M. Moniquet Marcel Didier Reliure Rigide Illustrée 235 pages illustrées en format 15 - 20 cm
Reference : 020621
Bon État
Librairie Internet Antoine
Henry Charlier
0032476413494
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Londres, J. Debrett, 1784 in-8, [2] ff. n. ch., xlvii pp.,un f. n. ch. d'errata, 345 pp.,[3] (sur 12) ff. n. ch., manquent les tableaux dépliants, cartonnage d'attente de papier bleu, non coupé (reliure de l'époque). Manque le dos, plat supérieur détaché.
La première édition de cette analyse comparative du calendrier des exportations et des importations entre la Grande-Bretagne et les États d'Amérique du Nord était parue en 1783, en opposition à une proposition de bill par Pitt visant à relâcher la rigueur des dispositions commerciales en faveur de la nouvelle nation. L'ouvrage connut un important retentissement, dont témoignent les nombreuses éditions sur seulement deux ans, et contribua au rejet du projet de loi.John Baker Holroyd, Lord Sheffield (1735-1821) servit dans l’armée britannique de 1760 à 1767 ; héritier de la fortune familiale, il se consacra à l’agriculture sur son domaine de Sheffield. En 1780, il devint membre de la chambre des communes et il y montra une grande indépendance d’opinions.Sabin, 32 633. Kress B.784. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.
Allen Lane 2012 496 pages 16 1x4 6x24cm. 2012. Cartonné jaquette. 496 pages.
Très Bon Etat de conservation intérieur propre bonne tenue
, Brepols - Harvey Miller, 2024 Hardback, 344 pages, Size:225 x 300 mm, Illustrations:2 b/w, 165 col., 2 tables b/w., Language: English. ISBN 9781915487179.
Summary This book fills a significant gap in the literature on eighteenth-century art in Britain. Although immigrant Italian artists played a crucial role in the development of Britain's expanding art world over the course of that century, they have been largely overlooked in books on both British and Italian art. When mentioned in works on eighteenth-century British art, Italian artists are regarded as bit players who were tangential to the art world. Ingenious Italians seeks to correct this view, demonstrating the critical role played by immigrants who brought their skills and talents to a new country. In Britain, they established networks of Italian and British colleagues, cultivated new patrons and created innovative works for a growing market. In doing so, they influenced the development of art in British society. This little-explored facet of art history in Britain presents readers with a new perspective from which to consider the art of the era, highlighting the important work contributed by Italian artists in Britain. The book also contains an appendix of biographical information on the Italian artists working in Britain throughout the eighteenth century. TABLE OF CONTENTS Introduction Chapter 1: Early Arrivals: Verrio and the Venetians Chapter 2: Life in Britain Chapter 3: Innovative Italians: New Ideas for New Clients Chapter 4: The Impact of Italian Immigrants: 'Exciting a Spirit of Ardent Emulation' Conclusion Bibliography Appendix: Italian Artists Active in Britain 1700-1800 Index
London, Society of Antiquaries of London, 2009 Two volumes, linnen bound, 600 pages, 31 x 24.5 cm. EN. New!. ISBN 9780854312894.
The third volume in this massive project to create the first complete corpus of the Roman mosaics of Britain covers the areas of Britain that were first to come under Roman control and where some of Britain's most impressive mosaics are to be found - in Colchester, Silchester, London and Verulamium, and in villas and palaces at Brading, Bignor, Fishbourne and Rockbourne. In their introduction to the volume, the authors trace the origins of mosaic-making in Britain, and the development of colour palettes and motifs, from the mainly black-and-white geometric designs of first-century Fishbourne Palace, reflecting contemporary Gaulish fashions, to the more elaborate polychrome designs of the third and fourth centuries, featuring figures from classical mythology, some of which (like Brading's Orpheus taming the animals with his music, or Lullingstone's Bellerophon slaying the Chimera) had been invested with new meaning as symbols of Christianity. They consider too the types of buildings with which mosaics are associated, the functions of mosaic-decorated rooms, the materials from which they are made, the impact of mosaic discoveries on early antiquaries and the pioneering mosaic paintings of artists such as Richard Smirke and Charles Stothard, published in Samuel Lysons' Reliquae Britanniae Romanae (1817). The catalogue follows the format of earlier volumes in providing an account of each mosaic's discovery and locating the mosaic within its building plan. Every mosaic is described, with significant parallels and major references, and illustrated with the authors' own paintings, reproductions of historic engravings and photographs, taken in situ wherever possible, before lifting or restoration. The result is an unrivalled scholarly resource for anyone interested in Roman art, craftsmanship, architecture and social life, which will shortly be complete with the publication of the fourth and final volume on Western Britain, including Wales. About the Author: David S Neal, FSA (b 1940), was first introduced to Roman mosaics and archaeology at Verulamium in 1957 while studying graphic design at Watford School of Art. In 1961 he joined the Ancient Monuments Inspectorate of the then Ministry of Works as an archaeological illustrator and for almost fifteen years supervised the archaeological drawing office. In this period one of his tasks was to record mosaics found on excavations conducted, or sponsored, by the Government. From 1963 he began his own series of excavations on Roman villas in Hertfordshire and in 1975 became a full-time archaeologist with the Department of the Environment (later English Heritage). He is now a freelance consultant. He was made a Fellow of the Society of Antiquaries in 1971 and awarded a Doctor of Letters for his contribution to Romano-British villa studies in 1992. Stephen R Cosh, FSA (b 1950), studied archaeology at Reading University before embarking on a career in teaching. As with David Neal, his interests in art and archaeology led to the study of Romano-British mosaics which he has illustrated since the 1970s, soon adopting Neal's technique. He has written numerous articles on Roman mosaics, particularly the study of regional groups. He has been the Honorary Secretary of ASPROM (the Association for the Study and Preservation of Roman Mosaics) since 1993 and was elected a Fellow of the Society of Antiquaries in 2002. The authors formally agreed to collaborate on the corpus in 1993.
Cornell University Press 1998 336 pages 15 4x22 7x2 8cm. 1998. Broché. 336 pages.
proche du neuf intérieur propre bonne tenue