1826 books for « b andrea »Edit

‎Toscanini‎

‎Librairie F. Rouge & Cie S.A 1948 181 pages in8. 1948. Broché couverture rempliée. 181 pages. Biographie du chef d'orchestre Arturo Toscanini écrite par Andrea Della Corte et traduite de l'italien par A. Jacquemard. L'ouvrage publié en 1948 à Lausanne par la Librairie F. Rouge & Cie fait partie de la collection "Musiciens et leurs Œuvres". Il s'agit d'un in-12 broché de 181 pages‎

‎Bon état‎

‎Objets et décors en papier‎

‎Eyrolles 1996 96 pages 28 2x21 8x1 6cm. 1996. Reliure editeur cartonnée. 96 pages. Ce livre de loisirs créatifs par Andrea Maflin spécialiste des objets décoratifs en papier enseigne comment transformer du papier uni grâce à des techniques comme le lavis la dorure la décoloration ou la patine au thé. Il propose 16 projets illustrés étape par étape pour créer des décorations personnalisées comme des cartes de vœux papiers cadeaux ou abat-jour‎

‎Bon état‎

‎Félicia ou mes fredaines‎

‎Grand livre du mois 1994 255 pages in8. 1994. cartonnage souple. 255 pages. Félicia ou Mes fredaines est un roman libertin du XVIIIe siècle publié en 1775 racontant les aventures amoureuses de Félicia une jeune courtisane parisienne qui dès l'adolescence découvre les hommages du désir et vole d'homme en homme au sein d'une société d'amour. L'œuvre mêle humour évasion et élan passionnel et constitue le roman le plus connu et le plus réédité de son auteur André-Robert Andréa de Nerciat‎

‎Bon état‎

‎Espagne Baleares‎

‎Vigot 2003 287 pages 13 4x1 4x19cm. 2003. Broché couverture rempliée. 287 pages. Ce livre est un guide de voyage et d'identification publié par Vigot consacré à l'Espagne et aux îles Baléares. Il propose des informations pratiques pour préparer un voyage des conseils d'itinéraires ainsi que la présentation de plus de 250 espèces animales et végétales. Il met en avant les sites naturels et culturels exceptionnels de la région‎

