 pages. Envoi de l'auteur. Bon état. ‎

‎Gesamtausgabe Band 3. Geist der Utopie.‎

‎Frankfurt am Main., Suhrkamp Verlag., 1964, in-8°., broché, 352 pages. Broschiert, in guter Verfassung. Bearbeitete Neuauflage der zweiten Fassung von 1923. ‎

‎Christian Thomasius. Ein deutscher Gelehrter ohne Misere.‎

‎Berlin, Aufbau-Verlag. Schriften an die deutsche Nation., 1953, in-8°., broché, 49 pages. Broschiert mit Schutzumschlag (aber müde). Titelseite leicht vergilbt, Papier jedoch frisch und frei von Stockflecken. ‎

‎La civilisation étrusque‎

‎Paris, Payot. Bibliothèque historique, 1949, Broché, 249 pages. Bon état. Exemplaire de presse. 6 dessins et 35 photographies hors texte ‎

‎Réflexions sur la peine capitale‎

‎Paris, Calmann-Lévy, 1957, Broché, 238 pages. ‎

‎Les idées modernes sur la Constitution de la matière. Conférences faites en 1912.‎

‎Paris, Gauthier-Villars. Société Française de Physique. Coll. de Mémoires Relatifs à la Physique., 1913, in-8, Broché, 370 pages. Couverture usagée. Intérieur frais et en bon état. ‎

‎Paris des rêves. Complet des feuillets pour la trad. de H. Miller.‎

‎Lausanne, La Guilde du Livre, 1950, Broché sous couverture rempliée.Léger frottements aux coiffes sinon bon exemplaire., 156 pages. ‎

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‎Paris des rêves. Complet des feuillets pour la traduction de H. Miller.‎

‎Lausanne, La Guilde du Livre, 1950, Broché sous couverture rempliée., 156 pages. Très bon état. ‎