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"Charles Bukowski"
Women
"1982. Paris Éditions Grasset 1982. Broché 14 cm x 22 5 cm 323 pages. Texte de Charles Bukowski traduction de Brice Matthieusent. Bon état"
Reference : 20120
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M. Didier Sedon
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5 book(s) with the same title
Women's Work in Rural China: Change and Continuity in an Era of Reform (Cambridge Modern China Series)
Cambridge University Press 2008 276 pages 15 2x2 2x22 6cm. 2008. Broché. 276 pages.
bon état de conservation intérieur propre notes au crayon à papier sur le premier tiers du livre
Women of the Past, Issues for the Present
, Brepols, 2024 Paperback, 242 pages, Size:216 x 280 mm, Illustrations:22 b/w, 10 col., 13 tables b/w., Language: English. ISBN 9782503609478.
Summary The roles played by women in history, and even the very idea of what it is to be female, have always been in flux, changing over centuries, between cultures, and in response to diverse social and economic parameters. Even today, women's roles and women's rights continue to face changes and pressures. In establishing the series Women of the Past: Testimonies from Archaeology and History, the ambition is to build on the profound theoretical and empirical developments that have taken place over the last fifty years of gender-focused research and to explore them in a contemporary context. The aim of this series is to shed light on not just the outstanding and extraordinary women who were trendsetters of their time, but also the not quite so outstanding women, often overshadowed by outstanding men, and the ordinary women, those who simply went about their everyday life and kept their world turning in their own quiet way. This edited volume, Women of the Past, Issues for the Present, is the inaugural volume of the series and shows the wide span of the series chronologically, geographically, and socially in terms of the research presented. From Roman slaves to Viking women, and from medieval wet-nurses to the nineteenth-century wives who supported their archaeologist husbands on excavation, this groundbreaking volume opens a new vista in our understanding of the past. TABLE OF CONTENTS List of Illustrations List of Abbreviations Nina Javette Koefoed and Rubina Raja Women of the Past, Issues for the Present Lien Foubert 1. Gendered Mobility in the Ancient Mediterranean Getting Rid of Faceless and Sexless Crowds Trine Arlund Hass and Sine Grove Saxkj r 2. Daughter of Caesar, Wife of Pompey The Role and Narratives of Julia Caesaris Nathanael Andrade 3. The Trafficking of the Enslaved Women and Children in the Legal Documents from the Roman Empire Alexandra Sanmark 4. An Examination of the Concepts of Sex and Gender and their Application to Viking-Age and Old Norse Society Jonas Lindstr m and Karin Hassan Jansson 5. Wet-Nurses and Verbs Methodological Experiences of Studying Gender and Work in Early Modern Europe Anne Montenach 6. Women in Trade: Female Advertisers in Eighteenth-Century French Provincial Towns Deborah Simonton 7. Working Girls: Girlhood, Mobility, and Gender in Eighteenth-Century Europe Kristine Dyrmann 8. Elite Women's Spaces and Practices of Letter-Writing in Late Eighteenth-Century Denmark Birgitte Possing 9. Will, Wisdom, Values, Life's Works, and Networks Karen Gram-Skjoldager 10. Gabriele Rohde and the Transformation of Mid-Twentieth-Century Diplomacy Rubina Raja 11. 'This Is a Man's World' Women Working in Jerash in the Early Twentieth Century and Some Notes on the Societal Contextualization of Research Interest Development Index
Women in Educational Policy-making. A Qualitative and Quantitative Analysis of the Situation in the E.U.
Leuven, Universitaire Pers, 1999 Paperback, English, original editor's jacket, 16x24 cm., 148 pp. ISBN 9789061869528.
Studia Paedagogica : 24. Enhancing the participation of women in high-level decision-making in several sectors of society has been on the agenda of national and international institutions for several years. These endeavours, however, are not always equally successful. In this book, the authors evaluate the participation of women in the field of educational policy-making in western Europe, both from a quantitative and a qualitative perspective. Over the last decennia, many countries have taken legal steps in order to eliminate structural obstacles to women's access to high level positions; nevertheless, women still take up only a small minority of these functions, which suggests that cultural factors are obstructing women's empowerment as much as juridical factors. Increasing the numbers of women as a purely quantitative approach to the problem is inadequate, because it leaves these cultural elements unchallenged. Therefore, in the first, theoretical part of this book, the authors address the question of the relationship between women's participation in politics and the question of social emancipation. Through a deconstruction of the different arguments for increasing women's participation in policy-making, the authors try to indicate in what sense or under what conditions women's participation in politics can address not only the problem of women's equal rights, but also that of engendering a less discriminative, more democratic and emancipatory politics. In the second part, they analyse on an empirical level the participation of women in educational policy-making in the member countries of the E.U. The aim thereby is to explore some general tendencies and to formulate hypotheses concerning interrelationships between some of the data. This part gives rise to a number of interesting questions for further research.
