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[PARIS PERDU 2] - VARNAUTS, RAIVES -
Paul.
Louvain-la-neuve, Miroir, 1986 ; in-4, 48 pp., cartonnage de l'éditeur. Tome 2.
Reference : 200805900
Tome 2.
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5 book(s) with the same title
Homiliary of Paul the Deacon. Religious and Cultural Reform in Carolingian Europe
, Brepols, 2021 Hardback, 339 pages, Size:156 x 234 mm, Illustrations:1 b/w, 3 col., 13 tables b/w., 1 maps b/w, Language(s):English, Latin. ISBN 9782503577913.
Summary As one of the most widely used products of Charlemagne's religious and cultural reforms, the homiliary of Paul the Deacon is a unique monument in the history of Western Europe. Completed around AD 797, this collection of patristic homilies and sermons shaped the religious faith and liturgical practices of the churches in Carolingian Europe and those of countless other churches over the course of a millennium of use. Until now, scholarly study of the homiliary has rested on seven partial witnesses to the collection. This study, however, draws on over 80 newly identified witnesses from the Carolingian period, while providing a brief guide and handlist to hundreds of later manuscripts. It replaces the current scholarly reconstruction of the homiliary, discusses the significance of the collection's liturgical structure and provisions, and considers the composition of the homiliary in the context of Charlemagne's reforms and Paul's patron-client relationships. The study also brings together evidence for the production and use of this text in thirty-three Carolingian monasteries, cathedrals, and churches. The book then addresses the homiliary's theological character: the contents of the homiliary reflected a concern for expressing and defending orthodox doctrine at Charlemagne's court against Trinitarian and Christological heresies, as well as an urgent attention to moral reform in the light of a belief in the imminence of divine judgement. Finally, the study demonstrates the varied uses of Paul's collection and its historical legacy. TABLE OF CONTENTS Introduction 0.1: The homiliary in scholarship: editions and reconstructions 0.2: The homiliary in scholarship: The nature of the Epistola Generalis 0.3: The homiliary in scholarship: The history of preaching 0.4: The homiliary in scholarship: Anglo-Saxon England 0.6: Manuscript identifications and the advent of digital research 0.7: The Carolingian witnesses to Paul's homiliary 0.8: Outline of the Book's Argument Chapter 1: Curae Nobis Est: The manuscript witnesses and Paul's text 1.1: The manuscript base 1.2: General features of the extant manuscripts 1.3: The witnesses transmitting the prefatory material and Carolingian witnesses 1.4: The original structure of PD: the winter volume 1.5: The winter volume: contested entries 1.6: The original structure of PD: the summer volume 1.7: Conclusion Chapter 2: Per totius anni circulum: Paul's liturgical year 2.1: 'Individual Sundays and the rest of the divine feasts' 2.2: The sanctoral cycle 2.3: The purpose of a limited sanctoral cycle 2.4: 'Diverse fasts' and other occasions 2.5: The greater and lesser litanies 2.6: In traditione symboli: Catechesis and creed in Lent 2.7: Anniversaries of death 2.8: The Sundays after Pentecost 2.9: Paul's work, the Christian year, and the influence of other liturgical books 2.10: A?specific liturgical year? (786-787 and 797-798) 2.11: Conclusion 2.12: Outline of the Winter?Volume: Advent to Holy Saturday 2.13: Outline of the Summer?Volume (A): Easter to Saint Matthew 2.14: Outline of the Summer?Volume (B): Commune sanctorum (The Common of Saints) Chapter 3: En iutus patris Benedicti: the composition of the homiliary 3.1: Paul's representation of his work in the preface 3:2: The dedicatory verse (Summo apici rerum) 3.3: The prefatory