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RICHTER (Gerhard)
Landscapes
Hatje Cantz. 1999. Couverture cartonnée toilée, oblongue, sous jaquette illustrée. Illustrations reproduites en couleurs. Dim : 247 x 295 mm. 126 pages.
Reference : 3836
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Librairie Michaël Seksik
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5 book(s) with the same title
Peter Paul Rubens and His Landscapes: Ideas on Nature and Art
be-, Brepols - Harvey Miller, 2014 Hardback, 300 pages., 38 b/w ill. 12 colour ill., 190 x 250 mm, Languages: English fine! . ISBN 9782503550381.
Painting landscapes was very much a private activity for Peter Paul Rubens. Whilst the majority of his other works were commissioned, the landscapes seem to have been painted for his own pleasure and delight and stayed in the artist?s possession until his death. Most of them were painted in the last decade of his life; a happy period, in which Rubens retired from public duties and spent most of his free time studying the antique and enjoying sojourns on his country estate, castle Het Steen. To grasp this profoundly personal character of Rubens?s landscapes, this book considers the artist?s highly complex method of pictorial invention to illuminate the perception, implementation, dissemination, and posthumous reception of views on nature and landscape as depicted in Rubens?s landscape art. By investigating contemporary notions on the changing perception of nature and landscape in late 16th and early 17th-century southern Netherlandish culture, Rubens?s position within this socio-cultural matrix will be established, thus shedding new light on the artist?s own perception of nature and landscape. The re-assessment of the influence of classical and contemporary ideas about nature and landscape, as well as Rubens?s personal sense of place, will illuminate important characteristics which further define Rubens?s ideas about nature implemented in his landscape art. Also, fresh light will be cast on the sudden promulgation and dissemination of Rubens?s apparently private views on nature and landscape through a novel examination of the print series of the Small and Large Landscapes, reproducing the artist?s landscapes. The final theme in this illuminating book considers the posthumous reception of Rubens?s ?painted ideas of landscape?. The book also contains an updated version of the catalogue raisonne of Rubens?s landscape art, supplemented by a record of the Small and Large Landscapes prints series
Archaeological Landscapes of Late Antique and Early Medieval Tuscia. Research and Field Papers
, Brepols, 2023 Paperback, 204 pages, Size:216 x 280 mm, Illustrations:57 b/w, 32 col., 2 tables b/w., Language: English. ISBN 9782503604992.
Summary This volume, the third in the series MediTo, investigates the changing landscapes of Tuscany during Late Antiquity and the Early Middle Ages. Through a selection of thematic case studies, presented initially during the second International workshop held in Paganico (Grosseto, Italy) in June 2019 and here further developed, the volume explores the concepts of settlement, economic, and societal changes in both Tuscany and its broader Mediterranean context over the course of several centuries. Together, the contributions gathered here showcase how cities and rural settlements, when studied in their archaeological and historical context, shed light on a dynamic landscape in which natural resources played a crucial role in defining the success or later abandonment of sites. TABLE OF CONTENTS List of Illustrations Introduction Alessandro Sebastiani and Riccardo Rao 1. The City of Pisae from Late Antiquity to the Early Medieval Period Antonio Alberti 2. Infrastructure, Water Management, Settlement, Agriculture, and Funerary Landscapes near Rusellae in the longue dur e Stefano Campana 3. 'The River and the Villa'. The Arno and the Vetti Villa between the Late Roman and the High-Middle Ages: A Complex Relationship Federico Cantini and Gianluca Martinez 4. Late Antique and Early Medieval Rusellae. Archaeology and Anthropology of the Cemetery of the Episcopal Church Mariagrazia Celuzza, Elena O. Watson, Alexis C. Goots, Mari I. Isa, Jared S. Beatrice, Emily R. Streetman and Todd W. Fenton 5. The Coastal ager Rusellanus between the Fourth and Sixth centuries AD Elena Chirico and Alessandro Sebastiani 6. The nEU-Med Project: Archaeology of a Coastal District in Tuscany during the Early Middle Ages Luisa Dallai and Lorenzo Marasco 7. Cosa during Late Antiquity Andrea U. De Giorgi, Michelle Hobart, Melissa Ludke, and Russell T. Scott 8. Cityness: A Chimera in Early Medieval Tuscany Richard Hodges 9. Late Roman Luna in the Light of the Porta Marina Excavations Simonetta Menchelli, Stefano Genovesi, and Rocco Marcheschi 10. When the Countryside Changes: Landscape between Places of Power and the Environment in Central and Northern Italy Fabio Saggioro 11. Landscapes between the Sea and the Hills: An Early Medieval City in Roman Tuscia Francesca Romana Stasolla 12. The Landscapes of Power in Mediterranean Tuscany (c. 750-850) Paolo Tomei
Pond's Landscapes after C. LE Lorrain, G. Poussin, & c. Engraved by Vivares, Mason, Chatelaine, & c.
Pond, Arthur & Charles Knapton: Pond's Landscapes after C. LE Lorrain, G. Poussin, & c. Engraved by Vivares, Mason, Chatelaine, & c. c. 1747. 43 plates with tissue guards. Nine after Claude Lorrain, thirty after Gaspard Dughet, also known as Gaspard Poussin, and one each after Filippo Lauri, Salvator Rosa, Giacomo Cortesi called Borgognone and Rembrandt van Rijn. Each plate is inscribed with the details of the source image including the artist, date, dimensions and current whereabouts. Also included are the names and dates of the copier and engraver. Arthur Pond (1701-1758) joined Charles Knapton (1728-1742) in print publishing in the 1730s. Together they produced at least three albums of facsimiles: 'A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances', London 1734 &c., 'Italian Landscapes', London c.1740-44 and the present set.
Arthur Pond (1701-1758) joined Charles Knapton (1728-1742) in print publishing in the 1730s. Together they produced at least three albums of facsimiles: 'A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances', London 1734 &c., 'Italian Landscapes', London c.1740-44 and the present set.
Peyzazhi Pissaro v Ermitazhe. In Russian /Landscapes of Pissaro in the Hermit...
Short description: In Russian. Yudenich, Inga Vadimovna. Landscapes of Pissaro in the Hermitage. Leningrad: State Hermitage Publishing House, 1963. Peyzazhi Pissaro v Ermitazhe. In Russian /Landscapes of Pissaro in the Hermitage . The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU6360528
Reference : bd-c6588e18e8739cde
Kolpinskaya, E.M. Landscapes of Armenia by M. Saryan. 1962./Kolpinskaya, E.M. P
Kolpinskaya, E.M. Landscapes of Armenia by M. Saryan. 1962./Kolpinskaya, E.M. Peyzazhi Armenii M. Saryana. 1962 god. Kolpinskaya, E.M. Landscapes of Armenia by M. Saryan. 1962. Moscow: Publishing House of the Academy of Arts of the USSR, 1962. 16, 2 p., 12 l.: 25.9 - 20.6 sm. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUbd-c6588e18e8739cde.
