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JOHNSON (Alvin Jewett).
Indiana.
New York, 1864. 585 x 435 mm.
Reference : LBW03585
Texte anglais au verso. Bel exemplaire en coloris de l'époque.
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Librairie Le Bail
Didier Le Bail
13 rue Frédéric Sauton
75005 Paris
France
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5 book(s) with the same title
MAN RAY. OBJETS DE MON AFFECTION & ROBERT INDIANA. NEUE GRAPHIK
Affiche imprimée en recto verso par la Galerie der Spiegel, Köln. 1968. Impression en sérigraphie pour l'exposition MAN RAY et en offset pour ROBERT INDIANA. Dim: 60 x 42,5 cm. Pliures d'origine. Peu courante.
La galerie Der Spiegel a été fondée en décembre 1945 par Hein Stünke et son épouse Eva Stünke à Cologne. Ils organisèrent le premier "Kölner Kunstmarkt" (marché de l'art de Cologne) en 1967 qui fut la première foire commerciale au monde consacrée à l'art moderne et contemporain. ROBERT INDIANA en conçu l'affiche. L'affiche de MAN RAY fut réalisée à l'occasion de la présentation des objets édités par Marcel Zerbib qui collabora avec l'artiste surréaliste à la production d'une édition limitée de 17 répliques intitulées "Les objets de mon affection". Une série de ready-mades modifiés ou des assemblages que l'artiste américain réalisa tout au long sa carrière.
Robert Indiana : Beyond Love
, Yale, 2013 Hardcover, 286 pages, ENG. edition, 300 x 250 x 30 mm, As New !!, illustrated dustjacket, Full page images / illustrations in color / b/w. ISBN 9780300196863.
The popularity of Robert Indiana's LOVE works made the Pop artist a household name?and torpedoed his reputation, precipitating his self-imposed exile from the New York art world that had once acclaimed him and eclipsing the breadth and emotionally powerful content of the rest of his dynamic, conceptually charged work. Robert Indiana: Beyond LOVE is a compelling reassessment of the artist?s contributions to American art during his long and prolific career. Indiana (b. 1928) has explored the power of language, American identity, and personal history for five decades. Although his imagery, suggestive of highway signs and roadside attractions, is visually dazzling on its surface and seems to reflect a native spirit of optimism, it contains a multilayered conceptual intricacy and darkness that draw on his own biography as well as on the myths, history, and literature of the United States. As chronicled in this landmark reappraisal, Indiana was a seminal figure of the 1960s and 1970s, whose artistic genius combined Pop art, hard-edged abstraction, and language-based conceptualism. With a generous illustration program, an appendix of the artist?s interviews and statements, and contributions by leading experts, this book provides a long overdue analysis of the development of Indiana?s career, his relationship to early-20th-century American painters, and his influence on contemporary language-based artists. In addition to an illustrated chronology, selected exhibition history, and selected bibliography, Robert Indiana: Beyond LOVE includes transcripts from roundtable discussions with key Indiana experts, such as Thomas Crow, Bill Katz, Robert Pincus-Witten, Susan Elizabeth Ryan, Robert Storr, Allison Unruh, and John Wilmerding, who offer compelling insights on the significance of Indiana and his art.
Robert Indiana. - Peintures Récentes. Avant propos de Hélène Depotte. (Vol.2: Sculpture. Introduction by Hélène Depotte).
2 Bände. Knokke-Heist / Saint-Paul de Vence, Guy Pieters Gallery. (2001). 29 x 29 cm. Je ca. 60 n.n. S., illustriert. Originalleinwandbände in Schuber.
Original edition. - With an introduction in English and French. - Both volumes with mulziline dedications from Robert Indiana to his long-time friend the Swiss graphic designer Michel (Fritscher). -Part of the original package envelope with hand written addresses of the addressee and senderfrom Indiana and with the artists "Love" stamp of the US Post Office. With the invitation card to the exhibition. - Slipcase with pressed marks on the front cover. Originalausgabe. - Mit einer Einleitung in Englisch und Französisch. - Beide Bände mit mehrzeiliger handschriftlicher Widmung von Robert Indiana an seinen langjährigen Freund Michel (Fritscher), Schweizer Grafiker. - Beiliegende Teil der Originalverpackung mit der handschriftlichen Empfänger- und Absenderadresse von Indiana zusätzlich mit der "Love"-Briefmarke der U.S. Post versehen. Dazu die Einladungskarte zur Eröffnung der Ausstellung. - Schuber mit Stauchspur auf dem Vorderdeckel.
Robert Indiana - Richard Stankiewicz. An Exhibition of recent Sculptures and Paintings organzied by Waler Art Center, Minneapolis in Collaboration with the Institute of Contemporary Art, Boston.
Minneapolis Walker Art Center, 1963. 28x21,5 cm. 16 n.n. p. with b/w illustrations. Original binding.
Original edition. - The rare catalogue of Indiana's first museum exhibition. - With hand written dedication of the artist "For Michael (Fritscher), VIII, 1966". The Swiss graphic designer and Indiana were friends since the mid-1960's. Originalausgabe. - Der seltene Katalog der ersten Museumsausstellung von Robert Indiana. - Mit handschriftlicher Widmung des Künstlers "For Michael (Fritscher), VIII, 1966". Der Schweizer Grafiker Michel Fritscher war seit Mitte der 60er Jahren mit Indiana befreundet.
Robert Indiana. A Living Legend. (catalogue of the exhibition):
Seoul, Museum of Art, 11. März - 30. April 2006. 30,5x23,5 cm. 179 S. Mit vielen farbigen Abbildungen. Originalleinwand mit Schutzumschlag.
Original edition. - Catalogue of the biggest exhibition outside of the USA. -With hand written dedication and small drawing from Robert Indiana for his long-time Swiss friend Michel Fritscher. - With package envelope for the book with a hand signed "Costums Declaration" from Indiana. - One corner slightly worn. - Originalausgabe. - Katalog zur grössten Museumsausstellung ausserhalb der USA. - Mit handschriftlicher Widmung und kleiner Zeichnung von Robert Indiana für seinen Schweizer Freund Michel Fritscher. - Beiliegend Originalverpackung des Buches mit handsignierter "Costums Declaration" von Indiana. - Eine Ecke bestossen.
