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[HISTOIRE] - DECAUX (Alain) -
La castiglione.
Paris, Librairie Academique perrin, 1967; in-8, 405 pp., cartonnage de l'éditeur.
Reference : 201504301
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Bookseller's contact details
Librairie Lire et Chiner
Mme Laetitia Gorska
36 rue Marchands
68000 Colmar
France
03 89 24 16 78
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commande par internet, retrait possible au magasin. Les colis sont expédiés dès réception du règlement après entente concernant les frais de port, envoi vers la France mais aussi vers l'étranger nous contacter pour le calcul des frais d'envoi
5 book(s) with the same title
Palais, Pavillons et Jardins construits par Giuseppe Castiglione dans le domaine impérial de Yuan Ming Yuan au Palais d'été de Pékin 1783-1786.
Paris, Jardin de Flore, 1977. 4 prints, each ornately depicting Western-style palaces from within the Yuanmingyuan, inscribed with the name of the palace and location and the numerical sequence, 87.8cm x 50cm (34,5 inc. x 19 inc.).87.8cm x 50cm (34œin x 19Ÿin) (20). Price is for one print only. 4 prints will cost 1440 euros. Each print is sold separately. Please inquire before ordering.
Nouvelle édition de 4 planches gravées en taille douce, de 1783 à 1786, par des artistes chinois et représentant les palais, pavillons, jardins et pièces d'eau édifiés pour l'empereur K'ien-Long, par les jésuites de la Cour de Chine, sous la direction de Giuseppe Castiglione, de 1737 à 1766. La composition du titre et du texte a été exécutée entièrement à la main par le maître imprimeur Dominique Viglino, à Bourg-la-Reine. Le papier utilisé est un vélin à la forme, en pur chiffon, spécialement fabriqué par le Moulin du Gué.Tirage : 250 exemplaires numérotés.The present set of prints was reproduced in 1977 as a limited edition of 250 copies from the original 1786 edition of copper-plate engravings, commissioned by the Qianlong Emperor.The Qianlong Emperor realised his vision of a new European-style palace with the construction of the Yuanmingyuan (Garden of Perfect Brightness), designed by the Jesuits Giuseppe Castiglione and Michel Benoist. During the height of the Emperor's reign (1736-1795), the Yuanmingyuan was part of an architectural complex which boasted a sheer grandeur of over 320 hectares of land, more than ten times larger than the entire precinct of the Forbidden City. These grounds were known as the 'three hills and five gardens' because they comprised the Yuanmingyuan, Changchunyuan and Qingyiyuan on Longevity Hill; the Jingmingyuan on Jade Fountain Hill; and the Jiyuyuan on the Fragrant Hills.The Qianlong Emperor so adored the Yuanmingyuan that from his reign onwards, the Imperial Court moved to the Yuanmingyuan every year after the Spring Festival (Lunar New Year) and resided there until the sixth month when the heat set in.These key locations and architectural marvels are depicted in the present 20 engravings.
Palais, Pavillons et Jardins construits par Giuseppe Castiglione dans le domaine impérial de Yuan Ming Yuan au Palais d'été de Pékin 1783-1786.
Paris, Jardin de Flore, 1977. 4 prints, each ornately depicting Western-style palaces from within the Yuanmingyuan, inscribed with the name of the palace and location and the numerical sequence, 87.8cm x 50cm (34,5 inc. x 19 inc.).87.8cm x 50cm (34œin x 19Ÿin) (20).
