, vers 1900; in-12, 8, pp., broché, couverture illustr.
Reference : 200918406
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Librairie Lire et Chiner
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commande par internet, retrait possible au magasin. Les colis sont expédiés dès réception du règlement après entente concernant les frais de port, envoi vers la France mais aussi vers l'étranger nous contacter pour le calcul des frais d'envoi
Turnhout, Brepols, 2005 Hardback, XIV+354 p., 4 b/w ill., 160 x 240 mm. ISBN 9782503515168.
This book examines the social and cultural conditions that governed performance art in the German Middle Ages from 1170 to 1400. Poet-performers are central to understanding both literature and performance art because these entertainers, more than any other group, influenced the creation, dissemination, and interpretation of the medieval poetic oeuvre. Performance theory is used as a framework throughout. Since no social history of poet-performers exists in English, part I presents a social history that re-examines what is known about social status, cultural image and employment. Part II investigates the affective nature of performance and focuses on poet-composer-performers. This study argues that the techniques and principles of performance (body movement, gesture, voice modulation, instrumentation) and the goals of creating a memorable, even electrifying experience for audiences determine the performer's lifestyle and also the thematic and rhetorical strategies of their compositions. The itinerant poet-performer presented himself as a moral judge and critic of epoch-making political events. His performances transform time, place and people and thus become a socializing process that can change people's attitudes. Poet-minstrels were capable of re-membering the listeners' memories of the past during the intense present of the performance. Readings of several texts are offered, including romances, the political songs of well-known poet-performers (i.e. Walther von der Vogelweide) and the gnomic poets (Spruchdichter) whose songs have been neglected until now. The songs are quite intricate and multivalent as they masterfully display an aesthetic totally integrated with their performative context. Languages : English.
Reference : alb16c31133de3105bb
E. Yevtushenko is more a poet in Russia than a poet. Ten Centuries of Russian Poetry. In 5 Volumes In Russian (ask us if in doubt)/Evtushenko E. Poet v Rossii bol'she chem poet. Desyat' vekov russkoy poezii. V 5 tomakh The Russian World 2013 2017. Illustration. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb16c31133de3105bb
Short description: In Russian. Morochnik, Samuil Borisovich. Omar Khayam - poet, thinker, scientist. Stalinabad: Tajikgosizdat, 1957. Omar Khayyam - poet, myslitel', uchenyy. In Russian /Omar Khayam - poet, thinker, scientist . The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU6407544
Short description: In Russian. Nikolsky, Boris Vladimirovich. Poet and reader in Pushkin's lyrics. type. A.S. Suvorina. Poet i chitatel' v lirike Pushkina. In Russian /Poet and Reader in Pushkin's Lyrics. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU5245912
Short description: In Russian. Golubev, Viktorin Vasilievich. The poet of the child's soul - A.PChekhov. Poet detskoy dushi - A.PChekhov. In Russian /The poet of the child's soul - A.PChekhov. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU3789685