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Jean-José FRAPPA
1930
Nouvelle société d'édition 1932 245 pages in12. 1932. Broché. 245 pages.
Reference : 232577
Etat Correct dos recollé (manques) couverture défraîchie uniformément jauni texte net
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Un Autre Monde
M. Emmanuel Arnaiz
07.69.73.87.31
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5 book(s) with the same title
San Francisco the Golden Age 1930-1960 Making a Scene
Duncan, Michael: San Francisco the Golden Age 1930-1960 Making a Scene. Munich: 2025. 184 pages, 150 illustrations. Hardback. 30x26cms. A look at the development of the Bay Area art scene between 1930 to 1960. Eleven chapters discuss the primary organizations, figures, and events responsible for the neighborhood's artistic evolution. These include The San Francisco Art Association, public art projects headed by Diego Rivera and the Pacific Unity installation at the Golden Gate International Exposition, Grace Morley director of the San Francisco Museum of Art, the museum's annual exhibitions, art critic Alfred Frankenstein, and finally a case study of Adaline Kent's oeuvre.
A look at the development of the Bay Area art scene between 1930 to 1960. Eleven chapters discuss the primary organizations, figures, and events responsible for the neighborhoodâs artistic evolution. These include The San Francisco Art Association, public art projects headed by Diego Rivera and the Pacific Unity installation at the Golden Gate International Exposition, Grace Morley director of the San Francisco Museum of Art, the museumâs annual exhibitions, art critic Alfred Frankenstein, and finally a case study of Adaline Kentâs oeuvre. Text in English
Malevich the graphic work 1913-1930 a print catalogue raisonnÃ
Karshan, Donald: Malevich the graphic work 1913-1930 a print catalogue raisonnÃ. Exhibition: Jerusalem, Israel Museum, 1975. 186 pages. 75 works illustrated in black and white. Paperback. 24x22cms.
Text in English
French Porcelain of the Eighteenth Century: A Symposium in Honour of GeneviÚve Le Duc (1930-1999). The French Porcelain Society Vol 1
Fairclough, Oliver and Aileen Dawson eds.: French Porcelain of the Eighteenth Century: A Symposium in Honour of GeneviÚve Le Duc (1930-1999). London: 2002. Series: The French Porcelain Society Vol 1. 186pp illustrated throughout in colour and monochrome. Wrappers. 24.6x17.5cms. Papers include: 'Porcelains in the inventory of the Regent.' (Philippe d'Orleans 1674-1723) by John Whitehead; 'Some Thoughts on Mennecy Biscuit' by Aileen Dawson; 'Some French Soft-Paste Animals from the Collections of the Dukes of Parma' by Andreina d'Agliano: and articles by Tamara PrÃaud, Jeffrey Munger. Clair Le Corbeiller etc.
Papers include: 'Porcelains in the inventory of the Regent.' (Philippe d'Orleans 1674-1723) by John Whitehead; 'Some Thoughts on Mennecy Biscuit' by Aileen Dawson; 'Some French Soft-Paste Animals from the Collections of the Dukes of Parma' by Andreina d'Agliano: and articles by Tamara PrÃaud, Jeffrey Munger. Clair Le Corbeiller etc. Text in English
Henri Goetz: Peintures-Oeuvres sur Papier. Tome 1: 1930-1960. Vol 1
Nocera, FrÃdÃric: Henri Goetz: Peintures-Oeuvres sur Papier. Tome 1: 1930-1960. Vol 1. Paris: Editions Garnier Nocera, 2001. 310 pages, illustrated throughout in colour. Hardback. 26 x 32cms. Text in French & English.
Text in French & English
The Scottish Colourists 1900-1930
Long, Philip and Elizabeth Cumming: The Scottish Colourists 1900-1930. Exhibition: London, Royal Academy, 2000. 152pp with 79 colour and 4 monochrome plates, 38 colour and 22 monochrome illustrations. Cloth. 30.5x25.2cms. These Scottish artists have recently been the subject of increasing interest, particularly over the last two decades. An introduction to the artists is accompanied by an essay on their relationship with contemporary developments in France and followed by a wealth of reproductions of their vibrant work. With a select bibliography and an appendix containing Fergusson's memories of Peploe.
These Scottish artists have recently been the subject of increasing interest, particularly over the last two decades. An introduction to the artists is accompanied by an essay on their relationship with contemporary developments in France and followed by a wealth of reproductions of their vibrant work. With a select bibliography and an appendix containing Fergusson's memories of Peploe. Text in English
