Editions du Rocher 1999 275 pages 15x25x2cm. 1999. Broché. 275 pages.
Reference : 100060430
ISBN : 2268031144
Très Bon Etat de conservation
Un Autre Monde
M. Emmanuel Arnaiz
07.69.73.87.31
Conformes aux usages de la librairie ancienne.
DU ROCHER 1999 275 pages 15 5x23 8x2 7cm. 1999. Broché. 275 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Impr. de J. Attinger Neuchâtel 1857 1 vol. In-8 de 2 ff.n.ch. XXII 322 pp. 1 f.n.ch. (errata), demi-chagrin de l'époque, dos à nerfs orné, pièces de titre, tête dorée, couverture conservée.
Bernois au service du Roi, il fut blessé en défendant la Bastille (Fierro 1285). Capitaine au régiment suisse, quelques intérêts pour l'histoire de Naples (Tulard 1277). Fidèle à Louis XVIII durant les Cents-Jours et se bat pour Charles X en 1830 (Bertier de Sauvigny (886). Portrait lithographié en frontispice. Bel exemplaire rare.
Hermann 1964 in8. 1964. Broché.
Bon Etat sous papier de soie intérieur propre
, Brepols, 2022 Paperback, 291 pages, Size:216 x 280 mm, Illustrations:115 b/w, 25 col., Language: English. ISBN 9782503598017.
Summary The essays collected in this volume are devoted to the Utrecht painter Abraham Bloemaert. The artist has received considerable scholarly attention following the publication of the catalogue raisonné of his paintings and, more recently, of his drawings, particularly in connection with the major exhibition The Bloemaert Effect (2012, Utrecht & Schwerin). This publication examines Abraham Bloemaert as a universal artist while it also aims to better understand his contribution towards the development of new iconographic themes. The choice and execution of specific subjects are considered in light of the local religious context, among others. In order to offer new perspectives and stimulate further research, the volume carefully examines the role of his workshop and the various artistic practices - painting, engraving, and drawing - in which its members engaged under Bloemaert's supervision. A key question ties together the multifaceted approaches presented here: should Bloemaert be considered as the 'father of the Utrecht school' and the founder of a dynasty of artists? TABLE OF CONTENTS Preface ? Léonie Marquaille Abraham Bloemaert as a Universal Painter Between Fable and Nature: Abraham Bloemaert in Dutch Seventeenth-Century Art Theory ? Jan Blanc The Tree and the Farmhouse: Bloemaert, Van Mander and the Birth of Dutch Landscape Painting ? Boudewijn Bakker Candlelight, Devotional Meditation, and Artistic Process in Abraham Bloemaert's Supper at Emmaus ? Natasha Seaman 'Niet te verladen': The Manner and Meaning of Abraham Bloemaert and Boëtius à Bolswert's Sylva anachoretica of 1619 ? Walter S. Melion Abraham Bloemaert's Workshop and Legacy Abraham Bloemaert: Artistic Strategy and Workshop Production ? Gero Seelig Printmaking in Bloemaert's Workshop in Utrecht. Reconsidering Abraham's Collaboration with his Sons: Cornelis II and Frederick ? Léonie Marquaille Cornelis Bloemaert II: Rethinking his Role as Reproductive Engraver ? Erin Downey Late Bloomers: Nicolaes Knüpfer, Jan Baptist Weenix, Jan Both and the Utrecht Workshop of Abraham Bloemaert ? Elizabeth Nogrady 'Son goût de dessein tenoit toujours du pays': Abraham Bloemaert's Graphic Legacy in Eighteenth-Century France ? J. Cabelle Ahn On Attribution Attributing the Adoration of the Shepherds in Antibes Cathedral. A Painting by Abraham Bloemaert's Workshop or his Son Hendrick? ? Olivier Zeder Bibliography Index of Names