, Brepols - Harvey Miller, 2017 Hardcover IV+247 pages , 22 b/w ill. + 195 colour ill., 220 x 280 mm, Languages: English, Italian. ISBN 9781909400894.
Raised to the status of an international luminary by her contemporaries and now revered as one of the defining talents of the seventeenth century, Artemisia Gentileschi poses urgent questions for today?s scholars. The recent outpouring of new attributions and archival discoveries has profoundly enriched our knowledge of the artist, but it has also complicated, and sometimes contradicted, the former storyline. If she was illiterate and unschooled, how did she befriend Galileo and court playwright Jacopo Cicognini? If she could not pay her bills, why did she continue to spend lavishly? How can we define her authorship if we admit workshop productions to her oeuvre? In these essays, an international cast of scholars and experts grapples with these problems, opening new paths of inquiry and laying bare their methodologies in fields as diverse as laboratory analysis, archival research, cultural history, literary analysis, and feminist art history. Among these approaches, connoisseurship takes center stage. By reconstructing the chronology and rationale of Artemisia?s artistic iter, connoisseurship reveals the richness of her visual dialogues, including those with prominent contemporaries such as Caravaggio, Annibale Carracci, Vouet, Cristofano Allori, and Stanzione; with past artistic giants like Donatello and Michelangelo; and with the various hands who passed through her workshop as collaborators and assistants. These essays infuse our understanding of Artemisia with complexity and nuance, yet they also trace her characteristic mix of intelligence and verve in her art, her correspondence, and her deft social maneuvering, running like a thread through all stages of her life. Sheila Barker, Ph.D. (Columbia University, 2002) is the founding director of the Jane Fortune Resarch Program on Women Artists, based at Medici Archive Project in Florence. Her previous publications include "Artiste nel chiostro" (Nerbini, 2016) and "Women Artists in Early Modern Italy: Careers, Fame, and Collectors" (Harvey Miller / Brepols, 2016). Table of Contents Acknowledgments Introduction Sheila Barker Identifying Artemisia: The Archive and the Eye Mary D. Garrard Mary Magdalene in Ecstasy and the Madonna of the Svezzamento: Two Masterpieces by Artemisia Gianni Papi Deciphering Artemisia: Three New Narratives and How They Expand our Understanding Judith W. Mann Unknown Paintings by Artemisia in Naples, and New Points Regarding Her Daily Life and Bottega* Riccardo Lattuada Artemisia Gentileschi?s Susanna and the Elders (1610) in the Context of Counter-Reformation Rome Patricia Simons Artemisia?s Money: A Woman Artist?s Financial Strategies in Seventeenth-Century Florence Sheila Barker Artemisia Gentileschi: The Literary Formation of an Unlearned Artist Jesse Locker Women Artists in Casa Barberini: Plautilla Bricci, Maddalena Corvini, Artemisia Gentileschi, Anna Maria Vaiani, and Virginia da Vezzo Consuelo Lollobrigida ?Il Pennello Virile?: Elisabetta Sirani and Artemisia Gentileschi as Masculinized Painters? Adelina Modesti Allegories of Inclination and Imitation at the Casa Buonarroti Laura Camille Agoston Mary Magdalene in Ecstasy by Artemisia Gentileschi. A Technical Study Christina Currie, Livia Depuydt, Valentine Henderiks, Steven Saverwyns, and Ina Vanden Berghe
Les Édiitions Un monde Différent Brossard QC 1981 267 pages in8. 1981. Broché. 267 pages.
bon état de conservation intérieur propre bonne tenue
Bca 1998 in8. 1998. Relié jaquette.
Très bon état tranches légèrement fânées intérieur propre
J'ai Lu 1999 250 pages 18x11x1cm. 1999. Poche. 250 pages.
