Milan, Aldo Martello, 1958 In 4 broché, 14 pages de texte en italien et 32 planches reproduites en pleine page. Bel ouvrage en excellent état
Reference : 12619
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Pisanello. Il tumulto del mondo. Exhibition: Mantua, Palazzo Ducale, 2022. 176 pages. Colour illustrations. Paperback. 28x24.5cms. An exploration of Pisanello's fresco cycle in the Palazzo Ducale in Mantua. Nine essays consider the late-Gothic style; Pisanello's sculptor contemporaries in Verona and Mantua; Pisanello's medals; and the context, rediscovery, and technical analysis of the cycles. Followed by a catalogue of twenty-six works by Pisanello and his contemporaries working in Mantua, each illustrated and discussed. Includes a portfolio of photographic details from the cycle. Text in Italian.
An exploration of Pisanellos fresco cycle in the Palazzo Ducale in Mantua. Nine essays consider the late-Gothic style; Pisanellos sculptor contemporaries in Verona and Mantua; Pisanellos medals; and the context, rediscovery, and technical analysis of the cycles. Followed by a catalogue of twenty-six works by Pisanello and his contemporaries working in Mantua, each illustrated and discussed. Includes a portfolio of photographic details from the cycle. Text in Italian
, Brepols - Harvey Miller, 2024 Hardback, xviii + 188 pages, Size:220 x 280 mm, Illustrations:69 col., Language: English. ISBN 9781915487124.
Summary The work of the fifteenth-century Italian painter Pisanello has long proven resistant the interpretative procedures of art history, in ways that point to the limits of those procedures as they evolved in the period after the Second World War. Taking Pisanello's art as an example of a larger theoretical issue, the book proposes a model of interpretation that addresses the realm of imitative practice. Using Cennino Cennini's Il Libro del' Arte as a primer,the author argues for an approach that confronts the evidence of the artist's self-tempering work, and then tests that model through an examination of Pisanello's drawings and medals. She exposes the drawings as primary evidence of the ontological groundwork within which the painter finds his own habits of invention, and also demonstrates the value of looking for the groundwork in a selection of Pisanello's official works, including the surviving wall paintings in Veronese churches. In the end, the author contends that the self-reflexive recognition of creative agency is a prerequisite for the apprehension of Pisanello's art, especially the agonistic scenario staged in his panel of The Virgin and Child with Saints George and Anthony and its enigmatic signature. TABLE OF CONTENTS List of Figures Acknowledgements Introduction 1. Temper: Cennino Cennini's Arte 2. Ground: Pisanello's Inventions 3. Threshold: Pisanello's Frameworks 4. Agon: Pisanus Pinxit Epilogue Under the Table Notes Bibliography
[Antonio Pisanello] - Marini, Paola ed
Reference : 058849
(1996)
ISBN : 8843557785
Marini, Paola ed: Pisanello. Exhibition: Verona, Museo di Castelvecchio, 1996. 540pp with 51 colour and c.250 duotone/monochrome illustrations. Wrappers. 28 x 25cms. A comprehensive catalogue covering a variety of topics including: Verona in the early 15th century - the Pellegrini family and Pisanello; between Verona, Mantua and Ferrara - literature during the time of Pisanello; the restoration work in Sant'Anastasia - archival documentation; the history of San Giorgio; Pisanllo and the origins of the Renaissance.medal. With chronology, exhibitions list, bibliography, index and concordance. Text in Italian.
A comprehensive catalogue covering a variety of topics including: Verona in the early 15th century - the Pellegrini family and Pisanello; between Verona, Mantua and Ferrara - literature during the time of Pisanello; the restoration work in Sant'Anastasia - archival documentation; the history of San Giorgio; Pisanllo and the origins of the Renaissance.medal.. With chronology, exhibitions list, bibliography, index and concordance. Text in Italian
Paccagnini, G: Pisanello. Oxford: Phaidon, 1973. 298pp with 20 colour plates and over 200 monochrome illustrations. Hardback. 29x26cms. Includes an account of the discovery by the author of the lost Sala del Pisanello in the Ducal Palace of the Gonzagas at Mantua. With bibliography.
Includes an account of the discovery by the author of the lost Sala del Pisanello in the Ducal Palace of the Gonzagas at Mantua. With bibliography
[Antonio Pisanello] - Syson, Luke and Dillian Gordon
Reference : 098572
(2001)
ISBN : 9781857099461
Syson, Luke and Dillian Gordon: Pisanello. Painter to the Renaissance Court. Exhibition: London, National Gallery, 2001. ix, 264pp with 42 colour plates and 255 colour and 21 monochrome illustrations. Paperback. Focusing on the 15th-century artist's two most famous panel paintings from the National Gallery, London, this exhibition catalogue provides a fundamental review of Pisanello's life and art. His paintings are examined in the context of related paintings, preparatory drawings, medals, manuscript illumination and tapestries.
Focusing on the 15th-century artist's two most famous panel paintings from the National Gallery, London, this exhibition catalogue provides a fundamental review of Pisanello's life and art. His paintings are examined in the context of related paintings, preparatory drawings, medals, manuscript illumination and tapestries. Text in English