Centre d'action culturelle Jacques Prévert Dos carré collé 1982 "In-12 carré (15 x 15 cm.), dos carré collé, non-paginé, illustrations noir et blanc, ""Travaux sur papier, objets, photos, villeparisis. L'espace Arts plastiques présente une sélection de Dany Bloch du 4 décembre au 30 janvier 82"" ; coiffes un peu frottées, intérieur frais, par ailleurs très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Centre d'action culturelle Jacques Prévert Dos carré collé 1981 "In-12 carré (15 x 15 cm.), dos carré collé, non-paginé, nombreuses illustrations noir et blanc, ""Travaux sur papier, objets, photos, villeparisis. Dany Bloch présente du 5 décembre au 31 janvier, 10e année"" ; dos et ouvrage légèrement incurvés, intérieur frais, par ailleurs très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Centre d'action culturelle Jacques Prévert Dos carré collé 1980 "In-12 carré (15 x 15 cm.), dos carré collé, non-paginé, nombreuses illustrations noir et blanc, ""Travaux sur papier, objets, photos, villeparisis. Dany Bloch présente du 6 décembre au 25 janvier 80, 9e année"" ; deux petites traces au 1er plat, ouvrage légèrement incurvé, intérieur frais, par ailleurs très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Centre d'action culturelle Jacques Prévert Dos carré collé 1979 "In-12 carré (15 x 15 cm.), dos carré collé, non-paginé, nombreuses illustrations noir et blanc, ""Travaux sur papier, objets, photos, villeparisis. Dany Bloch présente du 1er décembre au 20 janvier 79, 8e année"" ; couverture un peu défraîchie, coiffes et mors légèrement frottés, ouvrage légèrement incurvé, intérieur frais, par ailleurs bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Centre d'action culturelle Jacques Prévert Dos carré collé 1978 "In-12 carré (15 x 15 cm.), dos carré collé, non-paginé, nombreuses illustrations noir et blanc, ""Travaux sur papier, objets, photos, villeparisis. Dany Bloch présente du 9 décembre au 4 février 78, 7e année"" ; bords et dos à peine insolés, intérieur frais, très bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Centre d'action culturelle Jacques Prévert Dos carré collé 1977 "In-12 carré (15 x 15 cm.), dos carré collé, non-paginé, nombreuses illustrations noir et blanc, ""Travaux sur papier, objets, photos, villeparisis. Dany Bloch présente du 10 décembre au 29 janvier 77, 6e année"" ; bords, mors et coiffes un peu blanchis, légères traces aux plats, intérieur frais, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Centre d'action culturelle Jacques Prévert Dos carré collé 1983 "In-12 carré (15 x 15 cm.), dos carré collé, non-paginé, nombreuses illustrations noir et blanc, ""Travaux sur papier, villeparisis. L'Espace Arts plastiques présente une sélection de Dany Bloch présente du 3 décembre au 22 janvier 83"" ; bords, mors, coins et coiffes un peu blanchis, légères traces aux plats, intérieur frais, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Centre d'action culturelle Jacques Prévert Dos carré collé 1985 "In-12 carré (15 x 15 cm.), dos carré collé, non-paginé, nombreuses illustrations noir et blanc, ""Travaux sur papier, villeparisis. L'Espace Arts plastiques présente une sélection de Dany Bloch présente du 2 février au 21 avril 85"" ; bords, mors, coins et coiffes un peu blanchis, légères traces aux plats, intérieur frais, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Audiberti, Bloch-Michel Jean, Jelenski K.-A., Philip André, Thiery André, Boucourechliev André, Horon A. G.