letter (Epistola Generalis) 3.4: The descriptive introduction (Incipiunt omeliae) 3.5: The homiliary's organisational features: Rubrics, readings, authors 3.6: The collection's contents: Homilies and sermons from surprising Fathers 3.7: The origins of Paul's texts: The state of Carolingian libraries 3.8: A?wandering monk? Paul on the road and in the scriptorium 3.9: Paul and patronage, earthly and heavenly 3.10: Dating Paul's collection: the late 790s Chapter 4: Per sacra domicilia Christi: the dissemination of the homiliary 4.1: The Epistola Generalis and dissemination 4.2: Capitulary legislation and the homiliary's dissemination 4.3: Manuscript production, the physical constraints on dissemination 4.4: Difficulties for 'mass production': The example of Tours, the setting of the court 4.5: Varied evidence for dissemination 4.6: Literary evidence 4.7: St?Wandrille and Benediktbeuern 4.8: St?Riquier 4.9: Lorsch 4.10: St?Gall 4.11: Reichenau 4.12: Bobbio 4.13: Passau 4.14: Monte Cassino 4.15: St?Calixtus 4.16: Fulda 4.17: Lyon 4.18: Weissenburg 4.19: Many inconclusive references, but 14 probable 4.20: Manuscript evidence (A): 22 clear palaeographical identifications, 12 unclear 4.21: Manuscript Evidence (B): Transmission of textual variants implies further copies 4.22: Textual variants in the summer volume 4.23: Textual variants in the winter volume 4.24: Paul's two volumes often circulated separately 4.25: Conclusion Chapter 5: Optima decerpens: the theology of Paul's selections 5.1: The emphases of the collection: Gospel exegesis, doctrinal sermons 5.2: The Bible in Paul's collection: texts and theory 5.3: The Admonitio Generalis and Carolingian theology 5.4: God the Trinity 5.5: Definitions of the Trinitarian relations 5.6: Christology and Chalcedon 5.7: Looser Christological formulations: Origen and 'Maximus?II' 5.8: Eschatology 5.9: Gregory the Great on the impending judgment 5.10: The resurrection of the dead: Flesh and hope 5.11: Eschatology in PD and the Admonitio Generalis 5.12: Ethics and imitation 5.13: Christian ethical practices: fasting, confession, almsgiving, care for the dead 5.14: Conclusion Chapter 6: Tradimus: The use of the homiliary 6.1: Crafting new collections 6.2: Amplified homiliaries (a): more of Paul's 'canon' of Fathers 6.3: Expanded homiliaries (b): more Augustine 6.4: Expanded homiliaries (c): new authors, new collections 6.5: Abbreviated homiliaries (a): one entry per occasion 6.6: Abbreviated homiliaries (b): special feast days only 6.7: Abbreviated homiliaries (c): Sundays only 6.8: Abbreviated homiliaries (d): saints only 6.9: Abbreviated homiliaries (e): sermons only 6.10: Extraction 6.11: Abbreviated readings 6.12: Decorated texts and the 'economy' of monasticism 6.13: Private study or meditation? 6.14: Dwellings and travel of intellectual elite in places PD was known 6.15: Study and annotation 6.16: Private study certain 6.17: Preaching and regulatory material (capitularies, councils, statutes, rules) 6.18: Preaching and the manuscript evidence 6.19: Liturgical reading 6.20: Liturgical reading and manuscript evidence 6.21: Other uses: storing prayers and community memory 6.22: Conclusion Conclusion Appendix 1: Paul's dedicatory verse, Summo apici rerum Appendix 2: Charlemagne's prefatory letter, the Epistola generalis Appendix 3: the descriptive introduction, incipiunt omeliae Appendix 4: Paul's laudatory verse, Utere felix Appendix 5: Critical edition of crucial rubrics PD Appendix 6: The manuscript witnesses of Paul the Deacon's homiliary Bibliography Index of Manuscripts General Index
Relire Paul-Albert F vrier. Actes du colloque, Aix-en-Provence, 7-9 avril 2022
, Brepols, 2024 Hardback, xii + 354 pages, Size:216 x 280 mm, Illustrations:29 b/w, 93 col., 7 tables b/w., 2 maps b/w, 20 maps color, Languages: French, Italian. ISBN 9782503611587.
