Paris, Fondation Cartier pour l'art contemporain, 2015, 21,5 x 29, 134 pages cousues sous chemise cartonnée illustrée et protection plastique. Iconographie en noir & blanc et en couleurs. Catalogue publié à l'occasion de l'exposition du 14 mars au 21 juin 2015.
Reference : ARTTT84840615
Le Plaisir du Texte
M. Fabrice Sivignon
1 rue Violi
69001 Lyon
France
04 78 58 44 04
Règlement par chèque, mandat, virement bancaire ou Paypal. Prix en euros, auxquels il convient d'ajouter le coût du port. Les livres voyagent aux frais et risques de l'acheteur. Expédition dès réception du règlement.
Paris Centre Georges Pompidou 1997 1 vol. broché in-4, broché, couv. illustrée, 172 pp., nombreuses reproductions en noir et en couleurs, bibliographie. Catalogue de l'exposition du Centre Pompidou, décembre 1997 - mars 1998. Très bon état.
NAUMAN (Bruce)]. KETNER II (Joseph D.).
Reference : 105813
(2006)
ISBN : 9780944110836
Milwaukee & Cambridge Milwaukee Art Museum, The MIT Press 2006 1 vol. broché in-4, broché, couv. illustrée, 95 pp., nombreuses reproductions en couleurs. Textes en anglais de Joseph D. Ketner II, Janet Kraynak et Gregory Volk. Très bon état.
, Hannibal Books, 2017 Gebonden, Hardcover , 79 PAGES, ENG. edition. ISBN 9789492677006.
This publication combines the works of Belgian artist Philippe Vandenberg (1952-2009) and American artist Bruce Nauman (b. 1941). At first, it may seem startling to see Nauman's small but dense selection of works alongside those by Vandenberg. The artists never met one another and they could not be more different in their choice of artistic media. And yet there's something that links the oeuvre of these apparently divergent artists. This publication examines that extraordinary link. The art of both Vandenberg and Nauman is direct, uncompromising and distressing. They share a common attitude towards their artistic practices. Their works are raw and uncouth, finished just to the point where they enter the onlooker's conscience as a kind of prelude or genesis to something. The work of Vandenberg and Nauman originates form the same source: frustration. They cry out in despair at the dark side of humanity, mourning our propensity for hatred and violence, coldness and vilification. They explore the impossibility of genuine, uncompromised communication between individual people. Both artists succeed in creating images that capture the abyss within ourselves, our failings and our cruelty. Lust and pain, violence and horror are all too close to each other. It is said that art is about life and death. That may be melodramatic, but it's also true, Nauman said. LIVE OR DIE! Nothing more, nothing less. The book is edited by Wouter Davidts, with texts by Dr. Brigitte Kolle (Head of Contemporary Art, Hamburger Kunsthalle), John C. Welchman (Professor of Art History, University of California, San Diego) and Anna Dezeuze (Lecturer in Art History, Ecole Superieure d Art et de Design Marseille Mediterranee). It accompanies an exhibition at Gallery Sofie Van de Velde in Antwerp: 30.03.2017 - 21.05.2017.
Hatje Cantz 2005 Jaquette passée et avec un léger manque en tête de première de couverture.
Bon état d’occasion
MIT Press. 1998. In-8. Broché. Bon état, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 130 pages. Nombreuses photos monochromes dans et hors texte. Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Sommaire : Gnosis and iconoclasm (Annette Michelson) / Homeboy Cosmopolitan (Manthia Diawara) / Bruce Nauman and the Object of Anxiety (Parveen Adams) / Mechanical Bodies, Ever More Heavenly (Jean-Louis Comolli) /... Classification Dewey : 420-Langue anglaise. Anglo-saxon