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[LUCKY LUKE] - MORRIS, GOSCINNY -
Spécial n° 9.
Charleroi, Dupuis, 1984; in-4, 142 pp., cartonnage de l'éditeur. Contient - la ville fantôme, les dalton se rachètent, le 20e de cavalerie.
Reference : 200603869
Contient - la ville fantôme, les dalton se rachètent, le 20e de cavalerie.
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Librairie Lire et Chiner
Mme Laetitia Gorska
36 rue Marchands
68000 Colmar
France
03 89 24 16 78
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commande par internet, retrait possible au magasin. Les colis sont expédiés dès réception du règlement après entente concernant les frais de port, envoi vers la France mais aussi vers l'étranger nous contacter pour le calcul des frais d'envoi
5 book(s) with the same title
Die Religion innerhalb der Grenzen der blossen Vernunft. - [ONE OF NO MORE THAN A HANDFUL COPIES ON SPECIAL PAPER, GIVEN BY KANT TO HIS CLOSE FRIEND HASSE]
Königsberg, Friedrich Nicolovius, 1793. 8vo. In the original bluish cardboardbinding, with handwritten title to spine. Binding very neatly restored at spine and extremities. Previous owner's inscriptions to front free end-paper and title-page as well as pasted-down front end-paper. One leaf with a tiny closed tear to blank outer margin and some leaves with a single hole to the blank outer margin. Light pencil-underlinings and -markings to a few leaves. Internally clean and fresh. Printed on very heavy paper (about three times the thickness of the normal paper) and with wide margins. XX, (2), 296, (2, -errata) pp. Housed in a beautiful marbled half calf box in pastiche-style, with splendidly gilt spine and gilt morrocco title-label.
Extremely rare presentation-copy inscribed by the recipient, a close friend of Kant, Johann Gottfried Hasse, to whom Kant gave the present copy. The copy is one of no more than perhaps five copies printed on special paper of the first edition of Kant's ""Religion Within the Boundaries of Mere Reason"", the seminal work in which he develops his religion of reason and most fully accounts for his philosophy of religion.This magnificent copy is completely unique. Not only is one of only four or five presentation-copies printed on special paper - perhaps less - that Kant himself requested from the printer, to be given to a handful of recipients"" we also know to whom it was given, namely his close friend and professor of religion Johann Gottfreind Hasse. And Hasse has not only put his ownership signature in the book, he has also noted that it was given to him by Kant in the year of publication (""Donum auctoris 1793"").We have not been able to find information anywhere about the presentation-copies of ""Religion innerhalb der Grenzen der blossen Vernunft"" specifically. There is nothing in the Kant-correspondence about that at all, and no letters to/from the publisher about them have been preserved. But we know that Kant commissioned four or five copies of ""Critik der Urtheilskraft"" on special paper and four copies of ""Critik der reinen Vernunft"". The present copy is clearly on special paper as well (about three times the size of copies on normal paper), so even though it is not mentioned anywhere, it is fair to assume that Kant also ordered about a handful copies of ""Religion..."" to be printed on special paper as well. However, this number might be smaller. As opposed to the other two books that we know he commissioned these copies of, the publication of ""Religion..."" was caught up in a controversy over censorship, and Kant was given a reprimand in the name of the Prussian emperor, Friedrich Wilhelm II. Kant was forced to pledge not to publish on matters of religion. Furthermore, copies of the ""Religion..."" on special paper seem not to have appeared anywhere, as opposed to the very few copies of the two other works that have surfaced"" so all in all, there is absolutely no reason to think that he should have commissioned more than four or five copies of this book either. The inscription to the front free end-paper is in Hasse's hand and reads ""(Donum auctoris 1793.)/ J.G. Hasse"". The name of Hasse has been crossed out by the later owner, who has written his name underneath ""N. Grosch...(?)/ stud. Theol./ Som[mer]. Semest[er]. [18]05"" and on the title-page.The Königsberg professor J.G. Hasse (1759-1806) was a close friend of Kant and a frequent guest at his dinner table. He was a then famous German evangelist theologian and orientalist. After having graduated from the University of Jena in 1784, he became assistant professor at the faculty of philosophy there. Due to his very respected publications within science of religion, he became professor of oriental languages and later professor of theology, which is the position he possessed, when Kant gave him the present copy of his own main work on religion. A few years later, in 1801, he took over Kant's position at the academic Senate, after Kant retired from academic life. And in the last years of Kant's life, Hasse grew even closer to him. He was a frequent guest in his home and a close friend. Hasse was furthermore one of the first to publish a biography of Kant. This biography became particularly famous, because it was written by someone in the inner circle of friends. There is no doubt that Kant had tremendous respect for the renowned professor of religion, to whom he gave one of the only four or five copies printed on special paper of his own definitive work on religion. This is presumably the best presentation- or association-copy of a Kant-book that one can hope to come across. Warda: 141.