Summary Par ses publications, Paul-Albert F vrier a t un auteur majeur de la seconde moiti du XXe si cle. Ses apports et ses questionnements ont provoqu des prises de conscience d cisives dans le domaine de l'arch ologie et de l'histoire des deux rives de la M diterran e, entre Sud de la France et Maghreb, la fin de l'Antiquit , sans compter le d tour italien et un int r t marqu pour le Patrimoine. Il a t l'origine d'un processus d'entra nement intellectuel dont il a fait b n ficier tudiants et coll gues. Trente ans apr s sa disparition pr matur e en 1991 l' ge de soixante ans, le besoin a t ressenti de faire le point sur les directions de recherche qu'il avait abord es et sur les diverses perspectives qu'il avait ouvertes. La personnalit de l'enseignant et du chercheur tait telle que la d marche scientifique tait ins parable du rayonnement humain. Le pr sent ouvrage a t con u comme un tat de la recherche en cho celui dans lequel, d s apr s sa mort, ont t rassembl s ses principaux articles (La M diterran e de Paul-Albert F vrier, 2 vol., CEFR 225). Les deux livres pourront tre ouverts en regard l'un de l'autre. TABLE OF CONTENTS Liste des illustrations Pr face Michel Fixot et V ronique Blanc-Bijon Relire Paul-Albert F vrier Sophie Bouffier Paul-Albert F vrier et Aix No l Coulet Premi re session Introduction la premi re session Jean Guyon Paul-Albert F vrier et la question de l'origine des catacombes (Cah. Arch. 1960). Une mise au point Vincenzo Fiocchi Nicola L' pigramme de Damase pour Pierre et Paul revisit e Jean-Louis Charlet Un'archeologia cristiana per domani ? Gisela Cantino Wataghin Autour des travaux de Paul-Albert F vrier sur l'Afrique romaine Fathi B jaoui Deuxi me session Introduction Caroline Michel d'Annoville La civitas Magalonensis : des textes au terrain et retour Claude Raynaud Du r gime de la cit aux castra du d but du Haut Moyen ge en Gaule m diterran enne (ve-viiie si cles). Encore un tat de la recherche et quelques perspectives Laurent Schneider Un nouveau chantier, les ch teaux et la cr ation d'un r seau castral dans un territoire (xe-xiie si cle). L' nigmatique castrum d'Archantiosc Daniel Mouton, Thierry P cout et Mariacristina Varano Troisi me session Paul-Albert F vrier - 30 ans d j ! Mounir Bouchenaki Paul-Albert F vrier et la naissance d'une arch ologie alg rienne Abderrahmane Khelifa Regard sur la coop ration franco-tunisienne dans le domaine du patrimoine Faouzi Mahfoudh Qu'est devenu l'Inventaire depuis Paul-Albert F vrier ? Marceline Brunet Trente ans de prise en compte du patrimoine arch ologique Marc Bouiron Quatri me session Introduction Vincenzo Fiocchi Nicola L'histoire urbaine en France 40 ans apr s la parution de l'Histoire de la France urbaine Xavier Lafon L' volution urbaine d'Aix-en-Provence des origines au Moyen ge dans le sillage de Paul-Albert F vrier. H ritage ou rendez-vous manqu ? Nuria Nin et Sandrine Claude Le d veloppement urbain en Provence revisit Marc Heijmans Compl ment au plan urbain de Fr jus (Ier si cle de n. . - fin du IIIe si cle) Michel Pasqualini Lux musiva : la mise en lumi re des mosa ques dans les textes pigraphiques versifi s. Variations autour d'un article de Paul-Albert F vrier Ga lle Herbert de la Portbarr -Viard Acta sanctorum Februarii. L'apport de Paul-Albert F vrier la compr hension des textes hagiographiques de l'Antiquit tardive et du Haut Moyen ge Pascal Boulhol De l'Afrique l'Euphrat sie, itin raires improbables d'exil s et de captifs africains au lendemain de la prise de Carthage par les Vandales en 439 Marc Griesheimer Cinqui me session Introduction Pierre Gros Le d cor sculpt entre Antiquit tardive et Haut Moyen ge en Provence Yumi Narasawa L'ancienne glise de Saint-Rapha l (Var), une suite int ressante d' glises Nathalie Molina, avec la collaboration de Paul Fran ois Arch ologie et histoire monumentale des si ges piscopaux de Provence, Antiquit tardive et Haut Moyen ge. Un bilan Yann Codou Arch ologie et histoire monumentale des si ges piscopaux de Provence l' poque de l'architecture romane. Un bilan Andreas Hartmann-Virnich Table-ronde Continuit entre les rives m diterran ennes, continuit entre les disciplines Qui construit et le dit ? . Paul-Albert F vrier au colloque de Rennes en 1983 Xavier Barral i Altet En souvenir de Paul-Albert A cha Ben Abed - Ben Khader Liste des auteurs
Man of Vision. Paul Coremans and the Preservation of Cultural Heritage
, Brepols Publishers, 2019 softcover, 377 pages ., 230 x 290 mm,_English. ISBN 9782930054346.
