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Marlene Dumas
, Phaidon Press, Softcover, 160 pages, 25,0 cm x 29,0 cm x 29,0 cm Illustrated. Texte en Francais, bon etat. ISBN 9780714896762.
Le critique d'art neerlandais Dominic van den Boogerd etudie les themes de l'?uvre de Marlene Dumas en relation avec divers heritages conceptuels ayant trait a la representation de la figure humaine. L'artiste Barbara Bloom s'entretient avec Marlene Dumas de la question des femmes artistes aujourd'hui, depuis leur mode de construction intellectuelle jusqu'a la representation d'elles-memes. La journaliste et ancienne redactrice en chef de Vogue Italia, Mariuccia Casadio, s'attache a analyser Josephine (1997), peinture interrogeant l'heritage legue par Josephine Baker en tant que figure feminine emblematique. Dans la section Choix de l'artiste, Marlene Dumas a selectionne des extraits de la nouvelle d'Oscar Wilde Le Pecheur et son ame, qui lui avait deja inspire une serie d'?uvres sur le theme des sirenes, et des extraits de l'autobiographie de Jean Genet, Journal du volet voleur (1949). Marlene Dumas se fait souvent le porte-parole de ses ?uvres ; la section Ecrits de l'artiste reunit plusieurs de ses textes de reference sur son art, des reflexions sur l'amour, la religion et la politique ainsi qu'une analyse du tableau de Goya Les Parques.
Ilaria Bonacossa, Dominic van den Boogerd, Barbara Bloom, Mariuccia Casadio
Reference : 66786
Marlene Dumas
, Phaidon Press, 2009 Hardcover with dusjacket, 240 pages, very richly illustrated with coloured illustrations, *New. ISBN 9780714845845.
Marlene Dumas (b.1953) is a South African-born, Amsterdam-based painter, and an internationally admired artists. Dumas recalls in her work the painterly gestures of Expressionism, whilst combining the critical distance of Conceptual art with the pleasures of eroticism. Through her delicately painted oil-on-canvas or ink-and-watercolour depictions of the female form as well as portraits of children and erotic scenes, she comments on the state of painting today. What does it mean to be a woman working within the predominantly male genre of expressionist painting? The artist often depicts women: their expressions, their body and facial typologies, their self-image, their ideals. The relationships between art and female beauty ? or between art-historical models and twentieth-century supermodels ? are constant themes in her work. Dumas does not paint from life but deliberately chooses ?stock? images from a variety of sources, from magazine cuttings to picture postcards to Old Master paintings, as re-observed through her contemporary perspective. Since the late 1970s she has exhibited widely, with solo exhibitions at the Tate Gallery, London (1996), the Museum f r Moderne Kunst, Frankfurt (1998), the Museum van Hedendaagse Kunst, Antwerp (1999), the Centre Pompidou, Paris (2002), the New Museum, New York (2002), the Museum of Contemporary Art, Los Angeles (2008) and the Museum of Modern Art, New York (2008). Dutch art critic Dominic van den Boogerd surveys themes in Dumas? work in relation to a range of conceptual legacies in depictions of the human figure. New York artist Barbara Bloom interviews Dumas on questions contemporary women artists are asked, from issues of intellectual process to the representation of the self. Art journalist and former Editor of Vogue Italia Mariuccia Casadio focuses on Dumas? painting Josephine (1997), reflecting on the iconic legacy of Josephine Baker. For her Artist?s Choice Dumas has selected two authors: Oscar Wilde, whose story ?The Fisherman and His Soul? inspired the artist?s early series of works on the theme of mermaids; and Jean Genet, whose autobiography Le Journal du voleur (1949, trans. Thief?s Journal, 1964) is excerpted here. Marlene Dumas has often acted as a spokesperson for her work; the Artist?s Writings section features many such seminal texts on her own art as well as meditations on love, religion, politics, and a discussion of Goya?s painting The Fates. In the Update section art critic Jan Avgikos surveys Dumas? work from 1999 to present.