Women Artists in Early Modern Italy Careers, Fame, and Collectors
, Brepols - Harvey Miller 2016, 2016 Hardcover, . iv + 181 pages., 22 b/w ills, 51 col. ills, 220 x 280 mm, English, FINE ISBN 9781909400351.
Enhancing our understanding of early Italian female painters including Sofonisba Anguissola and introducing new ones such as Costanza Francini and Lucrezia Quistelli, this volume studies women artists, their patrons, and their collectors, in order to trace the rise of the social phenomenon of the woman artist. In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary evidence about the diverse strategies that women utilized in order to carry out artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Philip II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes ? so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to moral scrutiny, with consequences for their patronage opportunities. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting women?s self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, even though they largely ignored the contemporary women artists in their midst. Sheila Barker (Ph.D., Columbia University, 2002), directs the Jane Fortune Research Program on Women Artists at the Medici Archive Project, the first archival program of its kind. Her publications of documentation on women artists have shed light on Lucrezia Quistelli, Artemisia Gentileschi, Irene Parenti Duclos, and the phenomenon of female copyists.
Lieke van Deinsen, Bert Schepers, Marjan Sterckx, Hans Vlieghe, Bert Watteeuw (eds)
Reference : 65276
Campaspe Talks Back. Women Who Made a Difference in Early Modern Art
, Brepols, 2024 Hardback, 436 pages, Size:230 x 280 mm, Illustrations:10 b/w, 196 col., 2 tables b/w., Language: English. ISBN 9782503613055.
Summary With forty-three contributions this book pays homage to Katlijne Van der Stighelen, who has shown exceptional range in her own contributions to the history of art in the Southern Netherlands and beyond. With monographs on Peter Paul Rubens and Anthony van Dyck, she has considerably expanded scholarship on canonical artists. Yet early on, a catalogue raisonn of the portraits of the lesser-known Cornelis de Vos revealed that Van der Stighelen was not one to preserve the status quo but to challenge it. Mindful of protagonists and their historiographical pull, she has consistently rehabilitated artists relegated to the background, in some cases by single-handedly saving them from total oblivion and - remarkable feat - having them added to the canon. Portraiture, supposedly a sijd-wegh der consten, was paved into a central avenue of inquiry in Van der Stighelen's work. Her approach to the genre made it into a pathway for the introduction of women artists. What was a sijd-wegh became a zij-weg. From seminal publications on Anna-Maria van Schurman to revelatory exhibitions on Michaelina Wautier, Van der Stighelen's particular brand of feminism has impacted scholarship as deeply as it has touched the museum-going public. Women and portraiture are the core themes of the essays assembled in this book. The resulting group portrait is crowded and rambunctious and reflects the varied subject matter that has attracted Van der Stighelen's professional attention. It also paints a partial portrait of the community of scholars that she has so generously fostered. In trying to summarize the motivations of authors to contribute to this volume or the gratitude of generations of art historians trained by her, it is best to quote the title of the first exhibition on women artists in Belgium and The Netherlands, which Van der Stighelen curated in 1999: Elck zijn waerom. TABLE OF CONTENTS Introduction Campaspe, Apelles, and Alexander the Great Hans Vlieghe, Katlijne: Portrait of an Art Historian I: Sitters & Subjects Barbara Baert, Cutting the Gaze: Salome in Andrea Solario's Oeuvre (c. 1465-1524) Nils B ttner, Rubens, the Capaio Ladies, and Their Niece Hans Cools, Why Margaret of Parma Should Make It to the Next Version of the Flemish Canon Liesbeth De Belie, Concerning Orbs and the Value of a Destroyed Portrait Guy Delmarcel, The Virtuous