Proceedings of the International Symposium Paul Coremans Held in Brussels, 15-17 June 2015 In June 2015, the Royal Institute for Cultural Heritage (KIK-IRPA) organized an international symposium in honour of its founder and first director Paul Coremans (1908-1965). Exactly fifty years after his death, it was a unique opportunity to look back on his extraordinary career and the impact of his innovative ideas and vision on the conservation and restoration of works of art. His ground-breaking insights have been widely recognized in Belgium and all over the world. Paul Coremans? fields of interest were broad: the conservation of works of art in museums, preventive conservation and climate control, the protection of cultural heritage in times of war ? a highly topical issue -, as well as the status and role of the restorer, the importance of photographic documentation and scientific research, or the detection of art forgeries. Coremans? belief in the importance of an interdisciplinary approach to the study of works of art still inspires many art historians, conservator-restorers and scientists today. This book ? the Proceedings of the 2015 Brussels Symposium ? presents twenty original contributions that reveal Coremans? multi-faceted personality and action. It is the first monograph devoted to this visionary Belgian scientist and Monuments Man. Table of Contents Foreword Hilde De Clercq Director General a.i. of the Royal Institute for Cultural Heritage Introduction Marie-Christine Claes et Dominique Vanwijnsberghe Part 1 An Inspiring Scientist 1 Early Museum Laboratories and the Pursuit of Objectivity Geert Vanpaemel 2 Paul Coremans (1908-1965): A Pioneer Chemist in the Application of Scientific Techniques to the Visual Arts Hendrik Deelstra and Duncan Thorburn Burns 3 Vijftig jaar 14C-dateringen aan het Koninklijk Instituut voor het Kunstpatrimonium (KIK-IRPA) te Brussel Mark Van Strydonck 4 Paul Coremans et la restructuration du Laboratoire du Mus e du Louvre dans l?apr s-guerre Camille Bourdiel 5 The Royal Institute for Cultural Heritage: Design and Realisation of a Ground-Breaking Building Gertjan Madalijns Part 2 A Monuments Man 6 Paul Coremans, l?inventaire photographique du patrimoine artistique belge et ses relations avec l?occupant, 1940-1945 Christina Kott 7 Paul Coremans et ses actions en faveur de la sauvegarde des peintures murales Ilona Hans-Collas Part 3 Flanders in the Fifteenth Century 8 Construction of a Vision: Coremans? Approach to the Study of Flemish Primitives before the Restoration of the Adoration of the Mystic Lamb (The Ghent Altarpiece) H l ne Dubois and Dominique Deneffe 9 Le quotidien d?un id al : l?Agneau mystique, catalyseur de l?interdisciplinarit Marie-Christine Claes, H l ne Dubois et Jana Sanyova 10 Paul Coremans, Edgar Richardson and the 1960 Flemish Art Show: A Transatlantic Friendship Forged by a Transatlantic Exhibition Yao-Fen You Part 4 The Van Meegeren Affair 11 D.G. van Beuningen?s Crusade against Paul Coremans Arjan de Koomen 12 Expertise in the Van Meegeren Case: the Contributions by Coremans, Froentjes and De Wild Arie Wallert and Michel van de Laar 13 The Amsterdam X-Rays for Coremans and Van Schendel Rick F.E.D. Hartmann Part 5 Friendships 14 Paul Coremans and Sheldon and Caroline Keck: A Collegial Friendship that Influenced the Development of Conservation Education in North America Jean D. Portell 15 Arthur van Schendel: Friend and Companion in the World of Museums and Conservation Jan Piet Filedt Kok 16 Dear Paul | Cher Pan Paul Coremans et Erwin Panofsky : histoire d?une amiti Dominique Vanwijnsberghe Part 6 Global Activities 17 At ICCROM?s Cradle: Paul Coremans and the Beginning of the ?Rome Centre? Stefano De Caro 18 Paul Coremans, un expert de l?UNESCO au Br sil : aper u de sa contribution au d veloppement du patrimoine br silien Diogo de Souza Brito 19 Borobudur: the Alchemy of a World Heritage Site The Expert and the Student: Shared Views Nicole Gesch -Koning 20 Museum Policy Concerning the Conservation and Restoration of Artworks and the Rubens and Ensor Research Projects at the Royal Museum of Fine Arts Antwerp Karen Bonne, Elsje Janssen, Christine Van Mulders, Herwig Todts Part 7 Tributes to the ?Patron? 