‎Très bon état‎

‎Elle qui chante quand la mort vient‎

‎Editions du Masque 1993 187 pages poche. 1993. Poche. 187 pages.‎

‎DELLE LETTERE DI M. ANDREA CALMO‎

‎in Vinegia ( Venise ) s. n. ( Camillo Pinzi ) 1580 4 livres en 1 vol. petit in-8 ( 14,5 x 10 cm ) T. , 43 ff. + 56 ff. + t. , 65 ff. + t. , 79 , (1) ff. . Chaque livre est folioté et non paginé . Chacun a son titre ( sauf le Libro II ) avec sous-titre " Nel quale si contiene varij, & ingeniosi discorsi filosofici, in piu lettere a diuersi indrizzate, compresi " , le dernier " Residuo delle lettere di m. Andrea Calmo, libro quarto. Indrizzate a diuerse donne, sotto molte occasioni de inamoramenti, ne la vulgar antiqua lengua veneta composte. Con cinquanta stanze al proposito dell'opera" . En italien vénitien . Contient : Al Clarissimo e dignissimo Procvrator il Mag. M. Julio Contarini , lettres à Paolo Lombardini, Antonio Cocco , Matteo Usper , Bartolomeo Salis , Michele Parrasio , Marino Venier , Lorenzo Contarini , Bernardo Tiepolo , Gabriele Gradenigo , Soretta Pomposi , Tuffonia di Altieri , Antonio Molino , Paolo Mazzante , Benedetto Soranzo , Caterina da Lodi , Piero Nani , francesco Michiel , Daniele Querini , Francesco Venier , Ludovico Dolce , Zaccaria Dolfin, Isabetta M. , Giambattista Giustiniani , A le honorandissime stampe + à Giovanni Corner , Pandolfo Guoro , Luigi Pisani , Zaccaria Barbarigo , Giambattista Dovizi abate Bibiena , Giovanni Donà , Paolo Giovio , Cristoforo Da Canale , Marin Zane , Beneto Pesaro , Bartolomeo Vitturi , GirolamoVenier , Marino Mocenigo , Leonardo Emo , Giovanni Rizzo , Giovanni Abioso , Cornelia Madonna , Fioravante Avogaro , Francesco Vedova , Valerio Zuccato , Girolamo Parabosco , Gianmaria Dal Cornetto , Luigi Artemio Giancarli , Hebrea Madonna Bellina , Ippolito Tromboncino , Moscardina di Ganzanti , Honorando mio spettacolo moderno ,Giovanni da Bruolo , Jacopo Tintoretto , Piero Beltrame , Alvise Dolfin , Sebastiano di Franceschi , Bartolomeo de Salis , Ranuccio Farnese , Federico Badoer , Francesco da Castello , Francesco Dall'Orso , Alle Signore Comedie + à Stefano Trevisan , Bartolomeo Paruta, Girolamo Morosini , Marin Pasqualigo, Francesco Zorzi , Marco Gussoni, Andrea Da Legge , Giovanni Francesco Priuli ,Domenico Marcello, Giovanni Cavalli , Andrea Contarini, Domenico Bon, conte di Val Marin , Pietro Aretino , Severino de Draghi , Lucio Maggio , Don Dona[t]o, Vicario in S. Spirito , Camillo Melle, Benetto Ragazzoni , Hadrian Wil[l]aert , Antonio Secco , Michelangelo Buonarroti , Francesco Bressan , Francesco da Burano , Anton Francesco Doni , Scipione Ziliol[i], Giovanni Andrea Gromio , Ventura Salvatronda, Bartolomeo de Salis , Francesco Morello , M.[esser] Giovanni, ingener de M. Fantin , Gian Paolo Rizzo , Giacomo Doria , Lunardo Gabardo , Bernardin di Schieti , Giambattista Sura , Francesco Savioni , Christopher Mielich , Filippo Maurici , Annibale Raimondi , Angela Sarra , Vienna Rizzi , Alla gloriosa Fama +à Silvio di Porcia , Signora Delizia , Tullia [Balino?] , Signora Balzana ,Signora Lucida , Signora Spagnoleta , Signora Florida ,Signora Basilica , Letizia [Parisotta?], Signora Ortensia ,Signora Virgilia,Signora Thesorina , Signora Laurina , Signora Romana , Signora Circenia , Signora Griseida , Signora Brunela , Signora Honoria , Signora Cavriola , Signora Galandra , Signora Ardelia , Signora Porzia , Signora Fulgenzia , Signora Leonoria , Signora Oliveta , Signora Celestina , Signora Vitruvia , Signora Fasana, Imperia [Zotta?], Signora Camilla , Signora Borghese , Signora Egidia , Signora Biancarda , Signora Calidonia , Signora Mesalina , Signora Violina , Signora Orsolina , Signora Telura , Signora Oriental , Signora Ferina, Signora Palmeria , Signora Corniola , Signora Frondosa , Signora Pompilia , Signora Alba , Signora Silvia , Signora Serpilia , Signora Cerviera , Signora Aquilina , Signora Fausta , Signora Fontana , Alle ottime e sacratissime Muse , Tavola . Aux titres , marque typographique Charitas tenant un serpent " Vigillae virus fel " . Lettrines , cul-de-lampe . Reliure plein parchemin ancien . Dos lisse, titre , nom de l' auteur , date . Toutes tranches rouges. ( Reliure du XIX s ) . Mouillure claire sur les quatre ou cinq premiers ff. . ( Collat. complet , sauf titre du Livre II ) . ‎

