‎Ladurantaye, Gilles de‎
‎Song‎

‎Song of Songs in European Poetry (Twelfth to Seventeenth Centuries). Translations, Appropriations, Rewritings‎

‎, Brepols, 2024 Paperback, 295 pages, Size:156 x 234 mm, Illustrations:8 b/w, 4 col., 14 tables b/w., 10 Musical Examples, Language: English. ISBN 9782503608174.‎

‎Summary Traditionally attributed to King Solomon and defined by Rabbi Aqiva as the Holy of Holies among the sacred Scriptures, the Song of Songs is one of the most fascinating and controversial biblical books. Celebrated as a key to the supreme mystery of the union between God and the faithful, this ambivalent book, which combined a sensual celebration of love with a well-established tradition of allegorical interpretation, was a text crucial to both the Middle Ages and the Renaissance, and held a particular appeal for poets. Indeed, the Song of Songs played a significant role in the development of European poetry from its very beginning, creating an exceptional convergence of sacred and secular languages and horizons of meaning. Written by a group of distinguished international scholars, this volume explores the complex and multifaceted processes through which the Song of Songs entered, influenced, and interacted with medieval and Renaissance European poetry (twelfth to seventeenth centuries). Focusing on both individual authors - including Peter Riga, Dante Alighieri, Richard Rolle, and George Herbert - and particularly relevant poetic traditions - including Hebrew liturgical poetry and the Tristan and Ysolt tradition, Middle English and Petrarchan lyric, Renaissance verse versions and seventeenth-century musical compositions, dissident and prophetic texts - the volume unveils the relevant role played by the biblical book in the development of European poetry, thought and spirituality, highlighting its ability to contribute to different poetic genres and give voice to a variety of religious, political, philosophical, and artistic intentions. TABLE OF CONTENTS Introduction Camilla Caporicci Part I. A Many-Faced Influence: Medieval Voices Chapter 1. 'The Song of Songs, gaze upon her': Antique Hebrew Liturgical Poetry from the Medieval Mainz Rite Leor Jacobi Chapter 2. Versifying the Cantica canticorum in the Context of Peter Riga's Aurora Greti Dinkova-Bruun Chapter 3. 'Like an apple tree among the trees of the forest is my beloved among the young men': Revisiting the Song of Songs with Tristan and Ysolt Brindusa Grigoriu Chapter 4. The Song of Songs' Lyricism in Late Medieval England Denis Renevey and Christiania Whitehead Part II. Poetry and Music: The Italian Tradition Chapter 5. The Good Sorrow: The Song of Songs in Dante's Comedy and Contemporary Popular Piety Lino Pertile Chapter 6. The Song of Songs in Sixteenth-Century Italian Lyric Poetry Matteo Navone Chapter 7. Laetitia et solatio: Singing the Canticles and Female Spirituality in the Early Seventeenth Century Marina Toffetti Chapter 8. Motets on the Song of Songs in the Collection Symbolae diversorum musicorum (Venice, 1621) edited by Lorenzo Calvi Gabriele Taschetti Part III. Rewriting and Appropriating the Song of Songs in the British Isles Chapter 9. A Corpus-Based Analysis of the Song of Songs' Early Modern Translations (1535?1611) Fabio Ciambella Chapter 10. William Baldwin's Canticles or Balades of Solomon and the Beginnings of English Petrarchism Rachel Stenner Chapter 11. A Reading of Joseph Hall's Paraphrase of the Song of Songs (1609) Tibor Fabiny Chapter 12. From the 'broken Altar' to 'The Banquet' of Love: The Song of Songs in George Herbert's The Temple (1633) Carmen Gallo Chapter 13. The Allure of Canonical Fleshliness: The Song of Songs as Hermeneutic interm diaire for Ranter Libertarianism and Counter-Ethics Simone Turco Chapter 14. Women Prophets, Dissent, and the Song of Songs in Seventeenth-Century England Adrian Streete ***‎

‎Popular Song in the 19th Century‎

‎, Brepols, 2022 Hardback, 384 pages, Size:210 x 270 mm, Illustrations:31 b/w, 26 tables b/w., Language: English. ISBN 9782503600789.‎

