Paris. Olympia Press. 1965. In-12 broché. 214 pages.
Reference : 2043
Très bel exemplaire.
Librairie du Scalaire
M. Marc Malfant
10, rue des Farges
69005 Lyon
France
06.10.17.78.84
Expédition après réception du réglement par chèque bancaire (ou virement pour l'étranger). <br />
Turnhout, Brepols, 2002 Hardback, XII+169 p., 160 x 240 mm. ISBN 9782503510736.
This study comprises a critical edition, using all the five extant MSS, of the most popular of the Middle English gynaecological texts deriving from the Latin Trotula-text. This study comprises a critical edition, using all the five extant MSS, of the most popular of the Middle English gynaecological texts deriving from the Latin Trotula-text. The Knowing of Women's Kind in Childing is a short fifteenth-century prose treatise which claims to be translated from Latin texts (or Latin and French, according to some manuscripts) that derive ultimately from the Greek. It has a unique importance as it was written by a woman, for a female audience, and on the subject of women. The text considers women's physical constitution, what makes them different from men (primarily the possession of a womb) and, in particular, the three types of problem that the womb causes. That it was written for a female audience is made explicit in the Prologue where the writer explains that he has translated this text out of French and Latin into English because literate women are more likely to read English than any other language and can then pass on the information it contains to illiterate women. More controversial must be the claim that this text was written by a woman. The text is a translation, no doubt by a man, but one of his ultimate sources was a text attributed to 'Trotula', in the Middle Ages believed to be the name of a midwife or gynaecologist from Salerno, who wrote extensively on women's ailments, childbirth and beauty care. Recent work shows that such a woman, probably named Trota, did exist and that she did write a gynaecological treatise, the Trotula or 'little Trota', which became closely associated with two other texts not by her. All three however became very popular and were widely disseminated under her name. Large sections of The Knowing of Woman's Kind come, via an Old French translation, from a version of the Liber de Sinthomatibus Mulierum (the Cum auctor), the first element in this Trotula ensemble. Languages : English.
New York 2009 Conran Hardcover Very Good
Hardcover, Jacket: Very Good, 29 x 26 cm, 336 pp., English, Illustrations, book condition: Very Good. A completely original reappraisal of that most familiar, yet mysterious, of things, the female body. In this endlessly provocative volume, Stephen Bayley, design authority and cultural critic, takes on the female body, analyzing each crook and every curve as a sign, a symbol, and as a designed object. From Aphrodite to the industrialization of the breast, and from pin-ups to the future of sex, WOMAN AS DESIGN is a fascinating mix of design, cultural history, erotica, fashion, and fetishism. Wonderfully designed and superbly illustrated WOMAN AS DESIGN is a modern study of the continuous conflict between the real and the ideal...in its most familiar form.
, Posture Editions Nr 45, 2021 HB, 297 x 210 mm, 136 pages, Illustrated. ENG-NL edition. ISBN 9789491262463.
In her work, Dutch artist Femmy Otten ( 1981) explores a very hybrid world of inspiration, ranging from sculptures from Greek antiquity and Italian painters of the quattrocento to American outsider art and contemporary art. She brings all these influences together in a precise yet unfathomable iconography. The book Rainbow Woman shows mainly recent work, but also revisits a number of older works which Otten has regularly placed in a new context throughout her artistic practice and which have now also been given a new shape in the context of the exhibition in the Warande, Turnhout (01.08-07.11.2021). Rainbow Woman shows Otten as a versatile painter, sculptor, draughtsman and performer. In 'Donna Universale', the art historian Leen Huet places Otten in a tradition of self-confident, female artists that Europe has known since the early Renaissance but who have only sporadically entered the history books as artistically accomplished artists. The book has many points of contact with the exhibition Rainbow Woman but can also be seen as a sequel to the artist's book Slow Down Love (2016, nai).
Women of China. 1982. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 41 pages agrafées - revue en anglais - nombreuses photos en couleurs et en noir et blanc dans et hors texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Revue en anglais - Sommaire : Cralde of chinese dancers - all woman crew on a cabin cruiser - my husband and i - a village homecoming in the nandoujong brigade - retired CDL women keep active - work makes me happy - du Yunyun is the legal heir - china children's fund - korean minority holds sports meet - sidelights on a woman minister at the Gezhou Dam - all for love - the turnip that came back - woman leader who worked for national unity - clay figurines of the tang dynasty - shadow play - the four sisters in law etc. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Academician Veselovsky A. Woman and the Old Theory of Love. (Woman and the Old Love Story) In Russian (ask us if in doubt)/Akademik Veselovskiy A. Zhenshchina i starinnaya teoriya lyubvi. (Zhenshchina i starinnyya istoriya lyubvi). From the history of personal development. St. Petersburg. Typographer A.S. Suvorin 1912. 272. The last page is numbered with the inverted number 96-69 (typographical error) We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb668021dd9bca7762