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‎Andrea CALMO ( Venise 1510 - id 1571 ) était un écrivain polygraphe , poète , dramaturge et comédien , proche d' Anton Francesc Doni , de Pierre l' Arétin , du Tintoret . Il appartenait au courant de pensée des Polygraphes . " Lasciò briose finte Lettere (4 libri , 1547-56 ) scritte in dialetto veneziano misto di slatinature spropositate , faceti storpiamente di parole , elementi gergali . " ( Enciclopedia Treccani ) In questo, che è uno dei più interessanti e singolari documenti del costume cinquecentesco non soltanto veneziano, sono fantasiosamente e bizzarramente mescholati scherzi, freddure, spiritosaggini, tirate', chiacchere, fiabe e chimere', il tutto esposto in forma di lettere indirizzate da pescatori appartenenti a una stessa famiglia, nel corso di più generazioni, a destinatari per lo più illustri o fittizi: e sono in tutte, anche in quelle dell'ultimo, che si indirizzano, senz'alcuna sottoscrizione a varie cortigiane di Venezia, un'intima arguzia e una sottile ironia, [] che permette all'autore, calcolatamente, di passare dai pettegolezzi delle calli e dei campielli all'allusione ai maggiori pubblici avvenimenti, e anzi alla loro ironizzazione variamente giocata nelle sfumature del linguaggio. Alla fortunata raccolta - dal 1547 al 1610 se ne fece una ventina di edizioni - il Rossi riconosce un primo autentico pregio d'arte, oltre che un notevole valore storico, per i frequenti ricordi di avvenimenti, feste, giochi, balli, canzoni, proverbi e per la ripresa di nomerosi motivi della letterarura popolare [...] Le Lettere del Calmo divennero un repertorio fondamentale per i comici dell'arte e costituirono il modello per altri repertori apparentemente epistolari ( N. Vianello, Per un'edizione delle opere di Andrea Calmo. Saggio di bibliografia, in: Letteratura e critica. Studi in onore di Natalino Sapegno, Roma, 1976, III, pp. 224-225 ). " Ad alcuni dei maggiori artisti allora attivi a Venezia il Calmo dedicò delle lettere; ma, dietro agli elogi iperbolici che egli indirizza all'Aretino o al Tintoretto, si intuisce la scarsa confidenza e il sentimento di soggezione che l'autore dové nutrire verso quei sommi. Più familiari appaiono invece i rapporti con artisti minori, quali il Doni e il Parabosco, e con colleghi versati come lui nell'arte comica, quali il Giancarli e il Molino detto il Burchiella ." ( Ludovico Zorzi , Dizionario Biografico degli Italianii , Vol. 16 , 1973) ‎

‎VERLOREN TIJD. VEROORDEELD TOT ZES JAAR GEVANGENISSTRAF IN TURKIJE,‎

‎, Amsterdam, Arena, 2004, Paperback onder foto - kartonomslag, 150 x 235mm., 287pp.‎

‎Andrea Rohloff woont samen met haar familie in Berlijn. Ze zit nog op school, maar droomt ervan om haar eigen geld te verdienen en verre reizen te kunnen maken. Wanneer haar vriendin Jenny haar voor haar achttiende verjaardag een vakantie naar Turkije cadeau doet, is ze dan ook door het dolle heen. Andrea geniet met volle teugen van haar eerste vakantie zonder haar ouders, tot haar vriendin plotseling eerder vertrekt en een tas bij haar achterlaat. Met het laatste geld dat Jenny haar heeft gegeven, rijdt Andrea naar het vliegveld. Daar wordt ze door de Turkse politie gearresteerd met zes kilo heroine in haar tas. Andrea is verbijsterd, ze kan niet geloven dat haar vriendin haar zo heeft bedonderd. Ver van haar familie en onder de meest verschrikkelijke omstandigheden moet Andrea in een Turkse gevangenis op haar proces wachten; haar hangt dertig jaar gevangenisstraf boven het hoofd. Verloren tijd is het onthutsende verhaal van een jonge vrouw die door haar eigen naiviteit in een Turkse gevangenis belandde. Andrea Rohloff vertelt op eerlijke en aangrijpende wijze hoe het heeft kunnen gebeuren dat zij met zes kilo heroine op zak werd gearresteerd, en hoe zij haar tijd in de gevangenis wist te overleven. In prima staat.‎