Nouvelle édition de 4 planches gravées en taille douce, de 1783 à 1786, par des artistes chinois et représentant les palais, pavillons, jardins et pièces d'eau édifiés pour l'empereur K'ien-Long, par les jésuites de la Cour de Chine, sous la direction de Giuseppe Castiglione, de 1737 à 1766. La composition du titre et du texte a été exécutée entièrement à la main par le maître imprimeur Dominique Viglino, à Bourg-la-Reine. Le papier utilisé est un vélin à la forme, en pur chiffon, spécialement fabriqué par le Moulin du Gué.Tirage : 250 exemplaires numérotés.The present set of prints was reproduced in 1977 as a limited edition of 250 copies from the original 1786 edition of copper-plate engravings, commissioned by the Qianlong Emperor.The Qianlong Emperor realised his vision of a new European-style palace with the construction of the Yuanmingyuan (Garden of Perfect Brightness), designed by the Jesuits Giuseppe Castiglione and Michel Benoist. During the height of the Emperor's reign (1736-1795), the Yuanmingyuan was part of an architectural complex which boasted a sheer grandeur of over 320 hectares of land, more than ten times larger than the entire precinct of the Forbidden City. These grounds were known as the 'three hills and five gardens' because they comprised the Yuanmingyuan, Changchunyuan and Qingyiyuan on Longevity Hill; the Jingmingyuan on Jade Fountain Hill; and the Jiyuyuan on the Fragrant Hills.The Qianlong Emperor so adored the Yuanmingyuan that from his reign onwards, the Imperial Court moved to the Yuanmingyuan every year after the Spring Festival (Lunar New Year) and resided there until the sixth month when the heat set in.These key locations and architectural marvels are depicted in the present 20 engravings.
[Giovanni Benedetto Castiglione called il Grechetto] - Orlando, Anna, and Francesco Rotatori
Reference : 123020
(2023)
ISBN : 9788863739626
Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
Orlando, Anna, and Francesco Rotatori: Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere. Genoa: 2023. 304 pages, fully illustrated in colour. Hardback. 29 x 23cms. Overview of the life and work of Grechetto, with an introduction in English. 30 autograph works from Grechetto's two Roman periods (1632-1637 and 1647-1651) are presented in detail and prefaced by ten essays, including an account of his stay in Rome, a discussion of studies from the Carracci drawings album in Francsco Angeloni's collection and a survey of his landscape paintings. A catalogue of over 60 works by his brother, Salvatore Castiglione (1620 - 1677) is also provided, together with a chapter on Gio. Francesco Castilgione (1641-1710), Grechetto's son. Text in Italian.
Overview of the life and work of Grechetto, with an introduction in English. 30 autograph works from Grechetto's two Roman periods (1632-1637 and 1647-1651) are presented in detail and prefaced by ten essays, including an account of his stay in Rome, a discussion of studies from the Carracci drawings album in Francsco Angeloni's collection and a survey of his landscape paintings. A catalogue of over 60 works by his brother, Salvatore Castiglione (1620 - 1677) is also provided, together with a chapter on Gio. Francesco Castilgione (1641-1710), Grechetto's son. Text in Italian
[Giovanni Benedetto Castiglione called il Grechetto] - Clayton, Martin and Standring, Timothy
Reference : 097140
(2013)
ISBN : 9781905686773
Castiglione: Lost Genius
Clayton, Martin and Standring, Timothy: Castiglione: Lost Genius. The Royal Collection, 2013. 192 pages with 100 colour illustrations. Hardback. 25 x 23cms. A re-assessment of the work of Giovanni Benedetto Castiglione (1604-1664), aiming to restore the reputation of this innovative Italian painter and draftsman as a great Baroque artist, and inventor of the monotype.
A re-assessment of the work of Giovanni Benedetto Castiglione (1604-1664), aiming to restore the reputation of this innovative Italian painter and draftsman as a great Baroque artist, and inventor of the monotype
Madame la Comtesse de Castiglione et Napoléon III ou Le bal aux Tuileries le mardi 29 janvier 1856
Paris 1856, 30x24cm, une feuille sous marie-louise.
Encre originale signée et datée de Charles Robert, intitulée "Madame la Comtesse de Castiglione et Napoléon III ou Le bal aux Tuileries le mardi 29 janvier 1856". Cette encre immortalise la rencontre historique de la Comtesse de Castiglione, alors âgée de 19 ans, et l'empereur Napoléon III au cours d'un bal donné par la princesse Mathilde. Investie par Cavour d'une mission diplomatique délicate, la jeune comtesse était arrivée à Paris dans le but deséduire l'Empereur des Français afin de le rendre sympathique à la cause piémontaise, et ainsi le convertir à l'idée d'une Italie unifiée. Elle entretiendra une célèbre liaison avec l'Empereur qui aura pour conséquence le raffermissement des liens entre la France l'Italie qui prendra fin après l'attentat contre Napoléon III perpétré par des carbonari italiens dans la nuit du 5 au 6 avril 1857. Esthétique représentation des débuts de cette Mata Hari italienne, ambassadrice et espionne au sein de la cour impériale. - Photos sur www.Edition-originale.com -
