, Jonathan Cape, 2003, Hardcover with dusjacket Illustrated. 320 x 250 mm. 352 pages. ISBN 9780224071833.
A comprehensive monograph, with 200 full-page duotone of Dianne Arbus photographs. To ensure the ongoing availability of Diane Arbus Revelations, Aperture is proud to release this vitally important volume on the fiftieth anniversary of the posthumous 1972 Arbus retrospective at the Museum of Modern Art and the simultaneous publication of Diane Arbus: An Aperture Monograph. Revelations explores the origins, scope, and aspirations of Arbus's wholly original voice. Arbus's frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world. The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career. It also includes a new contribution by Sarah Meister, executive director of Aperture, alongside essays by Sandra S. Phillips, senior curator of photography, emeritus, at the San Francisco Museum of Modern Art, and a discussion of Arbus's printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. An extensive chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist's eldest daughter, is illustrated by more than three hundred additional images and composed primarily of excerpts from the artist's letters, notebooks, and other writings, amounting to a kind of autobiography. An afterword by Doon Arbus precedes biographical entries on the photographer's friends and colleagues, compiled by Jeff L. Rosenheim, curator in charge of the Department of Photographs at the Metropolitan Museum of Art, New York. These texts help illuminate the meaning of Diane Arbus's controversial and astonishing vision.
Editions Plume Editions Plume, Kodak Professional, 1999, 235 p., cartonnage éditeur sous jaquette, environ 33x26cm, quelques déchirures sans maque et frottements en bordure de jaquette, bon état pour le reste.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Rivages (1/2022)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782743654948
Editions Plume - Kodak Professional Paris 1999 In-4 ( 330 X 260 mm ) de 235 pages, cartonnage illustré sous jaquette illustrée en couleurs. Photographies en noir dans et hors-texte, et en couleurs hors-texte. préface de ROGER THEROND. EDITION ORIGINALE traduite par Ariane Atéshian, Jean-Luc Benayoum et Chantal Combes. Très bel exemplaire.
Editions Plume, 1999, in-folio, 235pp, Cartonnage éditeur sous jaquette illustrée, ? Editions Plume, Kodak Professional, environ 33x26cm, quelques déchirures sans maque et frottements en bordure de jaquette, bon état pour le reste. ? Couverture rigide
Bon 235pp.
AVEDON (Richard, photographe), ARBUS (Doon, écrivain)
Reference : 022509
(1999)
ISBN : 2841101096
Paris PLUME - KODAK 1999 Un volume in-4°, 235 (2) pp. Cartonnage éditeur à la Bradel, plats illustrés d'une reproduction en noir d'un portrait de Richard Avedon, jaquette illustrée reprenant les même portraits mais reproduits en couleurs, dos titré, gardes de papier imprimé en orange. (jaquette insolée au niveau du dos et légèrement tâchée au niveau du second plat). Ouvrage illustré de nombreuses reproductions d'après les clichés de Richard Avedon. Première édition française traduite par Ariane Atéshian, Jean-Luc Benayoum et Chantal Combes. Biographie. Chronologie. Index.