45 books for « auden w h »Edit

‎La Recita. Dall'età dell'ansia. Egloga barocca. ‎

‎Verone s.é. [Alessandro Corubolo et Gino Castiglioni] 1969 1 vol. broché in-4, broché, couverture illustrée à rabats en couleurs, 34 pp., étui cartonné. Edition privée, en italien, de la "Recita", cinquième partie de L'Age de l'angoisse de l'écrivain anglais Wystan Hugh Auden paru en 1947. Recherchée pour les belles lithographies originales en couleurs de Valerio Adami, soit la couverture en double page et trois compositions à pleine page parafées par l'artiste à la mine de plomb. Tirage limité à 70 exemplaires numérotés. En parfaite condition. ‎

‎Essais critiques. ‎

‎ Belin, 2000. In-8 br. Coll. " Littérature et politique ". Traduit par C. Habib , C. Mouchard, P. Pachet. Essais suivis de En souvenir de W.H. Auden par Hannah Arendt. E.O.‎

‎FREUD, JUGEMENTS ET TEMOIGNAGES, textes de W.G. AUDEN, B.GOETZ,T.MANN, W.MUSCHG, M.ROBERT,J.P. SARTRE, C.E. SCHORSKE,J.J. SPECTOR, T. SZASZ, G.VOGELWEITH, L.WITTGENSTEIN présentés par Roland JACCARD, in collection Perspectives critiques‎

‎Presses universitaires de France, Paris, 1976.‎

‎Un volume in 8, broché, couverture souple à rabats, 279 pages, quelques rares soulignages marginaux, avec un ENVOI de Roland JACCARD sur la page de garde.‎

‎The Ascent of F6 : A Tragedy in Two Acts.‎

‎London Faber & Faber 1937 1 vol. relié Sans la jaquette. in-8, cartonnage éditeur, 123 pp. 2e tirage (september 1937). Texte en anglais. Manque la jaquette, cartonnage un peu défraîchi, sinon en bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

‎Antiworlds and the Fifth Ace - A Bilingual Edition - Poetry by Andrei Voznesensky‎

‎Basic Books Malicorne sur Sarthe, 72, Pays de la Loire, France 1967 Book condition, Etat : Bon hardcover, under dust-jacket Grand In-8 1 vol. - 319 pages‎

‎ Contents, Chapitres : Foreword by W.H. Auden, Contents, Introduction, xxiii, Text, 296 pages - I'm Goya - Give me the peace - Who are we ? - The Parabola - The triangular pear - I'm a family of seven - Oza - The Fifth Ace - Notes - Text in Russian (cyrillic) with the translation in English the spine of the dust-jacket had lost its colors, else near fine copy, no markings, inside is fine‎

‎Die große Veränderung. ‎

‎München, Bruckmann, 1973, in-folio, 26 nn. Bl. (unterschiedliche Papiere und Kartons). Mit 24 (11 blgr., 2 auf Umschl. u. Deckel wiederh. davon 10 blattgroße, signierte, farbige Serigraphien von Otmar Alt. Eins von 10 römisch nummer. Exemplaren (N° VIII / X). - Bemerkenswertes drucktechnisches Erzeugnis in einem verlagsfrischen Exemplar. Farb. illustr. Leinenband mit Schutzumschlag und zusätzl. transp. Umschlag in Leinenkassette mit Goldprägung (teils als Blockbuch gebunden), in Olwd.-Kass. (Kanten d. Kass. etw. berieben). ‎

‎Limitierte Ausgabe, nr. 8 von 10 Exemplaren der Vorzugsausgabe "Die 10 Exemplare der blattsignierten Ausgabe tragen die Handsignatur von Otmar Alt auf jeder Farbserigraphie und die von Wystan Hugh Auden in der Titelei. Bei diesen Bänden erhielten die Original-Serigraphien einen zusätzlichen Lacküberdruck." - Tadelloses, druckfrisches Exemplar. Image disp.‎

