Bartrum, Giulia: German Renaissance Prints, 1490-1550. Exhibition: London, British Museum, 1995. 240pp with 8 colour and 112 monochrome illustrations. Wrappers. 27.6x21.9cms. Selection of prints from Renaissance Germany in the collection of the British Museum. The prints, from Dürer to Holbein, are discussed in historical context. With bibliorgaphy, index of artists.
Selection of prints from Renaissance Germany in the collection of the British Museum. The prints, from Dürer to Holbein, are discussed in historical context. With bibliorgaphy, index of artists. Text in English
Bartrum, Giulia ed.: German Romantic Prints and Drawings from an English Private Collection. London: British Museum, 2011. 318 pages. Catalogue of 93 works each illustrated and discussed in detail. Paperback. 29.5x24.5cms.
Text in English
Bartrum, Giulia: Edvard Munch : love and angst. Exhibition: London, British Museum, 2019. 224 pages, 150 illustrations. 23x28cms.
CAMBRIDGE UNIVERSITY PRESS. NON DATE. In-4. Relié toilé. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 260 pages augmentées de nombreuses illustrations en couleurs et en noir et blanc dans et hors texte. Jaquette en couleurs satisfaisante. Frontispice en noir et blanc. Dos déboité.. Avec Jaquette. . . Classification Dewey : 708-Galeries, musées, collections d'art
OUVRAGE EN ANGLAIS. Classification Dewey : 708-Galeries, musées, collections d'art
, Thame and Hudson, 2019 HB, 280 x 230 mm, 224 p, 150 colour illustrations E edition. ISBN 9780500480465.
Edvard Munch (1863-1944) is best known today as a painter, but his reputation was in fact established through his prints, which were central to his creative process. His printmaking was experimental and innovative, and he continually revisited the subjects of his paintings in striking prints, in which he evoked a wide range of emotion and mood through the use of varied techniques. Munch's early life in the industrial town of Kristiania (renamed Oslo in 1925) was marked by sickness and poverty. His first works centred on the expression of deep emotional experiences, specifically the deaths of his mother and teenage sister when he was growing up, as well as passionate yet unhappy love affairs of which his deeply religious father disapproved. Encouraged by his encounters with a Bohemian society of artists, writers and poets, he developed a visual landscape that was a radical deviation from the slick society portraits and grand Scandinavian landscapes then so much in vogue. His efforts attracted considerable attention and much criticism, and he practised with little financial success as a painter for ten years before he started to gain his reputation as a profoundly innovative printmaker. Written by a team of acknowledged experts, and with an interview by writer Karl Ove Knausgaard, this book will shed new light on the production of some of Munch's most remarkable works.
VIRGIL SOLIS ( Virgilius - Vergilius SOLLIS ) - Dieter BEAUJEAN ( compiler ) - Giulia BARTRUM ( editor ) :
Reference : 33079
15. Ouderkerk aan de IJssel - Rotterdam (the Netherlands), Sound & Vision publishers, 2004-2006, 6 volumes, small in-4°, approx. 250 pp/per volume , black/white ills., publisher's cloth with printed dustwrapper. Ex-library copies with a number scribbled on the wrapper and stamps (cancellation stamp included) on title page, bar code label on first paste-down, apart from that nearly mint copies. Stapled errata booklet of xvi pp included. The volumes 63, 64, 65, 66, 67, 68 of the new German Hollstein. (Another two volumes of Virgil Solis Book illustrations - Part IV and Part V - are in publication). (Due to larger/size weight of this book, additional shipping charges may apply depending on customer location.).