‎[Joan Mitchell] - ‎ ‎ASHBERY (John) avec Joan MITCHELL, SCHUYLER (James) avec GRACE HARTIGAN, KOCH (Kenneth) avec ALFRED LESLIE, O'HARA (Frank) avec MICHAEL GOLDBERG‎
‎ABSTRACT EXPRESSIONISM -[TIBER PRESS]– COLLECTIF WITH ART BY JOAN MITCHELL, GRACE HARTIGAN, MICHAEL GOLDBERG, & ALFRED LESLIE‎

‎New-York, Tiber Press, 1960. 4 vol. in-folio (44,5 x 35,7 cm), cartonnages de l'éditeur, couvertures illustrées, rhodoïds, étui commun. Réunion de quatre poètes américains dont les textes sont illustrés par des artistes de l'expressionisme abstrait. – ASHBERY (John). The Poems. 4 SÉRIGRAPHIES ORIGINALES EN COULEURS DE JOAN MITCHELL. – SCHUYLER (James). Salute. 4 sérigraphies en couleurs de GRACE HARTIGAN. – KOCH (Kenneth). Permanently. 4 sérigraphies en couleurs d'ALFRED LESLIE. – O'HARA (Frank). Odes. 4 sérigraphies en couleurs de MICHAEL GOLDBERG. Chaque volume tiré à 200 exemplaires numérotés (n° 102), SIGNÉS PAR LES AUTEURS ET LES ARTISTES. Les volumes sont insérés dans leur étui original, superbe exemplaire. - ABSTRACT EXPRESSIONISM WITH ART BY JOAN MITCHELL, GRACE HARTIGAN, MICHAEL GOLDBERG, & ALFRED LESLIE Multiple Artists Abstract Expressionism 4 Volumes. 1. John Ashbery. The Poems. With 4 prints by Joan Mitchell. 2. Frank O’Hara. Odes. With 4 prints by Michael Goldberg. 3. Kenneth Koch. Permanently. With 4 prints by Alfred Leslie. 4. James Schuyler. Salute. With 4 prints by Grace Hartigan. Folio, 445 x 357 mm., bound in original illustrated boards, contained in a cloth slipcase. New York: Tiber Press, 1960. An immaculate set of these outstanding post-war American artist’s books, featuring collaborations between four the most influential American poets of the second half of the twentieth century, and four important second generation New York School artists. The collaborators “lived in New York City where they knew one another well for a number of years and followed one another’s work with involved interest. Tiber Press left the choice of partners in this project to the individuals themselves, and, in collaborating, the poet and painter were acknowledging an awareness of some real relationship between their work” (prospectus). Each is one of an edition of 200 copies, signed by the poet and the artist.‎

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