Write to the booksellers
Groffier Jean
Une tradition
Bourdeaux-Capelle 1980 199 pages in8. 1980. Broché. 199 pages. Envoi de l'auteur en page de faux-titre à Mr Charles Dédeyan professeur de Lettres
Reference : 514804
Bon Etat
Bookseller's contact details
Un Autre Monde
M. Emmanuel Arnaiz
07.69.73.87.31
Payment mode
Sale conditions
Conformes aux usages de la librairie ancienne.
5 book(s) with the same title
Volume 1: The Emergence of the Catholic Tradition (100-600) --- The Christian Tradition: A History of the Development of Doctrine
University of Chicago Press 1975 442 pages 14 86x21 41x1 85cm. 1975. Broché. 442 pages.
Bon état de conservation intérieur propre couverture défraîchie
Aesthetics of Reaction. Tradition, Faith, Identity, and the Visual Arts in France, 1900-1914
, Brepols, 2021 Hardback, 376 pages, Size:215 x 280 mm, Illustrations:7 b/w, 80 col., Language(s):English, French. ISBN 9782503591575.
Summary This study focuses on anti-modernist artists, critics and political theorists in Belle Époque France hostile to secular democracy and its allegedly decadent culture of individualism. It examines their reassertion of social and artistic values which, they claimed, had been distorted and repressed by the 1789 revolution. Exploring the cultural implications of the Catholic revival, the impact of the royalist movement Action française and nationalist calls for a 'Renaissance française', it challenges previous assessments of nationalists' artistic agenda and recasts ways of thinking about classicism and the notion of a 'return to order' in pre- and post-war French cultural discourse. The book offers the first comprehensive overview of nationalism's impact on pre-war French art, which it complements with synthetic studies of three figures affected by these political and artistic debates: the painters Maurice Denis (Catholic revival) and Emile Bernard ('Renaissance francaise), as well as the critic Joachim Gasquet (Action française). In such a way, the book goes beyond previous accounts to highlight contradictions and complexities in pre-war artistic discourse that enrich our understanding of the ideological stakes involved in clashes over modernity, tradition and identity in pre-war France. TABLE OF CONTENTS Introduction : « An Essential Part of Ourselves » : Culture, tradition and the French nation. (General overview of main themes) Part 1: Scenes & Doctrines Chapter 1. Idéologies of National Identity in the Third Republic. (An introductory study of nationalist ideologies and their impact on culture during the late 19th and early 20th centuries) Chapter 2. Contending Traditions. Approaching the Past in Republican France. (Background discussion of debates around tradition c. 1900 and their impact on discussions of the history of French art & its contemporary character) Chapter 3. Making French Art. Defining a National Culture before 1914. (Introduction to debates during the period to define a characteristically national culture, particularly from a Republican perspective) Part 2. Religion Chapter 4. Representing Spirituality. Tradition, Beauty and Faith in the Catholic Revival. (Exploration of the impact of the Catholic revival on French art, particularly in relation to the influence of renewed interest in Neo-Thomism and its aesthetic implications). Chapter 5. Catholic Tastes. Religiosity, Aesthetics and Tradition in the Art of Maurice Denis. (Explores the impact of Catholicism on Denis's career as a painter, critic and theorist, focusing on its interplay with his royalist sympathies and his understanding of art's history as an apologetic form) Part 3. Royalism Chapter 6. Action française : the Experience of Centuries. (A comprehensive analysis of royalist interventions in the arts in terms of art-critical writing, aesthetics, and art-historical research by figures such as Charles Maurras, Louis Dimier and Pierre du Colombier). Chapter 7. Joachim Gasquet : the Politics of Lyricism. (Revisits the career of a figure best known for his controversial 1921 publication on Cézanne. For the first time, the totality of Gasquet's artistic writing (much of it unpublished) is discussed. The emerging picture contributes to a redefinition of contemporary notions of classicism and of Cézanne's reputation as a classical artist - both themes that re-emerge as motifs elsewhere in the book). Part 4. Renaissances Chapter 8. Modernizing tradition: Towards a new French Renaissance. (For the first time, a broad spectrum of cultural commentary, united by a shared nationalist commitment to French rebirth, is brought together in ways that reframe some central debates in pre-war art criticism and bring to the fore artists generally overlooked in retrospective surveys of the period. The chapter revisits debates around the aesthetic impact of 'celtic nationalism' and argues against previous suggestions that this position aligns with progressive poiltics. The chapter also looks at Latinist modernism and its place in the avant-garde publication 'Montjoie!'). Chapitre 9. Émile Bernard : the Dogma of tradition. (Bernard was a prolific artist and theorist whose contribution to French art is typically considered only in relation to his early career around Paul Gauguin and the School of Pont-Aven in the late 1880s and early 90s. This chapter looks at Bernard's rejection of the artistic vanguard and his ostentatious championing of tradition, rooted in the High Renaissance, both in his pictorial output after 1900 and in his enormous body of published and unpublished writing. Bernard's eulogies of Tintoretto and Michelangelo in particular stand in contrast to his growing disdain for modern art, epitomized by his growing disenchantment with Cézanne. The chapter demonstrates how Bernard's artistic retrenchment forms part of a more broadly elitist disparagement of democratic republicanism.) Conclusion
"Sisyphe une revue de la grande loge mixte de France n°4 - Mai 2022. Sommaire : ""Franc-maçonnerie : Tradition ou progrès"" - Où la tradition nous mène - De la tradition à la modernité ou l'enracinement contre l'anomie - Tradition, évolution et transmission"
Recension - Tobie Nathan. 2022. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 63 pages. Quelques photos en couleurs dans et hors texte.. . . . Classification Dewey : 366.1-Franc-maçonnerie
"Revue semestrielle. Sommaire : ""Franc-maçonnerie : Tradition ou progrès"" - Où la tradition nous mène - De la tradition à la modernité ou l'enracinement contre l'anomie - Tradition, évolution et transmission en Franc-Maçonnerie - Regards féminisites sur la tradition et le progrès - Démocratie et Mixité -etc Classification Dewey : 366.1-Franc-maçonnerie"
Atlantis n° 219 - L'occultisme : fléau du monde, la tradition : salut du monde par Paul Le cour, Les origines de la tradition par Marcel Moreau, Les nouveaux magiciens ou la contre tradition par Jean Phaure, Le Zen et la tradition occidentale
Bureaux de la revue. Sept-Oct 1963. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 1 à 80. Quelques illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 930.1-Archéologie
Sommaire: L'occultisme : fléau du monde, la tradition : salut du monde par Paul Le cour, Les origines de la tradition par Marcel Moreau, Les nouveaux magiciens ou la contre tradition par Jean Phaure, Le Zen et la tradition occidentale par Dr Robert Hollier Classification Dewey : 930.1-Archéologie
Tradition et terroir du Canton de Carrouges. Tome 1.
Sans lieu, Association du Festival Tradition et Terroir, 1993, in-8, br., couv. ill. coul. éd., 128 pp., papier glacé, très nb. photos, dessins et reproductions de cartes postales anciennes en noir, Le canton de Carrouges, un des plus grands du département avec ses 24 communes, occupe le centre sud-ouest de l'Orne, aux confins de la Mayenne. Superbe iconographie ancienne. RARE Comme neuf
Librairie spécialisée en gastronomie , œnologie et tabagie