‎"Edgar Allan Poe"‎

‎"1998. Paris Cahiers de l'Herne n°26 Éditions Fayard 1998 - Broché 21 cm x 27 cm 480 pages - Textes de Edgar Allan Poe Ludwig Nathaniel Parker Willis James Russel Lowell John R. Thompson Evert Augustus Duyckinck John M. Daniel George Graham Rufus W. Griswold E.D. Forgues Charles Baudelaire Jules Verne Stéphane Mallarmé Le Sâr Peladan Paul Valéry André Breton Margaret Fuller Henry James Walt Whitman Robert Louis Stevenson George Bernard Shaw William Carlos Williams T.S. Eliot Allen Tate W.H. Auden John Cowper Powys Richard Wilbur ; bibliographie chronologie- Etat neuf" ‎

‎W. H. AUDEN, A SELECTION BY THE AUTHOR‎

‎Penguin Books - Faber and Faber. 1958. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 200 pages. Annotation en page de garde. Annotations au crayon en page de titre.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎The Penguin Poets, D 41. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Another Time‎

‎Faber & Faber (9/2019)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780571351152‎

‎EXCEPTIONAL SET OF NINE BOOKS INCRIBED WITH MARLENE DIETRICH'S AUTOGRAPH SIGNED RECOLLECTIONS (two to four pages in length each) of her relationship with their authors : ‎