‎Andrea Locatelli e il Paesaggio Romano del Settecento / Andrea Locatelli and Roman Landscape Painting of the Eighteenth Century‎

‎Busiri Vici, Andrea: Andrea Locatelli e il Paesaggio Romano del Settecento / Andrea Locatelli and Roman Landscape Painting of the Eighteenth Century. Rome: Ugo Bozzi, 1974. xi, 465pp with 81 colour and over 500 monochrome illustrations. Cloth. 29x26cms. Catalogue raisonnà of this rococo landscape painter (1695-1741) divided into biography, paintings of archaeological sites, marine views, the Latium countryside, figures and drawings. With bibliography, critical anthology, concordance and indices. Text in English and Italian. Text in Italian.‎

‎Catalogue raisonnà of this rococo landscape painter (1695-1741) divided into biography, paintings of archaeological sites, marine views, the Latium countryside, figures and drawings. With bibliography, critical anthology, concordance and indices. Text in English and Italian. Text in Italian‎

‎Jebel al-Mutawwaq. A Fourth Millennium BCE Village and Dolmen Field. Six Years of Spanish -Italian Excavations (2012?2018)‎

‎, Brepols, 2024 Paperback, xiv + 270 pages, Size:216 x 280 mm, Illustrations:161 b/w, 6 col., 43 tables b/w., 1 maps b/w, Language: English. *NEW ISBN 9782503609393.‎

‎Summary The Early Bronze Age site of Jebel al-Mutawwaq, located on a hill overlooking the Zarqa River in Jordan, was a thriving centre of population from the second half of the fourth millennium into the third millennium BCE. During this time, the settlement developed both in population and social complexity, undergoing the beginnings of an urbanization process that fundamentally changed the relationship between this community of the Transjordanian Highlands with the surrounding landscape, until it was completely abandoned around 2900 BCE. This volume offers a new assessment of the site by combining data from the first surveys of the site, under a Spanish team led by J. A. Fernandez-Tresguerres, with the new results from six seasons of excavations led by teams from Perugia in Italy, and San Esteban in Spain. In doing so, this work sheds new light on this walled settlement and its huge megalithic necropolises, and offers a fresh understanding of the site. TABLE OF CONTENTS List of Illustrations An Introduction to the Volume ANDREA POLCARO & JUAN RAMON MU IZ 1. Jebel al-Mutawwaq: History of Investigations JUAN RAMON MU IZ 2. The Historical Framework: EB I in Jordan ANDREA POLCARO 3. The Site of Jebel al-Mutawwaq: Architecture, Settlement Planning, and Space Organization ANDREA POLCARO & JUAN RAMON MU IZ 4. The Pottery: Function and Typologies ELOISA CASADEI & JOAQUIM DEL RIO 5. The Lithics: Function and Typologies ALESSANDRA CASELLI 6. Biomolecular Archaeology: Preliminary DNA Analysis of Skeletal Remains from Jebel al-Mutawwaq CHIARA PANICUCCI, SARA SILVESTRINI, GIORGIO GRUPPIONI, DONATA LUISELLI, ELISABETTA CILLI & PATRIZIA SERVENTI 7. The Development of Olive Growing at the Jebel al-Mutawwaq Site: Preliminary Data ALESSIA D'AURIA & GAETANO DI PASQUALE 8. Conclusions: The Importance of the Jebel al-Mutawwaq Settlement at the Beginning of the First Urbanization in the Southern Levant ANDREA POLCARO Works Cited‎