Reference : lu885
(1965)
Preuves Preuves Revue 1965 Revue grand in-8 (25.5*18.5), dos broché, 93pp., Audiberti : Mon métier d'écrivain (entretien inédit avec K. A. Jelenski) ; Jean Bloch-Michel : L'Espagne change ; André Philip - André Thiéry : La crise européenne ; A. G. Horon : L'art rupestre au coeur du Sahara ; La musique sérielle, aujourd'hui, enquête d'André Boucourechliev, réponses de Bruno Maderna, Gilbert Amy, Jean-Louis Barrault, Elliott Carter, Yannis Xenakis, J.V. Asuar, René Char, etc... ; bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Casterman Autres temps, autres mondes - Histoires fantastiques et de scien Cartonné avec jaquette 1983 In-8 (21x14 cm), cartonné sous jaquette illustrée, édition de 1983, 238 pages, n°35 de la collection 'Autres temps, autres mondes - Histoires fantastiques et de science-fiction', présentation de Jacques Chambon ; jaquette légèrement défraîchie, défauts mineurs au niveau des coiffes, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Bloch Robert, Davis Mildred, Malzberg Barry N., Wetering Janwillem van de, Pronzini Bill, McIlvanney William
Reference : vt254
Editions Fleuve noir Engrenage International Dos carré collé "Huit volumes in-12 (11 x 17,5 cm), dos carré collé, lot de 8 ouvrages de la collection ""Engrenage International"" des éditions Fleuve Noir : n°64 : ""L'Eventreur"" par Robert Bloch (1983, 188 pp.) // n°75 : ""Le Massacre du Maine"" par Janwillem van de Wetering (Spécial Double, 1983, 311 pp.) // n°80 : ""La Nuit hurle"" par Bill Pronzini et Barry N. Malzberg (Spécial Double, 1983, 316 pp.) // n°92 : ""Mort de quelqu'un"" par Mildred Davis (1984, 218 pp.) // n°101 : ""Les Alcooliques"" par Jim Thompson (1984, 185 pp.) // n°107 : ""Les Papiers de Tony Veitch"" par William McIlvanney (Spécial Double, 1984, 340 pp.) // n°117 : ""Mort d'un colporteur"" par Janwillem de Wetering (Spécial Double, 1985, 250 pp.) // n°129 : ""Mercredi des cendres"" par Bill Pronzini (Spécial Double, 1985, 279 pp.) ; frottements aux dos insolés et aux mors, marques d'usage et de frottements sur les plats, intérieur bruni, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
Berger Max,Berl Emmanuel,Bloch-Michel Jean,Carlisle Olga,Drancourt Michel,Draper Theodore,Löwenthal Richard,Pillement Georges,Sigaux G.,Thiery André
Reference : lu833
(1961)
Preuves Preuves Revue 1961 Revue grand in-8 (25.5*18.5), dos broché, 96pp., Olga Carlisle : Trois visites à Pasternak ; Jean Bloch-Michel : Nouveau roman et culture des masses ; Max Berger : Les sources du XXe siècle ; Théodore Draper : Castro et les théoriciens ; Richard Lowenthal : Le tiers Monde se divise, etc... ; bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Berl Emmanuel,Bloch-Michel Jean,Cabanis José,Duvignaud Jean,Faust Jean-Jacques,Gombrowicz Witold,Herling Gustav,Mercier Louis,Philip André,Roudaut Jean,Salles Georges,Sperber Manes,Vaillant Annette
Reference : lu865
(1963)
Preuves Preuves Revue 1963 Revue grand in-8 (25.5*18.5), dos broché, 93pp., Jean-Jacques Faust : Brésil 1963 : la 'bossa nova' ou la mort ; Jean Bloch-Michel : Le soliloque ; Georges Salles ; Histoire d'un plafond ; Gustav Herling : De Tchékov à Soljenitsyne ; Jean Duvignaud ; La malédiction ; Emmanuel Berl : Faites un tribunal..., etc... ; bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Akhmatova Anna,Berl Emmanuel,Bernard Marc,Bloch-Michel Jean,Blot Jean,Dadoun Roger,Guibert Armand,Jelenski K.-A.,Magrini Liliana
Reference : cv1876
(1964)
Preuves Preuves Revue 1964 Revue grand in-8 (25.5x18.5 cm), dos broché, 94 pages, Marguerite Yourcenar : le problème noir aux Etats-unis (1619-1964) ; Marc Bernard : Sarcellopolis : Anna Akhmatova : Requiem, poème présenté par Jean Blot ; Jean Bloch-Michel : Dire l'indicible ;David Rousset : Le paradoxe de Mexico ; K.-A. Jelenski : La Pologne à l'heure du polycentrisme, etc... ; traces sur les plats jaunis, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
BLOCH (Etienne), avec la collaboration d'Alfredo Cruz-Ramirez.