‎Summary Many new and exciting kinds of popular song emerged in the 19th century, and the contributors to this volume place the development and reception of these songs in their social and cultural context. The chapters are grouped into four parts. Part I investigates border crossings: an internationally known gondola song, popular songs in the Southern United States, the impact of American music in Germany, and Brazilian music in Europe. Part II concentrates on public and private spaces: the cabarets of Montmartre, salons in Berlin and Prague, popular songs and the church organ, and theatre songs in Portugal and Spain. Part III takes up the subject of social struggle: German protest songs, Hussitism and Czech songs, and Antebellum American popular songs. Part IV is concerned with matters of cultural identity: songs of Flanders, songs of the Russian 'Slavic spirit', urban songs in Greece after the War of Independence (1821), and rural and urban Serbian songs. Taken as a whole, the chapters reveal the importance of understanding different historical and cultural environments when investigating the subject matter, structure and meaning of 19th-century popular song. TABLE OF CONTENTS Derek B. Scott Introduction: The New Popular Songs of the Nineteenth Century Part I: Cultural Transfer Henrike Rost 'La Biondina in Gondoletta': The Transnational Success Story of a Popular Gondola Song Chloe Valenti Between Opera and Popular Song: The Transformation of 'Va pensiero' in Victorian Britain Candace Bailey Opera, Lieder, or Stephen Foster? Popular Song in the Antebellum US South Tobias Fasshauer Wenn das Banjo zittert : Americanism in Popular Songs of the Wilhelmine Era Fl via Camargo Toni The Twenty modinhas for Voice and Piano by Sigismund Neukomm and Joaquim Manoel Gago da C mara: A 'Transatlantic' Partnership Part II: Private and Public Spaces Michela Niccolai Montmartre in Its Songs: Between Caf -concert and Cabaret (c. 1860-1914) Anja Bunzel Popular Song in the (Semi-)Private Domain? Considering the Nineteenth-Century Salon within the Context of Popular Culture Eva-Maria de Oliveira Pinto Popular Songs in the Ecclesiastical Context: Discoveries in European and North American Organ Music of the 19th Century Catarina Ribeiro Braga The Portuguese Chansonnette at the End of the Nineteenth Century: The New Popular Song or a Mini-comic Scene? Mar a Encina Cortizo - Ram n Sobrino Popular Dance Songs in the 19th Century beyond the Spanish Borders: La cachucha and Las habas verdes Part III: Social Struggle David Robb Popular Protest Songs of the German Vorm rz and 1848 Revolution Viktor Velek Master Jan Hus and Hussitism as the Subject of Czech Social Songs in the First Half of the 19th Century Wojciech Bernatowicz He's Gone to Be a Soldier in the Army of the Lord : Politics in the Antebellum American Popular Song Part IV: Cultural Identity Jan Dewilde I Know a Song : Two Popular Flemish Songs about Singing a Song ine Mulvey Dialect Verse and Songwriting during the Irish Cultural Revival (1891-1922) Mirella Di Vita Pesnja e Romans: The Forms of the Russian Art Song at the Beginning of the 19th Century Avra Xepapadakou Popular Song in 19th-Century Greece Marijana Kokanovi? Markovi? Serbian Popular Song in the 19th-Century: Their Cultural and Social Role Abstracts and Biographies Index of Names‎

‎Ephros A.M. Song of Solomon. In Russian (ask us if in doubt)/Efros A.M. Pesn' pe‎

‎Ephros A.M. Song of Solomon. In Russian (ask us if in doubt)/Efros A.M. Pesn' pesney Solomona. Short description: In Russian (ask us if in doubt).The Song of Song is one of the books the canonical book of the Old Testament included in the golden fund of world poetry. The Song of Song in the Jewish and Christian tradition is attributed to Solomon. Solomon is believed to have written more than a thousand songs. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb8da5b56252790e0a‎

‎Cantiques Salemon The Song of Songs in MS Paris BNF fr. 14966,‎

‎Turnhout, Brepols, 2006 Hardback, VIII+256 p., 160 x 240 mm. ISBN 9782503518060.‎

‎This volume contains the first critical edition of the latest of the three medieval French adaptations of the Song of Songs. There are three medieval French adaptations of the Song of Songs, each reflecting a distinct exegetical tradition. The latest of these three, here edited for the first time (from BNF fr. 14966), adopts the tropological interpretation according to which the Song depicts the relationship of the individual soul with God. The mystical, contemplative approach owes much to Bernard of Clairvaux, William of St Thierry, and Thomas the Cistercian, and this Cistercian tradition also has close links with the Beguines, a connection which receives detailed exploration in the editor's extensive Introduction. Writing in the late-thirteenth century in north-eastern France, the author of the Cantiques is aware of such an association and not only engages in the familiar procedures of allegorization, but, more originally, inserts into his commentary eight lyrics which are modelled on known secular chansons which receive full attention from the editor. Within the text, which covers Song 1. 1 to Song 3. 11 in 2544 octosyllables arranged in eight-line stanzas, speeches are assigned to Sponsus, Sponsa, Magister, and Religio. The Cantiques Salemon is the work of a poet rather than of a theologian, reflecting many elements associated with 'la courtoisie mystique', which in turn is characteristic of writing for the Beguines. The editor provides a detailed summary of the text, full glossary and notes as well as an account of the language. To these is added a study of the poet's principal literary techniques, involving both the varied processes of translation and the elaboration of a network of links between stanzas together with the imprint of a personal, lyric quality on the whole. Languages : English, Middle French.‎

‎Rapport sur la Prospection aurifère du Haut Song-Nang ‎

‎Tonkin, 1er Mars 1923. 1 dossier sous chemise cartonnée, 23 pages dactylographiées sur le recto des feuillets, enrichi de nombreux dessins, plans, schémas et d'une grande carte dépliante sur papier calque au 1/50000e de la prospection aurifère du haut Song-Nang, région de Pou Mo. Coupes et emplacements des puits.‎

‎Document préparé et signé à Hanoi, le 1er Mars 1923 par l'Ingénieur Adjoint des Mines M. Deloraine. Bonne chasse au trésor!‎