‎I precedenti psicologici dello schizofrenico (Inscribed by Andrea Devoto) , with 3 other offprint from Andrea Devoto (La svalutazione psicologica delle parole - Risultati del Pigem-test in soggetti schizofrenici - Aspettativa e frustrazione) ‎

‎Leo S. Olschki Editore , Academia Toscana di Scienze e Lettre La Colombaria Malicorne sur Sarthe, 72, Pays de la Loire, France 1960 Book condition, Etat : Bon paperback, editor's printed wrappers grand In-8 1 vol. - 83 pages‎

‎ 1st edition Contents, Chapitres : I precedenti psicologici dello schizofrenico (Leo Olschki, 1960), 83 pages - We join 3 other offprints from Andrea Devoto : 1. La svalutazione psicologica delle parole (estratto dall' Archivio Glottologico Italiano, Felice Le Monnier, 1959, 10 pages) - 2. Risultati del Pigem-test in soggetti schizofrenici (Congress Report of the IInd International Congress for Psychiatry, September 1957, vol. III, 6 pages) - 3. Aspettativa e frustrazione (estratto vol. Atti XII congresso degli psicologici italiani, 1958, 6 pages). The 3 offprints are under original printed wrappers, with specific title - cf : schizophrénie The first book (Precedenti psicologici dello schizofrenico) is inscribed by Andrea Devoto to the French philosopher Maurice Merleau-Ponty, we join 3 other offprint from the author without signature, the 4 publications are under original printed wrappers, in fine or near fine condition, no markings, except the one to Merleau-Ponty‎

‎DELL'ORIGINE E PROGRESSO DELL'ALMA CITTA, DI ROMA e sue ANTICHITA.‎

‎ Sans date, ni mention d'imprimeur (page de titre manquante), 1 volume in-12 de 165x100 mm environ, divisé en 2 parties : 1. Antichita di Roma, 256 pages avec 85 vignettes + 1 planche composée de 10 figures - 2. Roma moderna : 142 pages avec 97 vignettes et 42 planches de médailles, demi-basane bordeaux, titre doré sur dos lisse. Notes manuscrites sur le premier contreplat, petits défauts de marge, des pages brunies avec quelques taches et auréoles, frottements d'usage sur la couverture. Texte en italien. Il s'agit ici d'une édition non identifiée du texte d'Andrea PALLADIO, "L'Antichita di Roma".‎

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‎Andrea di Pietro della Gondola, dit Andrea Palladio né à Padoue le 30 novembre 1508 et mort à Vicence le 19 août 1580 est un architecte de la Renaissance italienne. Il est l'auteur d'un traité intitulé Les Quatre Livres de l'architecture.Son uvre a eu une influence considérable et influence encore aujourd'hui de nombreux architectes. Vers 1554, à Venise et à Rome : L'Antichita di Roma avec de nombreuses rééditions (1557), (1560), (1600), (1606), (1629), etc. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎NUEVA VISION: Graphic Design for the Arts in Argentina 1940-1976‎

‎, Hopper & Fuchs, 2025 paperback,19.5 x 28 cm, 320 pages, English/Spanish text. *New. ISBN 9789464002683.‎

‎NUEVA VISION presents a comprehensive study of Argentina?s dynamic visual culture during a period of transformation in the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rub n Fontana explore how graphic design shaped cultural institutions, printed matter and other ephemera, and exhibitions? communication in the visual arts. The book highlights the creativity and innovation of designers who, in a first period until the late 1940s, fused European avant-garde influences with local artistic traditions, producing visually striking, socially engaged and culturally resonant works. As from the 1950s Argentine graphic designers developed their own visual language that even inspired and stimulated cross-continent colleagues and the arts scene. With over 200 images, including posters, exhibition catalogues and ephemeral graphics, this book offers a nuanced understanding of the intersection between design, performance and institutional identity. Featuring contextual essays by academic Andrea Gergich and designer Rub n Fontana, NUEVA VISION offers a critical examination and testimonial of mid-20th-century Argentine design within its social, political, and artistic context. It is an essential resource for anyone interested in Latin American modernism and the global history of graphic arts. Jelle Jespers is a Brussels-born graphic designer, curator, and researcher specializing in Latin American graphic arts. Andrea Gergich is an Argentine graphic designer, lector, curator and design historian focused on modern and contemporary design practices. Rub n Fontana is an acclaimed Argentine designer and visual researcher with expertise in typographic innovation and graphic culture. Together, they bring decades of experience documenting and analyzing design history, with collaborations including exhibitions, academic publications, and institutional research projects across Europe and Latin America. ‎