Reference : 24302
(1997)
ISBN : 9782911167119
Limoges, Culture et Patrimoine en Limousin, 1997, in-4°, 152 pp, préface de Jacques Le Goff, abondamment illustré de près de 150 photos, gravures et fac-similés, broché, couv. illustrée à rabats, bon état. Texte bilingue en français et en anglais
Préface ; Repères chronologiques ; Généalogie de Marc Bloch et de Simonne Vidal ; L'enfance de Marc Bloch ; Les années de formation ; La guerre de 1914-1918 ; Strasbourg ; Paris ; La guerre de 1939-1940 ; Les années noires ; Fougères ; Marc Bloch et Simonne Vidal, un couple indissoluble ; L'oeuvre ; Les archives de Marc Bloch ; Hommages à Marc Bloch ; Bibliographie. / Preface. Milestones. Genealogy of Marc Bloch and Simonne Vidal. Childhood. The formative years. World War I - 1914-1918. Strasbourg. Paris. World War II - 1939-1940. The dark years. Fougères. Marc Bloch and Simonne Vidal, an unseparable couple. Marc Bloch's writings. The Archives of Marc Bloch. Tributes to Marc Bloch. Bibliography of Marc Bloch.
München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Uncut in the orig. dark grey-brown wrappers, printed in gold on front wrapper and spine. Spine and lettering thereupon faded. Some smaller nicks, creases and loss of paper to extremities. Minor loss to capitals and two smaller holes w. a bit of loss to hinges. Overall an excellent copy in the fragile wrappers, rarely seen in such fine condition. Internally some minor brownspotting throughout, due to the paper-quality. With the ownership signature of J.B. Dumont deted ""Sept. '21"" to title-page and his stamp on half-title. 445 pp.
The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions.
München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Original dark grey-brown paper binding, printed in gold on front wrapper and spine. A tear across spine, crudely repaired with tape, also to front hinge. Apart from the spine, a fine and fresh copy. Old owner's name to title-page. 445 pp.
The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions.
München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. A bit later, nice, dark blue half cloth with gilt lettering to spine. Half-title mounted with a few marginal repairs, otherwise a very nice and clean copy. Owner's signature to totle-page. 445 pp.
The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions.
Culture & Patrimoine en Limousin (1997) - In-4 broché de 152 pages - Couverture illustrée à rabats - Abondamment illustré de près de 150 photos en noir et blanc, gravures et fac-similés - Texte bilingue en français et en anglais - Préface de Jacques Le Goff - Exemplaire en très bon état
Préface - Repères chronologiques - Généalogie de Marc Bloch et de Simonne Vidal - L'enfance de Marc Bloch - Les années de formation - La guerre de 1914-1918 - Strasbourg - Paris - La guerre de 1939-1940 - Les années noires - Fougères Marc Bloch et Simonne Vidal, un couple indissoluble - L'oeuvre - Les archives de Marc Bloch - Hommages à Marc Bloch - Bibliographie.
Berlin, 1954-59. Lex 8vo. All three in the original blue full cloth bindings, in excellent condition, in- as well as ex-ternally. Some light pencil-underlinings. 477, (3) 512, (1)" 518, (1) pp. + Errata for vols. I+II laid loose in vol. With a five-line presentation-inscription to front free end-paper of volume 1, signed in full: ""Herrn Gehrke/ in freundlicher Gesinnung/ mit besten Wünschen/ 30.VIII.54/ Ernst Bloch"".