Women of the Bible: A Series of Baroque Tapestries from Bruges and Their Mysteries Gerlinde Gruber, Brave (if Brazen) Women: Spartans, not Amazons, by Otto van Veen (1556-1629) Karen Hearn, Portrait of a Poisoner? An Early Seventeenth-Century British Female Portrait Reconsidered Fiona Healy, Sacred History Imitating Real Life: How a Curious Portrayal of the Birth of the Virgin Reflects Childbirth Practices in the Early Modern Period Koenraad Jonckheere, Rubens's Verwe: Head Studies and Complexion Elizabeth McGrath, The Girls in Rubens's Allegory of Peace Hubert Meeus, Judith's Maid Bert Schepers, Lifting the Veil on Justus van Egmont (1602-1674): On Cleopatra Approaching Alexandria and Some Other Newly Identified Designs for Tapestries Lieke van Deinsen, The Voiceless Virgin and the Speaking Likeness: Anna Maria van Schurman's Portrait as a Labadist Hans Vlieghe, Portrait of a Young Woman in Triplicate: On a 'Rubensian' Head Study II: Artists & Artisans Rudy Jos Beerens, Unravelling the Story of Jannetje Laurensd. Wouters (c. 1640-1722), Tapitsierster Ralph Dekoninck, Pausias and Glycera by Rubens and Beert: Amorous Emulation and/or Mimetic Rivalry Kirsten Derks, Leaving Her Mark: Michaelina Wautier's Signing Practice Inez De Prekel, Female Artists and Artisans in the Antwerp Guild of St Luke, 1629-1719 Ad Leerintveld, Constantijn Huygens and Louise Hollandine, Princess of the Palatinate, or How High a Highness Could Rise in the Arts Fred G. Meijer, All in the Family: A Previously Unrecorded Landscape Painter: Catrina Tieling, 1670-? Judith Noorman, 'Elck heeft sijn eijgen pop': Dollmaker Drawings by Leonart Bramer and Dolls as Indicators of Class and Identity Anna Orlando, Sofonisba and van Dyck: A Matter of Style Marjan Sterckx, Talent and Sentiment: A Portrait of the Artist Marie-Anne Collot (1748-1821) as a Young Woman Jan Van der Stock, Women Who Stood Their Ground in the Guild of St Luke at the Beginning of Antwerp's 'Golden Age', 1453-1552 Francisca van Vloten, From 'Russian Rembrandt' to 'Baronin' and 'Nonna': Marianne von Werefkin (1860-1938), Evolution and Appreciation Wendy Wiertz, Craft, Gender, and Humanitarian Aid: The Representation of Belgian Lacemakers in the Era of World War I Beatrijs Wolters van der Wey, Catharina Pepyn, Rising Star III: Partners & Patrons Rudi Ekkart and Claire van den Donk, In the Lead: Another Look at the Role of Women in Seventeenth-Century Family Portraits Valerie Herremans, Arte et Marte: Countess Maria-Anna Mulert-van den Tympel and Ian-Christiaen Hansche's Pioneering Stucco Ceilings in Horst Castle (1655) Corina Kleinert, Hidden in the Footnotes: The Collection of Anna-Isabella van den Berghe, 1677-1754 Hannelore Magnus, 'Periculum in Mora': Frans Langhemans the Younger (1661-c.1720) and the Scandalous Elopement of Maria Cecilia de Wille Volker Manuth and Marieke de Winkel, The Marital Misfortunes and Messy Divorce of a Mennonite Woman: Catharina Hoogsaet Sarah Joan Moran, Court Beguinage Mistresses as Art Curators Erik Muls, Isabella and Catharina Ondermarck: Spiritual Daughters on a Mission Eric Jan Sluijter, Rembrandt's Saskia Laughing (1633): The Affect and Effect of Reciprocal Love Bert Timmermans, Art Patronage in an Unequal Playing Field: Women's Convents during the Building Boom of the Antwerp 'Invasion Conventuelle' Ben van Beneden, A Flemish Shepherd for Amalia? Some Thoughts on a Newly Discovered Painting by Thomas Willeboirts Bosschaert Carla van de Puttelaar, Marriage in Painting: Painterly Collaborations between Juriaan Pool and Rachel Ruysch and a Newly Discovered Portrait of a Girl Martine van Elk, 'The Name Gives Lustre': Anna Maria van Schurman's Glass Engravings Bert Watteeuw and Klara Alen, Dealing with Helena Jeremy Wood, In the Shadow of the 'Proud Duke'? Elizabeth Percy, Duchess of Somerset (1667-1722), as Patron Lara Yeager-Crasselt, Painting Margherita: Louis Cousin and Flemish Portraiture in Seventeenth-Century Italy Leen Huet, Epilogue: Reading between the Lines, Reading between the Brushstrokes - Two letters Bibliography of Katlijne Van der Stighelen, Compiled by Lies De Strooper and Koen Brosens