‎L'Oeuvre du chevalier Andréa de Nerciat, I. Le Doctorat impromptu. - Félicia, ou Mes fredaines. - Monrose, ou Le Libertin de qualité. - Mon noviciat. - Les Aphrodites. - Le Diable au corps. Comprenant une oeuvre entière, des morceaux ignorés, avec des documents nouveaux et des pièces inédites concernant la vie d'Andréa de Nerciat. Introduction, essai bibliographique, analyses et notes par Guillaume Apollinaire. Ouvrage orné d'un portrait d'Andréa de Nerciat hors texte‎

‎Collection Les Maîtres de l'amourParis, Bibliothèque des curieux, 1910 in-8, [2] ff. n. ch., 292 pp., avec un portrait-frontispice, broché. ‎

‎Premier volume de la série de trois qu'Apollinaire consacra à l'édition de l'oeuvre de Nerciat.Cioranescu, XVIII, 48 118. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎Chetyre knigi ob arkhitekture Andrea Palladio, v koikh posle kratkogo traktata ‎

‎Short description: In Russian. Palladio, Andrea. Andrea Palladio's Four Books on Architecture, which, after a brief treatise on the five orders and instructions most needed for construction, deals with private houses, roads, bridges, squares, xists, and temples. Moscow: Publishing House of All Acad. Architecture, MCMXXXVIII. 1938: Vorovsky Type-Lite. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU5330379‎

‎Andrea h japp La parabole du tueur Le Masque Grand format‎

‎Editions du Masque 1996 1996. Andrea H. Japp: La parabole du tueur/ Le Masque Grand Format 1996 . Andrea H. Japp: La parabole du tueur/ Le Masque Grand Format 1996‎

‎Très bon état‎

‎Andrea h japp la voyageuse J'ai lu‎

‎Éditions J'ai lu 2001 2001. Andrea H. Japp: la voyageuse/ J'ai lu 2001 . Andrea H. Japp: la voyageuse/ J'ai lu 2001‎

‎Bon état‎

‎Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Exploring Iconographic Flexibility and Permeability‎

‎, Brepols, 2025 Paperback, 189 pages, Size:216 x 280 mm, Illustrations:31 b/w, 39 col., 1 maps b/w, Language: English. *new ISBN 9782503608853.‎

