Exemplaire numéroté sur vélin pur chiffon Lafuma. Editions Bibliothèque Grasset, 1927 - Reliure cuir à coins, dos à nerfs, couverture conservée.
Reference : LR1312
Reliure récente, 228 pages, format 15 x 20 - Très bon état, la couverture d'origine était salie - Les frais d'envoi sont en sus, les envois se faisant en recommandé ou avec un suivi.
A chacun son livre
Mme Frédérique Boulas
06 28 36 10 21
Conditions de vente conformes aux usages de la librairie ancienne et moderne. Les prix (en euros) s'entendent frais de port en plus, les frais d'envoi sont réglés pour le compte de l'acheteur, l'expédition se fait à réception du règlement. Nous acceptons les chèques bancaires français, les mandats et virements internationaux en euros, le paiement par paypal. Les commandes téléphoniques doivent être confirmées par courriel. Les objets commandés sont réservés pendant 10 jours, au-delà, ils sont remis en vente. Tout ouvrage qui ne correspondrait pas à la description du catalogue pourra nous être retourné, uniquement avec notre accord préalable, soigneusement emballé et affranchi en suffisance. En cas de litige, les tribunaux de Vannes sont seuls compétents. <br />
Paris, 1920. Bound uncut with the original printed wrappers, also the backstrip, in a magnificent bright purple lambskin binding with title and author in bright, metallic lettering to spine, blue, pink, and green respectively. Triple bright metallic line-borders to boards (same three colours), inside which the remainder of the boards are covered with a large inlay of shiny, coloured leather in crocodile skin-like relief pattern. Recto and verso respectively of flyleaves covered with pink/purple suede. Housed in a chemise with purple lambskin spine with same lettering as the binding and purple cloth boards, inside grey suede, and purple full lambskin slipcase. The binding is signed Leroux (in shiny green lettering to inside of front board). A handwriiten postcard from Leroux to the previous owner of the book is enclosed. The postcard is dated 1997 and concerns the binding, including the price. The slipcase has a bit of edgewear, but the binding is near mint. Apert from a tiny tear (no loss) to the upper margin of the front wrapper, also internally near mint. Front free end-paper with a four-line inscription for ""René Baer"" signed ""Colette de Jouvenel"".
First edition - presentation-copy and one of 175 numbered copies on Hollande (premier papier), out of a total of 725 numbered copies - of Colette's fascinating novel ""Chéri"", published at the dawn of the roaring 20'ies. The scandalous novel, which portrays the love between an older woman and a much younger man, is partly inspired by Colette's own life, and is considered one of her very best works. Extremely controversial as a person, Colette has always been the object of fascination as well as controversy. In 1893, she married Henry Gauthier-Villars, who was already a famous author and publisher. He used the pen-name ""Willy"", under which Colette's famous first novels, the Claudine-stories, also appeared. Colette and Willy separated in 1906, with a final divorce in 1910. Colette is well known for the series of lesbian relationships she embarked upon after her separation. In 1912, however, she married Henry de Jouvenel, editor of Le Matin, and took his name. Not for her publications, but she clearly used it in her personal correspondence. Their marriage ended in divorce in 1924, however, due partly to her affair with her 16-year-old stepson, Bertrand de Jouvenel. Chéri is partly based upon her experiences with her much younger stepson. "" 'Me a feminist?' She scoffed in 1910. 'I'll tell you what the suffragettes deserve: the whip and the harem'. COLETTE is an intriguing and flamboyant figure. Born in Burgundy in 1873 she moved to Paris at the age of twenty with her husband the writer and critic Henry Gauthiers-Viller (Willy). Forcing Colette to write, Willy published her novels in his name and the Claudine series became an instant success. She escaped her exploitative first husband to live by her pen and work in music-halls as a dancer. Colette had a lesbian love affair with a niece of Napoleon's, she married three times, had a baby at 40 and at 47, preferring 'passion to goodness', she seduced her teenage stepson. In the meantime she wrote stunning novels that were admired by Proust and Gide -- Gigi, Sido, Cheri, and Break of Day. Colette lived to be over 80. She was the first woman President of the Academie Goncourt and was the first woman in France to be accorded a state funeral."" ""Colette, in full Sidonie-Gabrielle Colette, (1873 - 1954), outstanding French writer of the first half of the 20th century whose best novels, largely concerned with the pains and pleasures of love, are remarkable for their command of sensual description. Her greatest strength as a writer is an exact sensory evocation of sounds, smells, tastes, textures, and colours of her world. Her best work was produced after 1920 and followed two veins. The first vein followed the lives of the slightly depraved, postwar younger generation. Among these novels are Chéri (1920) and La Fin de Chéri (1926" The Last of Chéri), dealing with a liaison between a young man (Chéri) and an older woman... (Encycl. Britt.). René Baer (1887 - 1962) was a famous French author, journalist, playwright, and songwriter. Georges Leroux (1922-1999) was one of the most accomplished and esteemed French binders of the twentieth century. Before he became a book binder, in 1959, he was a poet. His works are known for their exotic materials, use of metallic effects and strong polychromatic color.
Paris, Arthème Fayard, 1920 ; in-12 broché (207 x 134 mm avec les témoins), 251 pp., [1] f. imprimeur, couverture jaune.
Edition originale, un des 550 exemplaires sur vélin pur fil Lafuma, second et dernier grand papier après 175 Hollande, du tirage de tête. Tout petit manque de papier en haut du dos, petites ondulations sur les bords des témoins, sans aucune gravité, bel exemplaire, très propre. La suite, "La fin de Chéri", sera publiée en 1926.
Phone number : 06 60 22 21 35
2 volumes in 12, demi-maroquin violine à coins, dos à 4 nerfs, date dorée en pied, filets dorés sur les plats, tête dorées, couvertures conservées, envois (Reliures de Aussourd). 251 pp.-(1)f., 246 pp.-(1)f
ÉDITIONS ORIGINALES. 1/550 exemplaires numérotés sur pur fil, 1/400 sur vergé pur fil. Dans son long envoi sur le second volume, Colette signale qu’il y manque 31 pages que l’éditeur Flammarion avait oublié de brocher! Elles sont bien présentes, rajoutées au moment de la reliure de l’exemplaire.Très bel exemplaire, très bien relié, enrichi de beaux envois.
Paris, Arthème Fayard. 1920. 8°. 251 p. Broché.
Edition originale. - Un des 550 exemplaires numérotés sur vélin pur fil des Papeteries Lafuma (après 175 expl. sur Hollande). - A toutes marges. - Bien conservé.
Paris, Bernard Grasset 1928. 8°. 228 p., broché, couverture rempliée.
"Oeuvres, vol. 1". - Ex.num.sur vélin pur chiffon A 401. - Avec un envoi "à mon amie Diane Valentine Feydeau"