Paris, Centurion - le chene de Mambré, 1992; in-8, 167 pp., br. Broché bon état.
Reference : 201411564
Broché bon état.
Librairie Lire et Chiner
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, Brepols, 2022 Paperback, 291 pages, Size:216 x 280 mm, Illustrations:115 b/w, 25 col., Language: English. ISBN 9782503598017.
Summary The essays collected in this volume are devoted to the Utrecht painter Abraham Bloemaert. The artist has received considerable scholarly attention following the publication of the catalogue raisonn of his paintings and, more recently, of his drawings, particularly in connection with the major exhibition The Bloemaert Effect (2012, Utrecht & Schwerin). This publication examines Abraham Bloemaert as a universal artist while it also aims to better understand his contribution towards the development of new iconographic themes. The choice and execution of specific subjects are considered in light of the local religious context, among others. In order to offer new perspectives and stimulate further research, the volume carefully examines the role of his workshop and the various artistic practices - painting, engraving, and drawing - in which its members engaged under Bloemaert's supervision. A key question ties together the multifaceted approaches presented here: should Bloemaert be considered as the 'father of the Utrecht school' and the founder of a dynasty of artists? TABLE OF CONTENTS Preface ? L onie Marquaille Abraham Bloemaert as a Universal Painter Between Fable and Nature: Abraham Bloemaert in Dutch Seventeenth-Century Art Theory ? Jan Blanc The Tree and the Farmhouse: Bloemaert, Van Mander and the Birth of Dutch Landscape Painting ? Boudewijn Bakker Candlelight, Devotional Meditation, and Artistic Process in Abraham Bloemaert's Supper at Emmaus ? Natasha Seaman 'Niet te verladen': The Manner and Meaning of Abraham Bloemaert and Bo tius Bolswert's Sylva anachoretica of 1619 ? Walter S. Melion Abraham Bloemaert's Workshop and Legacy Abraham Bloemaert: Artistic Strategy and Workshop Production ? Gero Seelig Printmaking in Bloemaert's Workshop in Utrecht. Reconsidering Abraham's Collaboration with his Sons: Cornelis II and Frederick ? L onie Marquaille Cornelis Bloemaert II: Rethinking his Role as Reproductive Engraver ? Erin Downey Late Bloomers: Nicolaes Kn pfer, Jan Baptist Weenix, Jan Both and the Utrecht Workshop of Abraham Bloemaert ? Elizabeth Nogrady 'Son go t de dessein tenoit toujours du pays': Abraham Bloemaert's Graphic Legacy in Eighteenth-Century France ? J. Cabelle Ahn On Attribution Attributing the Adoration of the Shepherds in Antibes Cathedral. A Painting by Abraham Bloemaert's Workshop or his Son Hendrick? ? Olivier Zeder Bibliography Index of Names
France-Empire.1992.In-8,couv.souple illustrée d'un portrait en couleurs.439 p.Dédicace de l'Auteur.TBE.
Gallimard, NRF. Bibliothèque de la Pléiade. 1964. In-12. Reliure de l'éditeur sous rhodoïde. 1606 p. Bon état malgré un rhodoïde déchiré au dos.
Turnhout, Brepols, 1998 Hardback, 208 pages ., 23 x 28 mm. Illustr , Neuf / bon etat Languages : French. ISBN 9782503508115.
R.W. Karrow Jr., 'Abraham Ortelius, une introduction'; Prof. Dr. H. Elkhadem, 'La naissance d'un concept: Le Theatrum Orbis Terrarum d'Ortelius'; P.H. Meurer, 'Abraham Ortelius comme cartographe'; L. Danckaert, 'Coup d'oeuil sur les cartes d'atlas d'Ortelius'; Dr. A. Meskens, 'Le monde sur une surface plane : cartographe mathematique a l'epoque d'Abraham Ortelius'; L. Wellens-De Donder, 'Un atlas historique : le Parergon d'Ortelius'; Dr. G. Mangani, 'La signification providentielle du Theatrum orbis terrarum'; Prof. Dr. J. Romm, 'Mythe, cartes et histoire : l'utilisation par Ortelius de l'Atlantide dans le developpement de la theorie de la derive des continents' ; Drs. J. Depuydt, 'Le cercle d'amis et de correspondants autour d'Abraham Ortelius'; Prof. Dr. H. Meeus, 'Abraham Ortelius et Peeter Heyns'; Prof. Dr. G. Tournoy, 'Abraham Ortelius et la poesie politique de Jacques van Baerle'; N. Buttner, 'Abraham Ortelius comme collectionneur'; C.E. Dekesel, 'Abraham Ortelius : numismate'; D. Imhof, 'Abraham Ortelius et Jean I Moretus : la production et la vente des oeuvres d'Ortelius par l'Officine Plantinienne de 1589 a 1610'; Bibliographie.