The scarce first edition of all three volumes, with signed and dated presentation-inscription (in the year of appearance), of Bloch's magnum opus, his seminal ""The Principle of Hope"", which constitutes his philosophy of concrete utopia. The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. As his first book, ""Geist der Utopie"" was written while in exile in Switzerland during the First World War, this his main work was written while in exile in America during the Second World War, between 1938 and 1947, and it appeared for the first time in the DDR between 1954 and 1959. ""The Principle of Hope"" is considered a philosophical-political piece of art, which consideres in both philosophical-scientific and humanistic ways the possibilities for a utopia, at the same time as it traces throughout history man's strivings for utopia. The world is presented as open to man - open for man to make it the place that enables us to live like proper human beings. ""Ernst Bloch's Principle of Hope is one of the key books of our century. Part philosophic speculation, part political treatise, part lyric vision, it is exercising a deepening influence on thought and on literature. . . . No political or theological appropriations of Bloch's leviathan can exhaust its visionary breadth."" (editorial review by George Steiner, the 1986 English language edition). As his ""Geist der Utopie"" begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."", so his ""Das Prinzip Hoffnung"" begins with the equally powerful words: ""Who are we? Where do we come from? Where are we going? What do we expect? What awaits us? Many feel as nothing but confused. The ground rocks, they do not know why and from what. This their state is fear, if it becomes more defined, it is fear. Once, someone set out to learn fear."" (""""Wer sind wir? Wo kommen wir her? Wohin gehen wir? Was erwarten wir? Was erwartet uns? Viele fühlen sich nur als verwirrt. Der Boden wankt, sie wissen nicht warum und von was. Dieser ihr Zustand ist Angst, wird er bestimmter, so ist er Furcht. Einmal zog einer aus, das Fürchten zu lernen.""The conception of ""Prinzip Hoffnung"" has now, due to this work, become a frequently used saying, not only in Germany, but also in America and large parts of Europe, where ""The Pronciple of Hope"" is used in numerous political and economical discussions, most actually for instance in the climate debate. The influence of the work has been immense, and it has done much to re-create modern man's belief in the world today and our ability to do good.
[Bloch-Lainé] - Francois Mathey - Jean-Louis Bloch-Lainé - André Wogenscky - Antoine Kieffer et Karen Lombard & Françoise Choay
Reference : 007541
Paris Groupe de l'Immobilière-Constructions de Paris Draeger Frères Aulatd 0 2 volumes in-4 Cartonnages éditeur, étuis Edition originale
2 VOLUMES illustrés par Bloch-Lainé : RUE VUE. 1970. Textes de Francois Mathey, André Wogenscky. Mise en page de Antoine Kieffer et Karen Lombard. Photographies de Jean-Louis Bloch-Lainé en héliogravure. Cartonnage éditeur et étui. Un des 600 exemplaires nominatifs. 142pp. ----- ESPACEMENTS. 1969. Texte de Françoise Choay. Photographies de Jean-Louis Bloch-Lainé en héliogravure. Impression en accordéon sous couverture à rabat éditeur, et son étui illustré. unes 700 exemplaires nominatifs sur couché mat Job de Dujardin. Les 2 volumes en bel état. TRES BON ETAT 0
L'Oeil neuf éditions Sagesse d'un métier Dos carré collé 2008 In-8 (10,5 x 20 cm), dos carré collé, 127 pages, envoi de l'auteur ; page 27-28 cornée, par ailleurs très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Nouvelles Editions Oswald Fantastique/science-fiction/aventure Dos carré collé 1982 In-8 (14,1 x 20,5 cm), dos carré collé, 291 pages ; pelliculage un peu décollé aux coiffes, mors et bords des plats, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Jean-Claude Simoën Dos carré collé 1977 In-8 (14 x 21 cm), dos carré collé, 273 pages ; mors et bords des plats frottés, dos et bords des plats insolés, coin inférieur du premier plat corné, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Aron Raymond,Berl Emmanuel,Billotte Général,Bloch-Michel Jean,Caillois Roger,Deguy Michel,Duveau Georges,Gabor Dennis,Gillès Daniel,Jaspers Karl,Patri Aimé,Pingaud Bernard,Tavernier René,Tillion Germaine
Reference : lu830
(1960)
Preuves Preuves Revue 1960 Revue grand in-8 (25.5*18.5), dos broché, 2 volumes, 96 + 48pp., vol 1 : Roger Caillois - Dennis Gabor : Science et fantaisie ; Karl Jaspers : Liberté et réunification (1ere partie) ; Daniel Gillès : Tolstoï interroge la mort ; Georges Duveau : Saint-Simon ; Emmanuel Berl - Général Billotte : Discorde et trahison etc... ; vol 2 : L'Algérie devant la conscience française ; bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.