Christie, Manson & Woods International Inc broché Couverture Illustrée New York 1978 catalogue de l' exposition du 23 mai 1978 - 69 pages en format 19.5 - 25 cm - nombreuses photographies de tableaux en couleurs
Reference : 025915
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Henry Charlier
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Shanghai, Museum of Contemporary Art, The Koera Foundation, 2012. In-4 broché, couv. rempliée ill. en coul., 169 pp., très nb. reprod. photogr. en n/b. et en coul., texte en chinois sur 2 colonnes, traduction en anglais in fine, bibliographie des artistes.
" Cette exposition est organisée avec le dévouement total de Kim Sun-hee, conservateur représentatif du monde de l'art asiatique. Elle présente les œuvres de 14 artistes de Chine, de Taiwan, de Corée et du Japon, et s'efforce d'approfondir la prospérité du partenariat et des échanges culturels entre les trois pays d'Asie de l'Est à travers l'art contemporain. L'espoir est que de nouvelles perspectives puissent s'ouvrir dans l'art contemporain chinois grâce à cela. Cette exposition exprime la nostalgie de l'art traditionnel qui s'est perdu dans l'art contemporain d'Asie de l'Est au cours de sa croissance, sous l'influence de l'art moderne occidental. [...] " (Artinasia.com) Comme neuf - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €)
Beijing, Culture and Art Publishing house, 2010. In-4, 691 pp., cartonnage éditeur de toile écrue étampée d'un décor en rouge.
Catalogue, bilingue anglais-chinois, d'art chinois contemporain, publié à l'occasion de l'exposition inaugurale du musée de Minsheng de Shanghai, en 2010. Il contient de nombreuses reproductions d'oeuvres d'artistes chinois. Sous emballage plastique, à l'état de neuf. Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
, Brepols - Harvey Miller, 2025 hardback, Pages: 264 pages, Size:178 x 254 mm, Illustrations:66 col., Language English *new. ISBN 9782503613154.
'Desnortar', or disoriented, means to lose the north or the sense of direction, to disorient. In Disoriented a collective book from a gender perspective, we consciously seek to lose both the geographical north and the north of the contemporary art canon. We aim to rethink and disrupt, from feminist, LGTBQ+ and postcolonial approaches, the coordinates that have articulated the discourses on the art history and art system along the 20th and 21st centuries. Coordinates that define how these artistic practices and systems of modernity and the contemporary are understood, the cardinal directions and main conceptual issues, or which artists are relevant or expendable according to the narratives of avant-garde and contemporary art history. It is crucial to reinterpret and disorientate, to disnorth and thereby shatter these references to overcome the gaps that prevent the emergence of alternative knowledges. To address questions or artists often perceived as peripheral to a grand historical narrative, we propose an intersection of modern and contemporary art history, gender, feminist, queer and postcolonial approaches, and transnational interrelations. This intersectionality allows us to actively lose the north of the canon and to direct our gaze towards subjects outside the usual centres of legitimation. Mostly, we attend to women artists, to peripheral geographical centres, to subaltern collectives, or to practices or materials regularly considered of little artistic interest. All of the above critiques how conventional discourses have excluded some collectives or certain artistic proposals, and the resistances that have emerged against them. TABLE OF CONTENTS Opening Bodies: Towards A History of The Female Hyper-nude Maite Méndez Baiges The Indian Performing Artists? Voices, Gestures and Combats: The Case of Bangalore Nagaratnamma, Chandralekha and Mallika Sarabhai Tiziana Leucci The Most Excellent People in the World and the Most Docile. Representations of Coloniality in Publicity and News Features on Women's Fashion Elo Vega Disoriented Desire. Ethnopornography and the Homoerotic of Orientalism in the Paintings of Gabriel Morcillo Javier Cuevas del Barrio The Art of the Eighteenth and Nineteenth Centuries in Contemporary Afro-descendant Creation Carla Hayes Mayoral The History of a Safety Pin Necklace: Transnational Colonisation Misrepresented Inmaculada Hurtado Disorienting the Purchase: Postmodernist Objects for Sale in Flea Market, a Project by Ana Pissarra in Collaboration with Lara Portela Vanessa Badiagliacca The (Mis)representation of Women in Modernist Practices in Portugal Mariana Pinto dos Santos Some Notes on Gender and Art in Contemporary Argentinian Art Georgina G. Gluzman Narrated Architecture. La Posa, a Building by Juan Muñoz in Peru Cintia Gutiérrez Reyes Instrumentalising Southern Territories: Touristic Practices and Neo-colonial Dynamics in Costa del Sol Héctor Vázquez de la Rosa Social, Decolonial and Transnational Museology. Reflections from the Global South, and some Current Brazilian Cases Ariadna Ruiz Gómez Losing the North of Nightingales and their Songs Concepción Cortés Zulueta Some Dovecotes and Pigeon Bodies in Contemporary Art Practices Andrés Richarte Tetrachromatism: The Supervision of Concetta Antico Ana Gerena
Athènes, Technopolis, 2008. In-4, 207 pp., cartonnage éditeur fuchsia, jaquette originale identique (quelques petits frottements).
Catalogue de l'exposition d'art contemporain chinois s'étant tenue au Technopolis d'Athènes du 12 au 26 mai 2008. Il comprend de nombreuses reproductions en couleurs. Ouvrage trilingue grec-anglais-chinois. Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
Grand-Hornu, Musee des Arts Contemporains, 2007 Hardcover, 400 pages, ENG, 350 x 220 x 40 mm,in Fine condition, illustrated in colour / b/w ISBN 9782930368214.
Using the format of a geographical atlas, the aim of this educational tool is to develop the interest of the public for contemporary art and to initiate dialogue between this art and other disciplines such as sciences, sociology, politics, etc. The book combines series of colour plates giving numerous historical, thematic and iconographic viewpoints with instructive texts - a mosaic of texts that take their inspiration from numerous quotes by artists, scientist and intellectuals, as well as encyclopaedia definitions, art reviews and short biographies. This English bilingual atlas, an initiative of the publishing section of the Museum of Contemporary Arts of Grand-Hornu (MAC's), compiled by Denis Gielen and with a preface by Laurent Busine, will be available in bookshops in spring 2007. One of the goals of any author of an atlas is probably - on occasions - to survey the world in order to better explore it, whether he or she is a geographer, historian, hiker, philosopher, amateur or art collector. Seeing, naming and discerning the ways of the world is just as imperative as seeking to define their meanings: some are diverse and unpredictable, others are manifold and disordered. This appears to be particularly true of contemporary art, in the sense that it confronts us with statements about a world to which we belong in the same way as the artist, in other words in a non-finite time. This book presents an alternation of illustrations, texts and synopses whose images and imaginative concepts all refer to one other. It is open to a multiplicity of inter-pretations, inviting confrontations and the discovery of similarities, relationships and analogies between works of art and various subjects of thought. To take stock of the field of contemporary art is to understand the movements and currents of which it is formed, but it also involves exploring the paths that interweave among them. Denis Gielen compiles facts, stories, art works and intentions, abiding by laws which, although they may not be universal, are nevertheless able to serve as our guide as we - author and reader - roam together along the meandering paths of creation, following the trails which unite the works and visions of our contemporaries. Thought and emotion carve out a sinuous and curious path here, even though this book is in principle open to the pursuit of all kinds of journeys. The Atlas of Contemporary Art can therefore be used by everyone, for it rejects no one. New book.