21 Un inoubliable meneur d?hommes Pierre Colman 22 La formation des restaurateurs Nicole Goetghebeur 23 Paul Coremans, Personal Memories Liliane Masschelein-Kleiner Bibliography Abbreviations Authors Index of Persons Photographic Credits Review "A Man of Vision: Paul Coremans and the Preservation of Cultural Heritage est un ouvrage indispensable l?histoire de la conservation-restauration ; richement illustr et document , il fournit un clairage sur une p riode charni re, en Belgique comme au niveau international. Bien au-del de l?approche biographique, il permet d?appr hender les connexions, les changes qui permettent aux disciplines de se d velopper, et au savoir de se construire." (Muriel Verbeeck-Boutin, CeROArt (Online), 11/2019, URL: http://journals.openedition.org/ceroart/6849)
prints of Paul Klee, sheets with facsimile printing forty lithographs and etchings by Paul Klee
Antwerp, MoMa, 2013 Bound Size: 32 x 24 cm. Size: brochure 32 pp. + 40 plates. in luxurious slipcase - case. Texts - in ENGLISH - are set from Elizabeth and New Caledonia. Numbered: 1-500. *** Brandnew in original box and still in cellophane. ISBN 9789491819001.
Paul Klee (1879-1940) was een uitzonderlijk schilder, tekenaar, graficus, leraar en theoreticus die een beslissende invloed heeft gehad op de ontwikkeling van de kunst in de vorige eeuw. Vooral in zijn grafisch werk is goed te zien hoe zich van de traditie losmaakte en een van de grote vernieuwers van de moderne kunst werd. Deze portfolio werd voor het eerst in 1945 gepubliceerd door de uitgever & kunsthandelaar Curt Valentin en werd vervolgens, twee jaar later, heruitgegeven door het MoMa (New York). De publicatie bestond uit losse platen met facsimile afdrukken van veertig lithografieen en etsen van Paul Klee en was vergezeld van een brochure met een inleidende tekst van James Thrall Soby, Trustee van het MoMa en voormalig afdelingshoofd van het departement Sculptuur en Beeldhouwkunst. In 1947 maakten reeds dertig van de veertig gepubliceerde prenten deel uit van de grafische collectie van het museum. Voor deze nieuwe heruitgave (de derde) zijn alle veertig werken van Paul Klee opnieuw gefotografeerd en gedigitaliseerd - acht zijn in kleur. Speciaal voor deze editie heeft de huidige hoofdconservator van de afdeling Prints and Illustrated Books van het MoMa, Christophe Cherix, een nieuwe inleiding geschreven (Soby's essay werd eveneens behouden) en zijn alle onderschriften gecorrigeerd en vervolledigd. De facsimiles zijn gedrukt op 160 grams papier. Editie bestaat uit een brochure met teksten van Christophe Cherix en James Thrall Soby en 40 platen gedrukt op Magnani Pura Cellulosa 160 g, in een groen linnen doos met zwart lint. Oplage: 500 exemplaren originele prijs; 220.00 euro Paul Klee (1879-1940) was an exceptional painter, draftsman, printmaker, teacher and theorist who has had a decisive influence on the development of art in the last century. Especially in his graphic work is good to see how loosened itself from tradition and became one of the great innovators of modern art. This portfolio was first published in 1945 by the publisher and art dealer Curt Valentin and then, two years later, reissued by the MoMA (New York). The publication consisted of loose sheets with facsimile printing forty lithographs and etchings by Paul Klee and was accompanied by a booklet with an introduction by James Thrall Soby, Trustee of the MoMa and former head of the Department of Sculpture and Sculpture. In 1947 were already thirty of the forty published prints part of the graphic collection of the museum. For this new reissue (the third) are all forty works by Paul Klee re-photographed and digitized - eight are in color. For this special edition, the current chief curator of the Department of Prints and Illustrated Books at MoMA, Christophe Cherix written a new introduction (Soby's essay was also retained) and all captions corrected and completed. The reproductions are printed on 160 gram paper. Edition includes a booklet with texts by Christophe James Thrall Soby Cherix and 40 plates printed on Magnani Pura Cellulosa 160g, in a green linen box with black ribbon. Circulation: 500 copies original price; 220.00 euros + Still in Original publisher's shrink wrap !!!