‎Summary Between the thirteenth and the sixteenth centuries, the cult of the Virgin Mary underwent significant changes, a shift clearly revealed by an increase in artistic representations of Mary, as well as a flourishing devotional literature in her honour, written in both Latin and the vernacular. One aspect of this change was a broader attention to Mary's genealogical line, and in particular to her relationship with St Anne. The result was not only a renewed focus on the vita Annae, but also a significant overlap in how these two women were represented, juxtaposed, and perceived. This volume traces the often significant iconographic flexibility in terms of both how the Virgin Mary and Saint Anne were presented and perceived, and what can be termed a permeability between visual representations of the two saints. Focusing on the multiple readings, layers of meaning, and the visual interplay between the vita Mariae and the vita Annae, the chapters gathered here explore the overlap and influence between different iconographic motifs, and how these were used to advance political, religious, and social ideologies at the time of their creation, as well as exploring representations across a range of different media, from sculptures and frescoes to panel paintings, and manuscript illuminations. TABLE OF CONTENTS List of Illustrations List of Contributors List of Abbreviations Representations of the Virgin Mary and Saint Anne from the Middle Ages to the Early Modern Period: Iconographic Flexibility and Permeability Andrea-Bianka Znorovszky 1. The Panel of the Virgin and Saint Anne from the Church of the Archangels in Iprari: Iconographic and Ideological Aspects Nina Chichinadze 2. The Anna Selbdritt and the Cult of the Three Maries: An Early Fourteenth-Century Wall Painting in the Medieval Kingdom of Hungary Mihnea Alexandru Mihail 3. The Pregnancies of Mary-Anne in Fifteenth- to Sixteenth-Century Franco-Flemish Manuscript Illuminations: Between Iconographic Appropriation and Iconographic Development Andrea-Bianka Znorovszky 4.'Worthy Vestment for the Sovereign Priest': Matriarchal Priesthood, Marian Allegory, and the Amiens Confraternity of Notre-Dame de Puy Elliott D. Wise 5. In Mente Dei, in Gremio Annae: The Source and the Receptacle of Marian Immaculacy in Sixteenth-Century Piacenza Fiammetta Campagnoli 6. Moving with Saint Anne: Representations of Anna Selbdritt between Central Europe and the Tyrolean Region Stefanie Paulmichl 7. Images of Saint Anne in the Ionian Islands (Fifteenth - Eighteenth Centuries) Eirini Panou 8. Arbor Anna Fructuosa. Apropos of an Image of Saint Anne and the Fruits of Redemption Let cia Martins de Andrade Conclusions Andrea-Bianka Znorovszky Appendix 1: Saint Anne - Primary Sources Appendix 2: Family Tree Appendix 3: Map Appendix 4: Short Timeline of Mariological Doctrines and Debates‎

‎Leon Kossoff: Catalogue Raisonnà of the Oil Paintings‎

‎Rose, Andrea: Leon Kossoff: Catalogue Raisonnà of the Oil Paintings. London: 2021. 640 pages, 566 colour; 69 black and white illustrations. Hardback in a slipcase. 31.5 x 29.5cms. Catalogue of 510 known works, 3 unfinished paintings, 25 destroyed paintings, 20 unidentified paintings and 2 destroyed pieces reassembled by others, all illustrated and discussed in detail. Chronology, list of exhibitions. With an introduction by Andrea Rose, an essay on Kossoff's relationship with the old masters by Dr Barnaby Wright, an extensive chronology and a short essay by Rose on Kossoff's materials, technique and studio practice.‎

‎Catalogue of 510 known works, 3 unfinished paintings, 25 destroyed paintings, 20 unidentified paintings and 2 destroyed pieces reassembled by others, all illustrated and discussed in detail. Chronology, list of exhibitions. With an introduction by Andrea Rose, an essay on Kossoffâs relationship with the old masters by Dr Barnaby Wright, an extensive chronology and a short essay by Rose on Kossoffâs materials, technique and studio practice. Text in English‎

‎L'œuvre du Chevalier Andréa de Nerciat. Comprenant une Oeuvre entière, des morceaux ignorés avec des documents nouveaux et des pièces inédites. Introduction, essai bibliographique, analyses et notes par…‎

‎Paris Bibliothèque des Curieux, coll. "Les Maîtres de l'amour" 1911 1 vol. in-8, broché, 321 pp., portrait-frontispice, bibliographie. Deuxième édition reprenant l'introduction et les notes d'Apollinaire. Petites mouillures au dos, sinon bon état.‎

‎Un héritier aux yeux bruns ; Cette attirance inattendue‎

‎Harlequin 2015 400 pages collection Passions. 2015. 400 pages. Le livre réunit deux histoires. Dans 'Un héritier aux yeux bruns' d'Andrea Laurence Sabine cache l'existence de son fils Jared à Gavin pendant deux ans craignant que ce dernier ne détruise la vie de l'enfant. Dans 'Cette attirance inattendue' de Stacy Connelly Debbie cherche le frisson de l'inconnu dans une petite ville où elle connaît tous les hommes‎

