M. Moniquet Marcel Didier Reliure Rigide Illustrée 235 pages illustrées en format 15 - 20 cm
Reference : 020621
Bon État
Librairie Internet Antoine
Henry Charlier
0032476413494
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McHale, Katherine: Ingenious Italians, Immigrant Artists in Eighteenth-century Britain. London: 2024. 344 pages, 167 illustrations. Hardback. 30 x 22cms. Details the role and contributions of immigrant Italian artists in Britain throughout the eighteenth-century. Four chapters convey the artists' origins in Italy, the British artistic society into which they assimilated, their influence in genres such as landscape, history, architectural fantasy and portrait painting, their relationships with both British and Italian clients, and their impact on later British art. The book contains 167 illustrations as well as an appendix of biographical information on over 150 Italian artists active in Britain between 1700 and 1800.
Details the role and contributions of immigrant Italian artists in Britain throughout the eighteenth-century. Four chapters convey the artists' origins in Italy, the British artistic society into which they assimilated, their influence in genres such as landscape, history, architectural fantasy and portrait painting, their relationships with both British and Italian clients, and their impact on later British art. The book contains 167 illustrations as well as an appendix of biographical information on over 150 Italian artists active in Britain between 1700 and 1800. Text in English
Barringer, Tim: Men at Work. Art and Labour in Victorian Britain. London and New Haven: 2005. 380pp with 33 colour and 111 monochrome illustrations. Hardback. 26x21cms. Study of the image as a means of exploring the relationship between labour and art in Victorian Britain: includes works by Ford Madox Brown and John Ruskin.
Study of the image as a means of exploring the relationship between labour and art in Victorian Britain: includes works by Ford Madox Brown and John Ruskin. Text in English
Allen Lane 2026 496 pages 16 1x4 6x24cm. 2026. Cartonné jaquette. 496 pages.
Très Bon Etat de conservation intérieur propre bonne tenue
, Brepols - Harvey Miller, 2024 Hardback, 344 pages, Size:225 x 300 mm, Illustrations:2 b/w, 165 col., 2 tables b/w., Language: English. ISBN 9781915487179.
Summary This book fills a significant gap in the literature on eighteenth-century art in Britain. Although immigrant Italian artists played a crucial role in the development of Britain's expanding art world over the course of that century, they have been largely overlooked in books on both British and Italian art. When mentioned in works on eighteenth-century British art, Italian artists are regarded as bit players who were tangential to the art world. Ingenious Italians seeks to correct this view, demonstrating the critical role played by immigrants who brought their skills and talents to a new country. In Britain, they established networks of Italian and British colleagues, cultivated new patrons and created innovative works for a growing market. In doing so, they influenced the development of art in British society. This little-explored facet of art history in Britain presents readers with a new perspective from which to consider the art of the era, highlighting the important work contributed by Italian artists in Britain. The book also contains an appendix of biographical information on the Italian artists working in Britain throughout the eighteenth century. TABLE OF CONTENTS Introduction Chapter 1: Early Arrivals: Verrio and the Venetians Chapter 2: Life in Britain Chapter 3: Innovative Italians: New Ideas for New Clients Chapter 4: The Impact of Italian Immigrants: 'Exciting a Spirit of Ardent Emulation' Conclusion Bibliography Appendix: Italian Artists Active in Britain 1700-1800 Index
Britain Meets the World 1714-1830. Exhibition: Beijing, Palace Museum, 2007. 419 pages, 181 colour illustrations. Hardback. 31 x 23.5cms. Following the exhibition, the catalogue is divided into four sections, which relay Britain's growing interest in its own history and landscape, its admiration for classical European civilization and Renaissance achievements, an increasing interest in world cultures, and finally England's fascination with China. Text in Chinese.
Following the exhibition, the catalogue is divided into four sections, which relay Britainâs growing interest in its own history and landscape, its admiration for classical European civilization and Renaissance achievements, an increasing interest in world cultures, and finally England's fascination with China. Text in Chinese