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Chefs-D'oeuvre De l' Art - Grands Sculpteurs
Moore
Hachette Couverture Illustrée à Rabat Paris 1969 XVI planches en couleurs sur un support papier format 26.5 -35.5 cm
Reference : 028044
Très Bon État
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Librairie Internet Antoine
Henry Charlier
0032476413494
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accepte paiement par : PAYPAL Virements Européens Envois : Poste et MONDIAL RELAY
5 book(s) with the same title
Catherine L. Moore Alain Dorémieux Arlette Rosenblum
Reference : 100103701
(1982)
ISBN : 2203226331
Magies et merveilles : Catherine L. Moore - Six récits de fantastique et de science-fiction choisis par Alain Dorémieux
Casterman 1982 27x34x14cm. 1982. Relié jaquette. 264 pages. Bon Etat intérieur propre
Reference : albf2b89b4f55e08c7a
Moore Thomas. Moore Thomas The Poetic Works of Thomas Moore Poetry by Thomas Moo
Moore Thomas. Moore Thomas The Poetic Works of Thomas Moore Poetry by Thomas Moore. In English (ask us if in doubt)/Moore Thomas. Mur Tomas The Poetical works of Thomas Moore Poeziya Tomasa Mura. Reprinted from earlier editions with explanatory notes etc. London Thomas Yardley 1890 674c. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbf2b89b4f55e08c7a
Bacon Moore. Flesh and Bone.
, Antique Collectors' Club, Size: 280 mm x 220 mm. Pages: 160. Illustrations: 140 colour. Hardback. New. ISBN 9781851497478.
In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance.Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych.Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison.
Henry Moore. Complete Drawings 1982-1983: A Catalogue Raisonné. Volume VI: Drawings 1982-83. Vol 6. Henry Moore Complete Drawings 6
Garrould, Ann (ed): Henry Moore. Complete Drawings 1982-1983: A Catalogue Raisonné. Volume VI: Drawings 1982-83. Vol 6. London: Lund Humphries, The Henry Moore Foundation, 1994. Series: Henry Moore Complete Drawings 6. 192pp with 16 colour and 698 monochrome illustrations. Hardback. 29x24cms. Reproducing approximately 700 drawings produced over this period, when Moore started to recapitulate themes.
Reproducing approximately 700 drawings produced over this period, when Moore started to recapitulate themes. Text in English
'Henry MOORE'. Catalogue de l'exposition Pierre Gianadda à Martigny durant l'été 1989. Richement illustré. Catalogue des oeuvres exposées. Textes en français, allemand, anglais et italien. Martigny, Fondation Pierre Gianadda et Electa, Milano, Elemond Editori Associati 1989. Bel exemplaire broché, premier plat illustré, dos avec titres, format moyen carré, 320 pages avec: présentation, introduction, textes, catalogue, chronologie et grandes expositions, bibliographie. Henry Moore: sa vie, son époque. Le point de vue de Henry Moore sur le rôle de l'art et de l'artiste. Henry Moore en Suisse. CHF 60.00 Sculpture. Beaux-Arts. Henry Moore. AUB97 Martigny, Fondation Pierre Gianadda et Electa, Milano, Elemond Editori Associati 1989. Bel exemplaire broché, premier plat illustré, dos avec titres, format moyen carré, 320 pages avec: présentation, introduction, textes, catalogue, chronologie et grandes expositions, bibliographie.
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Henry Moore: sa vie, son époque. Le point de vue de Henry Moore sur le rôle de l'art et de l'artiste. Henry Moore en Suisse.