‎Exceptional set of nine books inscribed with Marlene Dietrich’s autograph signed recollections (two to four pages in length each) of her relationship with their authors, each of whom has played a prominent role in Dietrich’s life, including former lovers, very close friends and writers whose works had made the most thorough impression on the actress. Each volume has been specially selected around the year 1979 by Dietrich among the books owned by a friend of hers. This set reflects in a unique way the passions of one of the most iconic actress of the twentieth century. - It includes: - 1. AUDEN (W. H. ). Collected Shorter Poems 1927-1957. New York, Random House, [1967]. Inscribed in black felt pen by Marlene Dietrich: « A true friend in special, difficult times ; also a favorite writer - although his style is so different from other great poets! Just shows you how varied my taste was, - and is! » - 2. COWARD (Noël). Pomp and Circumstance. Garden City, Doubleday, 1960. Inscribed in black felt pen by Marlene Dietrich: « When he introduced my performance at the “Café de Paris” in London it seemed to me as if a king had stepped down from his throne to help up a fallen commoner: We were friends for many, many years. Not even our travelling to many different countries could devide us! After his coming to rest in Switzerland I almost lived there between my professional escapades. I relied on his advice and I always felt guilty that I could do nothing in return. He insisted though, that my presence, near or far, had become a necessity for him, his mind, his phantasies! Maybe he made this up in order to minimize my guilt. I am grateful that I was not there when he died! My usual courage failed. » - 3. HEMINGWAY (Ernest). For whom the bell tolls. New York, Collectors Reprints, [1968]. Inscribed in black felt pen by Marlene Dietrich: « He wrote about me : “In this life Dietrich makes her own rules - but her own laws of decency and conduct in human behavior and relations are not less strict than the original ten.” This is one of the reasons he chose me to be his friend and intimate ». - 4. MANN (Heinrich). The Blue Angel. The novel by Heinrich Mann. The film by Josef von Sternberg. New York, Frederick Ungar, 1979. The volume includes The Blue Angel, English translation of Heinrich Mann’s Professor Unrat, and the English script of Der blaue Engel, its adaptation made by Josef von Sternberg. The book on which was based the movie to which Marlene Dietrich owned the iconic role which made her famous. Inscribed in black felt pen by Marlene Dietrich: « A sad man - living in the shadow of his famous, highly talented brother. He had a rare stream of contentment when his book “Professor Unrat” was chosen by Mr. von Sternberg for the first sound-film in Germany - as a vehicle for the famous star Emil Jannings. He felt very honoured and grateful to Mr. von Sternberg, and gave him “Plein-Pouvoir” to make all the changes he wanted - character and story changes. I never saw him again after the film called “BLUE ANGEL” was filmed in its final form, but I heard that he was not in the least upset regarding the drastic changes his book suffered in the version that made the film a lasting classic. - 5. MANN (Thomas). The Magic Mountain. Translated from the German by H. T. Lowe-Porter. With an introductory essay by the author. Illustrated with wood engravings by Felix Hoffmann. The Heritage Press, New York. Inscribed in black felt pen by Marlene Dietrich: “To read all the books written by Thomas Mann belonged to the higher education I received. I was fascinated by the “BUDDENBROCKS”, but the “MAGIC” of this book made me dizzy with admiration, or to use his words “light-hearted”! What he said of his hero I felt like “Life’s delicate child”. - 6. PAUSTOVSKY (Konstantin). Story of a Life. Childhood... Translated by Manya Harari and Michael Duncan. London, Harvill Press, 1964. Picture of Dietrich and Paustovsky at Moscow in 1964. Inscribed in black felt pen by Marlene Dietrich: « I am still on my knees at his feet like I was in Moscow when he came onto the stage at the end of my concert. I had read his books and found my own passions brilliantly described as his own! I had written to him long before I went on tour to Russia, but I never dreamt of meeting him - let alone feeling his hands touch mine! » - 7. REMARQUE (Erich Maria). All Quiet on the Western Front. Translated from the German by A.W. Wheen. New York, Grosset & Dunlap [reprint of the 1930 edition]. Picture of Dietrich and Remarque. Inscribed in black felt pen by Marlene Dietrich: « My great friend and “COMRADE IN ARMS”. Remember: his books were burnt at the historical “REICHTAGS-FIRE”. I arranged for his untroubled stay in America and it amused him when he caught me re-reading his books over and over again in the three languages I knew, “All quiet” and “The Road back” in particular. He was so full of complexes that I thought it my duty to eliminate at least some and I was proud when I succeeded. A sentimental gentleman he was. His favorite song: “Que reste-t-il de nos amours”. Also at the end of “All quiet on the Western Front” the Butterfly -. (Apart from the irony). He was a timid man and undemanding — Easy to live with. What a Loss! » - 8. RILKE (Rainer Maria). Translations from the Poetry of Rainer Maria Rilke by M.D. Herter Norton. New York, W.W. Norton, [1938]. Inscribed in black felt pen by Marlene Dietrich: « His is my God!! His writings, but especially his POEMS, ALL HIS POETRY helped me through the dark hours of life making my constant enthusiasm chase away all the melancholy my realism evokes daily. - I know all poems by heart and I take special delight in his unequaled choice of words and descriptions of his subjects, but also the “double-ryme” he invented - like a magician creating visual events and observations, rising out of the printed word, into living reality, right in front of your eyes! Sheer Delirium!! » - 9. STERNBERG (Josef von). Fun in a Chinese Laundry. New York, The Macmillan Company, [1965]. First edition of this autobiography, by the director who made Marlene Dietrich famous and made several of her greatest movies. Inscribed by Marlene Dietrich: « I quote the “FEMME FATALE” he made of me in Hollywood: “THE MAN I WANTED TO PLEASE MOST”. THERE I was alone - THERE he was the ultimate Tyrant at the studio. REASON: he knew about all the intricate parts of everything involved in Film-creation. Better than anybody - camera-men, lighting-men, (scriptwriters too) and he did not hide that fact! He had some patience with actors, but they hated him too: superiority is not easy to love. The INFERIORITY-COMPLEX, hidden in every human mind does not allow to love the man who knows all. - I am the exception to the rule! I loved him, I respected him, I bowed to his unusual behavior and I admired and worshipped his knowledge and wisdom. Both were the cause of his troubled existence. I cried a lot though! That’s when he said: “Everybody go to lunch Miss Dietrich is crying.” He did not pity me - then ».‎

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‎Shakespeare‎

‎Editions du Rocher 2003 465 pages 26x16x4cm. 2003. Broché. 465 pages. petites marques sur tranche‎

‎Très Bon Etat‎

‎Poésies choisies.‎

‎P., Gallimard, 1976, in-8, br., 200 pp. (CN24) ‎

‎Édition originale de la traduction française. Traduit de l'anglais par Jean Lambert. Préface de Claude Guillot. Collection Du Monde entier. ‎

‎Botteghe oscure, n°12. Novembre 1953.‎

‎ Revue internationale de littérature contemporaine. Rome, directeur: Giorgio Bassani. Un volume 14,3x23,2cm broché, de 535 pages. Textes originaux publiés dans leur langue d'origine. Bon état. ‎

