1981 Catalogue de l'exposition présentée aux Galeries Nationales du Grand-Palais (septembre-novembre 1981) puis aux Musées Royaux des Beaux-Arts de Belgique (janvier-mars 1982). Contributions de Michel Laclotte, Philippe-Robert Jones, Jean Clair, Eliane Wauquiez. 270x210mmbon état in4 broché, couverture illustrée
Reference : 9415
Librairie Chanut
Mme Valérie Chanut-Thiery
41, rue Mazarine
75006 Paris
France
01 43 54 04 70
conforme à la librairie ancienne
Antwerp, Ministry of the Flemish Community, 1982 softcover, NL pictorial cardboard cover in colour, 17x24 cm., 72 pp., profoundly illustrated in colour and b/w.
In good condition.
Antwerp, Ministry of the Flemish Community, 1982 softcover, pictorial cardboard cover in colour, 17x24 cm., 72 pp., profoundly illustrated in colour and b/w. text in ENGLISH
In good condition.
Anne Adriaens-Pannier, Adrian Locke, Will Stone, No mie Goldman, Anna Testar
Reference : 53321
, Royal Academy (ACC), 2020 HB, 290 x 220 mm, 176 p, 130 colour illustrations. English edition. *BRANDNEW ISBN 9781912520220.
Belgium symbolist painter and graphic artist. Watercolourist, pastellist, painter (gouache), draughtsman. Portraits, genre scenes, still-lifes, landscapes, seascapes. From childhood he displayed an interest in art and drawing and was a prolific doodler, spending much time sketching scenes of ordinary life and the Belgium countryside. In 1889 he studied briefly at the Tekenacademie in Bruges. His early work, already Symbolist in style was informed by his readings of writers such as Friedrich Nietzsche and Maurice Maeterlinck. From February 1903 to January 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate. In 1904 Spilliaert stayed in Paris, where he was on the fringe of Picasso's circle and discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. He continued to spend most winters in Paris to keep in touch with the city's cultural life. Although often associated with the key figures of Belgian Symbolism, L on Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor.
, Brussel/ Otterlo, Koninklijke Musea voor Schone Kunsten van Belgie / Rijksmuseum Kroller-Muller, , 1982. Softcover, 26,5x21cm, 253pp, illustraties in kleur en z/w. *goede staat ISBN 2865450082.
Beknopte biografie, bibliografie, biografisch woordenboek.
Oostende-Antwerpen, Galerie Seghers / Galerie Ronny Van de Velde, 2006 Softcover met flappen, ongepag. ca. 70pp., ills. in kleur, 28.5x23cm., goede staat (tweetalig Francais-Nederlands).