Vendredi, Une correspondance surr aliste. o.a. Ren Magritte, Marcel Mari n, Louis Scutenaire, Ir ne Hamoir, Marcel Broodthaers en Pierre Alechinsky. Paul Colinet
, ludion, 2020 HB, 240 x 170 mm, 992 pages / E/ F/ NL edition. ISBN 9789493039247.
Unieke getuigenis van het Belgische surrealisme. Vendredi is een van de meest ongewone tijdschriften die de Belgische surrealisten hebben uitgebracht. Het is met de hand geschreven, werd nooit gepubliceerd en verscheen wekelijks gedurende een kleine twee jaar, van 11 november 1949 tot 5 oktober 1951. Er werden in totaal meer dan 100 nummers gemaakt door initiatiefnemer Paul Colinet, in samenwerking met o.a. Ren Magritte, Marcel Mari n, Louis Scutenaire, Ir ne Hamoir, Marcel Broodthaers en Pierre Alechinsky. Paul Colinet verstuurde het magazine op vrijdag naar zijn neef, de tekenaar Robert Willems, die toen in Belgisch Congo woonde. Deze facsimile uitgave van 900 pagina's doorslagpapier biedt een unieke getuigenis van de veelzijdigheid van het Belgisch surrealisme. Elk Vendredi-nummer is een kunstwerkje op zichzelf: de pagina's zijn prachtig ge llustreerd en bevatten handgeschreven gedichten en allerhande schrijfels, nieuwtjes, grappen, tekeningen, collages en krantenknipsels. Met een inleiding van Xavier Canonne, een inventaris en biografie n van alle deelnemende kunstenaars. In de Koninklijke Bibliotheek zal deze herfst een selectie uit de 100 Vendredi-nummers tentoongesteld worden. ////////////////////// Vendredi est une des revues les plus insolites compos es par les surr alistes belges. Cet hebdomadaire manuscrit, qui n'a jamais t publi , para t pendant un peu moins de deux ans, du 11 novembre 1949 au 5 octobre 1951. En tout, plus de 100 num ros sont r alis s l'initiative de Paul Colinet, en collaboration avec Ren Magritte, Marcel Mari n, Louis Scutenaire, Ir ne Hamoir, Marcel Broodthaers et Pierre Alechinsky entre autres. Tous les vendredis, Paul Colinet envoie la revue son neveu, le dessinateur Robert Willems, qui habite alors au Congo belge. Ce fac-simil de 992 pages apporte un t moignage unique sur la complexit du surr alisme belge. Chaque num ro de Vendredi est une oeuvre d'art en soi : les pages, superbement illustr es, r unissent des po mes manuscrits, ainsi que divers crits, nouvelles, plaisanteries, dessins, collages et coupures de journaux. Avec une introduction de Xavier Canonne, un inventaire et les biographies de tous les artistes participants. //////////////////// Vendredi is one of the most unusual magazines published by the Belgian surrealists. It was written by hand, was never published and appeared weekly for almost two years, from November 11, 1949 to October 5, 1951. A total of more than 100 songs were made by initiator Paul Colinet, in collaboration with, among others, Ren Magritte, Marcel Mari n, Louis Scutenaire, Ir ne Hamoir, Marcel Broodthaers and Pierre Alechinsky. Paul Colinet sent the magazine on Friday to his cousin, the draftsman Robert Willems, who was then living in the Belgian Congo. This facsimile edition of 900 pages of cover paper offers a unique testimony to the versatility of Belgian surrealism. Each Vendredi number is a work of art in itself: the pages are beautifully illustrated and contain handwritten poems and all kinds of writings, news, jokes, drawings, collages and newspaper clippings. With an introduction by Xavier Canonne, an inventory and biographies of all participating artists. A selection from the 100 Vendredi numbers will be exhibited at the Koninklijke Bibliotheek this fall.