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‎Fondée en 1948 par Marguerite Caetani, princesse de Bassiano, également mécène de la revue Commerce de 1924 à 1932, dont le palais se trouvait à Rome via delle Botteghe oscure. Excellente revue internationale dont tous les textes sont inédits. Les meilleurs écrivains, notamment les poètes, du monde entier y auront publié au cours des 25 livraisons semestrielles éditées jusqu’en 1960. ‎

‎Courrier du centre international d’études poétiques, n°198, avril-juin 1993.‎

‎ Bruxelles: Maison internationale de la poésie, direction Fernand Verhesen, Frans De Haes 1991. Un volume 15,5x22,8cm broché de 62 pages. Bon état. Créée à l’occasion des Biennales internationales de poésie à Bruxelles en 1954, cette importante revue d’analyse critique et poétique présente des essais, des poèmes inédits, des traductions et des hommages. Plus de 200 numéros seront édités jusqu’au début des années 2000. ‎

‎Lettres d'Islande - ‎

‎ Monaco : Editions du Rocher (Collection "Anatolia"), 2006 - un volume 14x22cm broché sous couverture illustrée, 308 pages avec deux cahiers de planches photographiques et une carte - comprend également des poèmes - bon état - ‎

‎Journal de guerre en Chine‎

‎Editions du Rocher "Anatolia" 2003, in-8 broché, 315 p. (bel état ; épuisé) Cahier photos et cartes. Deux aventuriers littéraires composent un récit truculent de leur voyage en 1938, en pleine guerre sino-japonaise.‎

‎Action poétique n°174, décembre 2003 : Island. ‎

‎ Revue trimestrielle. Ivry-sur-Seine, rédacteur en chef : Henri Deluy. Comité de rédaction : Jean-Jacques Viton, Claude Adelen, Jean-Pierre Balpe, Bernard Vargaftig, Florence Pazzottu, etc. Un volume 13x21cm broché de 82 pages. Bon état. ‎

‎Fondée au début des années 1950 à Marseille par Gérald Neveu, Action poétique est une des revues de poésie de la seconde moitié du XXème siècle en France qui connut la plus grande longévité. Animée par Henri Deluy, de 1958 jusqu'à sa dernière livraison en 2012 (210 numéros), Action poétique inscrit la poésie dans le champ théorique de la création française : désir de changer le monde, de s’ouvrir à lui, à travers des traductions défricheuses, et d’interroger la langue qui permet de lui donner forme. "Une des plus vastes encyclopédies de la poésie, couvrant tous les âges, tous les pays, de Gilgamesh à la poésie multimédia." (Jean-Yves Lacroix, Catalogue Revues, janvier 2019, p.4). ‎

‎Thank you, fog. Last Poems by W.H.Auden.‎

‎.: 2. London, Faber & Faber, (1974), in-8°, 57 pp, publisher's half cloth with orig. dustwrapper, nice copy of the first edition.‎

‎The dog beneath the skin‎

‎Faber And Faber 1968 1968.‎

‎La mer et le miroir. Commentaire de La Tempête de Shakespeare. Edition Bilingue. Traduction de l’anglais et présentation de Bruno Bayen et Pierre Pachet.‎

‎ Le Bruit du temps 2009, 205x135mm, 154pages, broché. Couverture à rabats. Très bel exemplaire. ‎

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‎Supergroupie‎

‎ 1972 Série B., 1972 in38, broché, bon état‎

‎About the House‎

‎London, 1966, in-8, 94pp, reliure éditeur jaquette illustrée, Très bel exemplaire! 94pp ‎

‎Homage to Clio‎

‎London, 1960, in-8, 91pp, reliure éditeur jaquette illustrée, Très bel exemplaire! 91pp ‎

‎Horae Canonicae‎

‎Rivages Poche. 2005. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 87 pages.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne‎

‎"Collection ""Petite Bibliothèque"", n°523. Traduit de l'anglais par Bernard Pautrat. Classification Dewey : 820-Littératures anglaise et anglo-saxonne"‎

‎Dis-moi la vérité sur l'amour‎

‎Christian Bourgeois. 1995. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 57 pages.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne‎

‎Traduit de l'anglais par Gérard-Georges Lemaire et Jean Lambert. Classification Dewey : 820-Littératures anglaise et anglo-saxonne‎