7 books for « barbero luca massimo »Edit

‎Ettore Sottsass: il vetro‎

‎Barbero, Luca Massimo: Ettore Sottsass: il vetro. Exhibition: Venice, Isola di San Giorgio Maggiore, 2017. 328 pages, 579 colour illustrations. Paperback. 28.5 x 30.5cms. This exhibition on the 100th anniversary of the birth of Ettore Sottsass features 200 works, mostly from the Ernest Mourmans collection, many of which are on show for the first time. It is the first exhibition dedicated entirely to the Italian architect's glass and crystal production. This catalogue contains a essay by the curator Luca Massimo Barbero, a dated catalogue of all the works and striking full page photography of the modern Murano works. Text in Italian.‎

‎This exhibition on the 100th anniversary of the birth of Ettore Sottsass features 200 works, mostly from the Ernest Mourmans collection, many of which are on show for the first time. It is the first exhibition dedicated entirely to the Italian architects glass and crystal production. This catalogue contains a essay by the curator Luca Massimo Barbero, a dated catalogue of all the works and striking full page photography of the modern Murano works. Text in Italian‎

‎LUCIO FONTANA 1946-1960. ZEICHEN UND ZEICHNUNGEN,‎

‎Appenzell, Ausst'publikation, Museum Liner, 2009 Broschiert, kartonniert, 200 x 255mm., 172 S. mit 144 (84 farb.) Abbildungen. ISBN 9783906966144.‎

‎Der in Zusammenarbeit mit dem Museo d'Arte Mendrisio und der Mailander Fondazione Lucio Fontana konzipierte Katalog Lucio Fontana, 1946 ? 1960, Zeichen und Zeichnung stellt erstmals das zeichnerische, malerische und plastische Werk des Kunstlers in einen ubergreifenden konzeptuellen Zusammenhang. Die beiden Herausgeber Simone Soldini und Luca Massimo Barbero stellen die Arbeiten in den Kontext eines umfassenden asthetischen Konzepts, das schlagwortartig mit Fontanas Wunsch nach der ?Eroberung einer neuen Dimension? umschrieben werden kann: Fontanas Concetto spaziale (die Vorstellung einer neu definierten Raumempfindung), deren Entwicklung gerade in der Zeichnung augenfallig wird, steht im Zentrum der Ausstellung. In der konzentrierten Auswahl der Werke aus dem so genannten Spatwerk (24 Leinwandarbeiten, darunter die Buchi, Locher, und die Tagli, Schnitte, 8 plastischen Werken, 49 Arbeiten auf und mit Papier, und einer Rauminstallation, erganzt um historisches Dokumentationsmaterial) wird der Kunstler Lucio Fontana (1899-1968) als einer der Begrunder einer raumbezogenen und performativen Kunst vorgestellt: einer Kunst, die Begrenzungen in den traditionellen Gattungen Malerei, Skulptur und Zeichnung offnet und uberwindet. Damit bereichert Fontana ? kunsthistorisch vor dem franzosischen Kunstler Yves Klein oder den deutschen Kunstlern des Zero ? die Kunst um eine ideelle, wenn nicht idealistische Komponente. The catalogue, published in collaboration with the Museo d?Arte Mendrisio with the Fondazione Lucio Fontana in Milano, places Lucio Fontana's (1899-1968) graphic, painted and plastique work for the first time in a comprehensive conceptual context. The precise selection of works from Fontana's late period (24 works on canvas, 8 plastiques, 49 works on paper, an installation, completed by historic documentations) presents the artist as a pioneer of space-oriented and performative art. German edition/ Text in deutscher Sprache. Neue.‎

‎Time & Place: Slipcased Edition of Volumes 1, 2 and 3: Volume 1: Rio de Janeiro 1956-1964, Volume 2: Milan-Turin 1958-1968, Volume 3: Los Angeles 1958-1968‎

‎ 2009 Steidl/Swedish Books/Moderna Museet Soft cover Fine ‎

‎Time & Place: Slipcased Edition of Volumes 1, 2 and 3: Volume 1: Rio de Janeiro 1956-1964 ; 107 pp, Volume 2: Milan-Turin 1958-1968, 171 pp Volume 3: Los Angeles 1958-1968, 135 pp Softcover, open slipcase ( little damage ) 235 x 175 mm, , illustrations in b/w and colours , fine condition‎

‎Claudio Parmiggiani. Petrolio.‎

‎Milano Charta 2009 1 vol. relié in-4, cartonnage éditeur, jaquette, 78 pp., 35 reproductions dont 10 en couleurs. Edition italienne. Très bonne condition.‎

‎Ettore Sottsass The Glass.‎

‎, Skira, 2018 FLEXI, 300 x 280 mm, 328 p, 579 colour illustrations, english edition. ISBN 9788857235356.‎

‎The brilliant architect and designer Ettore Sottsass "made glass" from 1947 until the end of his career. This volume documents the entire period of his glass oeuvre, from the series he designed in the 1970s for Vistosi to the Memphis collections of the 1980s, the symbolic forms of the 1990s, the stunning constructions for the Millennium House in Qatar, and the famous Kachinas. The wealth of images, the analysis of design and painting together with the coeval cultural and artistic context, and the summary of works including many unpublished pieces make this volume edited by Luca Massimo Barbero the first scientific study on Ettore Sottsass's works in glass and crystal‎

‎Lucio Fontana‎

‎ 2015 Forma Edizioni Hardcover As New ‎

‎Lucio Fontana eng / ita nav tentoonstelling Hardcover, 300 x 245 mm, 271 pages, richly illustrated, in good condition‎

‎Liu Ruowang Paintings and Sculptures 2007-2017‎

‎, , 2018 Hardcover, 224 pages, 30 x 24 cm, iLLUSTRATIONS; 150, TEXT in Italian, English, Chinese. ISBN 9788836641031.‎

‎Dapprima rappresentati come costretti in una posa immota, afoni e ricchi solo di un ?suono muto?, i protagonisti del mondo di Liu Ruowang (1977, Jaxian, Cina) sono in realt degli agitatori di coscienza, degli inevitabili segnali di allarme, di una transitoriet dell?uomo e del Mondo che li scuote dalla loro immobilit di materia (il clamore del bronzo, il suono del metallo) e ci trasmette la complessit dell??essere al mondo?. Dalla tragedia e dalla cultura tradizionale emergono i suoni e i significati dei temi di questo scultore che utilizza il grande respiro epico del passato per trascinarci in un ineluttabile presente. Initially represented as being forced into an unmoving pose, voiceless and only full of a ?mute sound,? the protagonists of Liu Ruowang?s world (b.1977, Janxian, China) are actually stirrers of consciences, inevitable alarm signals, the transience of man and of the World stirring them from their immobility of matter (the clanging of bronze, the sound of metal) that transmits the complexity of ?being in the world? to us. From tragedy and from traditional culture emerge the sounds and meanings of themes belonging to this sculptor, who uses the great epic respite of the past to drag us into an inescapable present. Milano, Lorenzelli Arte, marzo / March - maggio / May 2018‎