Etat Correct coiffe bas frottée texte propre
Routledge 1993 288 pages 19x25x3cm. 1993. Broché. 288 pages. iconographie en noir et blanc
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Batsford Ltd 1982 285 pages 19x24x2cm. 1982. Broché. 285 pages. iconographie en noir et blanc
tranche ternie bonne tenue intérieur propre
British School at Rome 1991 in8. 1991. Cartonné. iconographie en noir et blanc
Bon état cependant couverture un peu défraîchie (légères tâches) intérieur frais
Rivages 2001 488 pages 15x23x3cm. 2001. Broché. 488 pages.
Très bon état cependant qq ternissures sur tranche
Rendell Ruth Oates Joyce Carol Barker Clive
Reference : 100062782
(1998)
ISBN : 2226104496
Albin Michel - L'Echo des Savanes 1998 583 pages 15x22x4cm. 1998. Broché. 583 pages.
Très bon état légère ternissure sur tranche très bonne tenue intérieur frais
Harlequin 2001 308 pages in12. 2001. broché. 308 pages.
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J'ai lu 1989 569 pages in12. 1989. Broché. 569 pages.
Etat Correct dos assez frotté
Presses universitaires de france 1973 in8. 1973. Broché.
Bon Etat un peu taché rares écornures
Albin Michel 1988 247 pages in8. 1988. Broché jaquette. 247 pages.
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Adyar 1994 613 pages 16x23x3cm. 1994. Broché. 613 pages.
Bon état cependant couverture ternie intérieur propre
Paris, Adyar, 1990, 1 volume, in-8, cartonnage souple éditeur, XLVII-613 p.. Table analytique des matières en début de volumes, notes en bas de pages, index en fin de volume. Un coin émoussé au premier plat.
Très bel exemplaire. ************* Remise 20 % pour toute commande supérieure à 100 €, envoi gratuit en courrier suivi et assurance à partir de 30 € d'achat (France seulement).
With drawings in black and white by K. F. Barker. William Heinemann, London, Toronto, 1939. In-4 p., tela editoriale (con aloni), pp. XIII,135,(3), con le affascinanti illustrazioni di Kathleen Francis Baker, molto nota per i suoi ritratti di animali, particolarmente cavalli e cani. In questo libro l'artista e scrittrice inglese (1901-1969) si concentra sui cani terriers e, come prende avvio nell'introduzione: The Terriers, God bless them!. This is how I feel towards the whole crowd of quarrelsome, aggressive, die-hard little scallywags - the back bone of the dog tribe, the pals of the butcher, the baker, the candlestick maker, and a host of others.. My book deals with common dogs who live common lives, who more often than not enjoy themselves in a common way... Il suo amore per i cani risplende sia nei suoi scritti che nei suoi disegni che sono di notevole qualità e questo libro affascinerà certamente i padroni di cani terriers. "Prima edizione".Esemplare ben conservato. .
London, T.Fisher Unwin 1824. 8°. XXXV S., 2 Tafeln Faksimile, 492 S., Originalleinwand.
Second Printing. - Zweiter Druck nach 1923 der legendären, heute im British Museum aufbewahrten tibetanischen Texte. - Die erste Hälfte des Bandes mit Bleistiftanstreichungen. Einige Blätter fleckig.
Harlequin Broché D'occasion bon état 15/04/2004 320 pages
Éditions Fleurus Broché D'occasion bon état 01/01/1981 143 pages
Unesco / Presses Universitaires De France Broché D'occasion bon état 01/01/1973 169 pages
Barker Travis Edwards Gavin Bochard Thierry
Reference : 500069523
(2021)
ISBN : 9782378151973
TALENT EDITIONS 2021 432 pages 15x23 8x2 7cm. 2021. Broché. 432 pages.
Comme neuf
Paris, chez P. Guil. Cavelier, 1768. In-12, LXVI-426 pp., basane marbrée fauve, dos à nerfs orné de caissons dorés, pièce de titre brune, tranches rouges (reliure défraîchie, quelques rousseurs, froissures).
Édition en partie originale de la traduction française du traité de Barker par Schomberg, corrigée et annotée par Lorry. Voir photographie(s) / See picture(s) * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.