‎Bom estado‎

‎Cuma. Nuove forme di intervento per lo studio del sito antico.‎

‎ Napoli, Istituto Universitario Orientale, 2002. In-4 broché, couv. ill., 182 pp., fig. et ill. photogr. en noir dans le texte. 10 plans ou cartes géologiques, dépliants, hors texte, sur feuillets volants. Textes en italien, avec résumé des communications en anglais. ‎

‎10 contributions sur le site archéologique de Cumes, en Campanie. Pochette contenant les plans un peu usagée, sinon très bon état. - Frais de port : -France 8,4 € -U.E. 10 € -Monde (z B : 15 €) (z C : 33 €) ‎

‎Les Chemins de la bête‎

‎Le Livre de Poche Sans date. Premier tome de la trilogie 'La Dame sans terre' d'Andrea H. Japp ce roman historique se déroule dans la France du Moyen Âge déchirée par les rivalités entre Philippe le Bel l'Église et les Templiers. L'histoire suit Agnès de Souarcy une jeune veuve dont le destin est lié aux intérêts du royaume tandis qu'un inquisiteur cruel et un enfant découvrant un secret dans une abbaye ajoutent au mystère‎

‎Très bon état‎

‎A singing voice on the earth OKAMOTO TARO Japanese Book‎

‎Thought Shisha 2001 Soft Cover Fine‎

‎Questiones elaborate ab D. D. Blasio Matia San Juan in universitate Cesar Augustana Sacre scientia Laurea decorato pro obtinendis Cathedris Iterato Palestrita, et Philosophica Eimii Doctoris Cathedre Moderatore. Scripte fuerunt ab Iosepho Andrea de Unzue anno ab Nativitate Domini milessimo septingentessimo quadragesimo tertio‎

‎1 manuscrit reliure plein vélin d'époque, 1743, 192 feuillets. Rappel du titre complet : Questiones elaborate ab D. D. Blasio Matia San Juan in universitate Cesar Augustana Sacre scientia Laurea decorato pro obtinendis Cathedris Iterato Palestrita, et Philosophica Eimii Doctoris Cathedre Moderatore. Scripte fuerunt ab Iosepho Andrea de Unzue anno ab Nativitate Domini milessimo septingentessimo quadragesimo tertio‎

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‎Etat satisfaisant (mq. au second plat et au dernier feuillet - affectant un peu le texte au recto). ‎

‎NUEVA VISION: GRAPHIC DESIGN FOR THE ARTS IN ARGENTINA 1940-1976. A comprehensive study of Argentina?s vibrant visual culture during a transformative period for the arts.‎

‎Belgium, Hopper & Fuchs, 2026 Paperback, 212 colour illustrations and 8 black-and-white illustrations, English, Spanish, . ISBN 9789464002683.‎

‎NUEVA VISION: Graphic Design for the Arts in Argentina 1940-1976' presents a comprehensive study of Argentina?s dynamic visual culture during a period of transformation in the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rub n Fontana explore how graphic design shaped cultural institutions, printed matter and other ephemera, and exhibitions? communication in the visual arts. The book highlights the creativity and innovation of designers who, in a first period until the late 1940s, fused European avant-garde influences with local artistic traditions, producing visually striking, socially engaged and culturally resonant works. As from the 1950s Argentine graphic designers developed their own visual language that even inspired and stimulated cross-continent colleagues and the arts scene. With over 200 images, including posters, exhibition catalogues and ephemeral graphics, this book offers a nuanced understanding of the intersection between design, performance and institutional identity. Featuring contextual essays by academic Andrea Gergich and designer Rub n Fontana, NUEVA VISION offers a critical examination and testimonial of mid-20th-century Argentine design within its social, political, and artistic context. It is an essential resource for anyone interested in Latin American modernism and the history of graphic arts.‎