1987 Pastel signé, 1987, 63 x 45 cm.
Reference : 22428
Henri MATCHAVARIANI (Paris 1939) tire son trait comme une épée, vif et précis mais surtout incisif. Il va droit à l'essentiel, visant le coeur. Après une formation graphique à l'Ecole des Arts Appliqués de Paris il devient Directeur Artistique d'agences de publicité (Philips, Polydor, Delpire). Artiste et illustrateur il expose ses oeuvres à Paris, Milan, Hambourg, Tokyo, Toronto, Montreal ... Il reçoit le Grand Prix de l'Illustration. Maquette originale de la couverture de la revue italienne Fashion du 5 mars 1987.
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, New York, Harry N. Abrams, 2003, Bound, black cloth, illustrated dustjacket, 230 x 310mm., 272pp., magnificent colour pictures.
Two enormously popular subjects?? dazzling jewelry by Tiffany's designers and fabulous fashion photography?? combine in the newest book by Tiffany design director John Loring, author of many resplendent volumes about American style seen from the vantage point of the preeminent purveyor of fine jewelry and other luxury goods. Fashion experts credit Coco Chanel and her ???little black dress??? of 1924 with bringing fashion into modern times. But it took great fashion photography by notables from Steichen to Hiro, and jewelry as the ultimate fashion accessory, to propel fashion on its way to becoming the star-studded industry it is today. Tiffany in Fashion is a veritable visual feast?? with 250 glamorous images tracing the simultaneous growth of fashion photography and fine jewelry, from Richard Avedon's society fashion portrait for Harper's Bazaar of Elizabeth Taylor's bare back bedecked in exquisite Tiffany cultured pearls, to Scavullo's photograph of Paloma Picasso wearing her amply scaled gold earrings and bracelet, polygonal amethyst ring, and chrysophase bracelet. Eleanor Lambert, the ???godmother of American fashion,??? and dean of American fashion designers James Galanos add their personal reminiscences to John Loring's engaging and informative text. New book.
, TeNeues, 2024 HB, 300 x 235 mm, 208 p, 180 illustrations in color ; EN-GE edition, . ISBN 9783961715619.
"Black isn't a colour"? In the world of coveted fashion brands, it certainly is, and one of the most crucial at that. That's why authors Heide Christiansen and Martin Fraas have dedicated the second installment of their Fashion, Styles & Stories series to the theme of black. In The Black Book: Fashion, Styles & Stories, they showcase how expressive and powerful this colour can be in the context of fashion. Black caresses, exudes elegance, and simultaneously embodies rebellion. The black sheath dress harmoniously coexists with the black biker jacket, demonstrating the versatility of this colour. Through captivating fashion photographs straight from the runways of top designers, Christiansen and Fraas explore various shades of the black look, providing readers with intriguing background stories. They present black as the underlying theme in haute couture, high fashion, and street style. Diversity and inspiration take centre stage in this coffee table book. Exploring The Black Book becomes a true delight and a must for any fashion enthusiast. However, The Black Book: Fashion, Styles & Stories is not only a treat for fashion aficionados. Anyone seeking an exceptionally beautiful coffee table book should take a closer look. Because 'Black' captivates with a particularly high-quality visual and tactile experience. This is a book not only to be looked at with pleasure but also to be held, a jewel in any home. For those in search of a uniquely fresh fashion book that creatively engages with current brands and has the potential to become a classic, The Black Book: Fashion, Styles & Stories is a must-read.
, TeNeues, 2024 HB, 300 x 235 mm, 208 p, 180 illustrations in color, EN-GE edition. ISBN 9783961715626.
The Pink Book: Fashion, Styles & Stories is a dedicated series that comprehensively explores one of the most important themes in the fashion industry: colours. As the title suggests, this book focuses on all shades of pink, from vibrant fuchsia to delicate rose. The two authors, Heide Christiansen and Martin Fraas, showcase the power and allure that pink embodies through captivating runway shots. These dynamic fashion photographs were captured at major haute couture shows by renowned designers and brands like Dior, Chanel, and Gucci, or emerged as street style photography from the bustling life of a metropolis. Christiansen and Fraas not only provide impressive visuals but also narrate intriguing backstories. The significance of the colour pink becomes the central theme around which an entire world of images and stories is constructed. Any fashion enthusiast will be thrilled by this unique coffee table book. It serves as an inspiration for those passionate about fashion brands, high fashion, and the runways of the fashion industry. With its luxurious presentation and exquisite tactile quality, The Pink Book: Fashion, Styles & Stories almost becomes a fashion item itself. It is suitable as an upscale gift or a standout piece for any home library.
, Hannibal, 2025 hardcover, 27.5 x 20.5 cm, 224 pages, Quadrichrome, English language edition *new. . ISBN 9789464941937.
Exploring fashion and interior design through a gender lens, from the Victorian era to contemporary designers like Martin Margiela and Raf Simons Fashion & Interiors. A Gendered Affair explores the relationship between fashion and interiors from a gender perspective. In the second half of the nineteenth century, bourgeois ladies embellished both their bodies and their homes with drapes, fringing and ruches. Male designers such as Henry van de Velde and Josef Hoffmann waged war on that decorative excess and designed women?s clothing and interiors as part of a well-thought-out total work of art. Fashion designers Paul Poiret and Jeanne Lanvin drew inspiration from this approach and used interior design to create a powerful brand for their fashion houses. The impact of clothing also resonated with modernist (interior) architects such as Adolf Loos, Lilly Reich and Le Corbusier. This complex history is reflected in surprising ways in the visual language and creations of contemporary fashion designers such as Ann Demeulemeester, Martin Margiela, and Raf Simons. This book is published in conjunction with the exhibition Fashion & Interiors. A Gendered Affair on view at MoMu?Fashion Museum Antwerp from 29 March to 3 August 2025. Image credits cover: Photo Craig McDean/Art+Commerce, model Amber Valletta Beeldcredits cover: Foto Craig McDean/Art+Commerce, model Amber Valletta
Antwerp, Stockmans, 2023 softcover, 176 pages, 220.x 290 mm Illustrated. English. ISBN 9789464363364.
Man Ray was a widely versatile artist who worked with a range of different media and did not like to be pigeonholed. Fashion as such did not seem to be a particular interest of his, but dressmaking was part of his youth and photographing fashion played a crucial role throughout his career. The way he portrayed women and their clothing continues to influence fashion photographers today. Man Ray used new and unexpected angles, employed artistic staging, and applied such innovative processes as solarization and multiple exposure to his fashion photography. In recent decades, fashion designers continue to find inspiration in his Surrealist imagery. This is most notably true for Belgian designers, with their avant-garde mindset. Completely in line with the concept of Surrealism, these references are often subconscious. The first reference to Man Ray in Belgian fashion, however, was in fact explicit and can be placed squarely at the entrance of the Brussels-based Norine couture house. ... Fashion not only provided an income and international recognition for Man Ray but also influenced his visual language. That vocabulary had been nurtured from an early age by dressmaking attributes that must un-avoidably carry more meaning for a tailor?s son than for someone else. His images of mannequins and fragmented body parts were consistent with the visual language of the Surrealists, and were, under the influence of his fashion photography, not only uncanny but also aesthetically appealing. His visual art and his commercial photography were not separate from one another, and he was moreover one of the first Surrealist artists to recognize the artistic as well as the commercial potential of mass media. Expo Man Ray and Fashion in MoMu Antwerp. Man Ray and Mode, MoMu - ModeMuseum Antwerp, 22 April - 13 August 2023