M. Moniquet Marcel Didier Reliure Rigide Illustrée 235 pages illustrées en format 15 - 20 cm
Reference : 020621
Bon État
Librairie Internet Antoine
Henry Charlier
0032476413494
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, Brepols - Harvey Miller, 2024 Hardback, 344 pages, Size:225 x 300 mm, Illustrations:2 b/w, 165 col., 2 tables b/w., Language: English. ISBN 9781915487179.
Summary This book fills a significant gap in the literature on eighteenth-century art in Britain. Although immigrant Italian artists played a crucial role in the development of Britain's expanding art world over the course of that century, they have been largely overlooked in books on both British and Italian art. When mentioned in works on eighteenth-century British art, Italian artists are regarded as bit players who were tangential to the art world. Ingenious Italians seeks to correct this view, demonstrating the critical role played by immigrants who brought their skills and talents to a new country. In Britain, they established networks of Italian and British colleagues, cultivated new patrons and created innovative works for a growing market. In doing so, they influenced the development of art in British society. This little-explored facet of art history in Britain presents readers with a new perspective from which to consider the art of the era, highlighting the important work contributed by Italian artists in Britain. The book also contains an appendix of biographical information on the Italian artists working in Britain throughout the eighteenth century. TABLE OF CONTENTS Introduction Chapter 1: Early Arrivals: Verrio and the Venetians Chapter 2: Life in Britain Chapter 3: Innovative Italians: New Ideas for New Clients Chapter 4: The Impact of Italian Immigrants: 'Exciting a Spirit of Ardent Emulation' Conclusion Bibliography Appendix: Italian Artists Active in Britain 1700-1800 Index
Cambridge University Press 1986 216 pages 15 24x1 57x22 86cm. 1986. Cartonné jaquette. 216 pages. Cet ouvrage historique publié en 1986 analyse le développement des régimes de retraite professionnels en Grande-Bretagne. Il examine l'évolution de la notion de retraite et des systèmes de pension en étudiant l'interaction des forces commerciales politiques et sociales qui ont conduit à ancrer l'épargne pour la vieillesse dans le contrat de travail
proche du très bon état intérieur propre avec sa jaquette intérieur propre
McHale, Katherine: Ingenious Italians, Immigrant Artists in Eighteenth-century Britain. London: 2024. 344 pages, 167 illustrations. Hardback. 30 x 22cms. Details the role and contributions of immigrant Italian artists in Britain throughout the eighteenth-century. Four chapters convey the artists' origins in Italy, the British artistic society into which they assimilated, their influence in genres such as landscape, history, architectural fantasy and portrait painting, their relationships with both British and Italian clients, and their impact on later British art. The book contains 167 illustrations as well as an appendix of biographical information on over 150 Italian artists active in Britain between 1700 and 1800.
Details the role and contributions of immigrant Italian artists in Britain throughout the eighteenth-century. Four chapters convey the artists' origins in Italy, the British artistic society into which they assimilated, their influence in genres such as landscape, history, architectural fantasy and portrait painting, their relationships with both British and Italian clients, and their impact on later British art. The book contains 167 illustrations as well as an appendix of biographical information on over 150 Italian artists active in Britain between 1700 and 1800. Text in English
Cornell university press 1998 336 pages 15 4x22 7x2 8cm. 1998. Broché. 336 pages.
proche du neuf intérieur propre bonne tenue
London, Society of Antiquaries of London, 2010 Hardback with dustjacket, 480 Pages, 31 x 25 cm. NEW. EN. ISBN 9780854312948.
This volume brings to a triumphant conclusion this monumental project to catalogue, describe and illustrate every Romano-British mosaic. The area covered by the fourth and final volume in the corpus is one of the richest regions of Britain in economic as well as architectural and artistic terms and this is reflected in the quantity and quality of the region's mosaics, which include the largest figured mosaic ever found in Britain - the Woodchester Orpheus pavement - which was perhaps the inspiration for the other famous Orpheus mosaics of the Roman Cotswolds. At the heart of this affluent region is Cirencester, Roman Britain's second largest town, represented here by more than sixty mosaics, the second-century examples being the most exquisite in the country. There are also many fine mosaics from the region's highly ornate villas, as well as from the towns of Gloucester, Caerwent and Wroxeter. The catalogue follows the format of earlier volumes in providing an account of each mosaic's discovery and locating the mosaic within its building plan. Following the description are notable parallels and major references. Many of the illustrations are by the authors, with additional ones by Luigi Thompson, as well as photographs and historical engravings, a high proportion of the latter by Samuel Lysons whose home was in Gloucestershire where he did much of his pioneering work in archaeological excavation and illustration. Brief biographies of Lysons and all the other artists whose work grace all four volumes appear at the end of this volume. As with previous volume the work is preceded with a substantial introduction. This deals with the history and topography of the region, buildings and rooms, an assessment of regional workshops, and schemes, ending with a consideration of mosaics in relation to the end of Roman Britain.