Critik der Urtheilskraft. - [ONE OF FOUR OR FIVE COPIES PRINTED ON SPECIAL PAPER]
Berlin u. Libau, Lagarde und Friederich, 1790. 8vo (204 x 135 x 60 mm). Near contemporary marbled paper binding with gilt green title-label to spine. Hinges and capitals neatly restored. Old ownership-stamp to title-page. Mid-nineteenth-century Viennese bookseller's label to pasted-down back end-paper. Occasional light foxing in some margins, otherwise clean and bright. Printed on special, heavy paper, making the volume nearly double the thickness of regular copies. LVIII, 476 pp., (1) f. (errata).
Extremely rare copy, printed on special paper, of the first edition of Kant's seminal ""Critique of Judgment"", the third and last of his critiques, which ""Kant himself regarded [..] as the coping-stone of his critical edifice"" it even formed the point of departure for his successors, Fichte, Schelling and Hegel, in the construction of their respective systems."" (J.H. Bernard in the introduction to his translation of ""Critique of Judgment). THIS MAGNIFICENT COPY IS UNLIKE ANY OTHER WE HAVE SEEN - ONE OF ONLY FOUR OR FIVE PRESENTATION-COPIES PRINTED ON SPECIAL PAPER THAT KANT HIMSELF REQUESTED FROM THE PRINTER, TO BE GIVEN TO A HANDFUL OF NAMED RECIPIENTS. From a letter to Lagarde from January 21st 1790 (see ""Briefwechsel von Imm. Kant"", ed. Fischer, Müller, 1912, pp. 110-11), we know that Kant had requested 20 author's copies, four of them to be printed on special paper. While the book was in the press, Kant sent Lagarde a list of presentees to whom copies on special paper should be sent. He now named five recipients, so we assume that five copies were printed on special paper, instead of the original requested four copies. The recipients were: Count J.N. Windisch-Grätz, F.H Jacobi, K.L. Reinhold, L.H. Jacob and J.F. Blumenbach (see letter to Lagarde, March 25th, 1790, ""Briefwechsel von Imm. Kant"", ed. Fischer, Müller, 1912, pp. 126-7). As far as we know, none of these five presentation-copies have been traced and we have never seen one of them before. Neither do we know which of the five recipients received the present copy.Together with his two other critiques, the ""Critique of Judgment"" arguably constitutes the most important contribution to philosophy since Aristotle and Plato. Kant's seminal third critique was extremely influential from the time of its appearance - Goethe said said it was the first philosophical book ever to move him, and Fichte called it ""the crown of the critical philosophy"""" ""...not only did Goethe think highly of it, but it received a large measure of attention in France as well as in Germany on its first appearance. Originally published at Berlin in 1790, a Second Edition was called for in 1793"" and a French translation was made by Imhoff in 1796. Other French versions are those by Keratry and Weyland in 1823, and by Barni in 1846."" (J.H. Bernard). In the ""Critique of Judgment"", Kant develops philosophical aesthetics and teleology that comprises nature and art. This aesthetics fulfills an essential systematic function in the Kantian architectonic. It bridges the gap between reason and nature, thus serving as a complement to practical reason of which Kant had proposed a critique two years earlier.The third critique is essential to an understanding of Kant's project of a critical philosophy. It is here that he seeks to join the dimensions of human experience which he had laid bare in the two previous critiques. A number of the conceptual foundations he had laid from 1782 break down, as he tries to demonstrate that aesthetics mediates between the realm of sensibility and that of reason.In order to do so, he sets out to show that aesthetic intuition ranges over both realms. The key to this demonstration is the claim that the two realms are isomorphic. However, as Kant considers the aesthetic judgment of the products of man's artistic invention, he cannot fit them into the format of a teleology of nature. Instead, he develops a conceptual framework for aesthetic judgment which explains why the first section on the faculty of aesthetic judgment swelled to the point of dwarfing the section on the teleology of nature.In the third critique the tension which inhere in the project of a critical philosophy rises to the surface. The third critique thus provides us with an invaluable glimpse into the actual workings of the mental faculties that Kant attempted to chart in his philosophy. For this very reason, the third critique provided the point of departure for much of later idealist philosophy, especially that of Hegel whose speculative philosophy can be seen as an articulation of the topics which Kant had uncovered in the third critique. ""...the Critique of Judgement completes the whole undertaking of criticism" its endeavour is to show that there are a priori principles at the basis of Judgement just as there are in the case of Understanding and of Reason that these principles, like the principles of Reason, are not constitutive but only regulative of experience, i.e. that they do not teach us anything positive about the characteristics of objects, but only indicate the conditions under which we find it necessary to view them" and lastly, that we are thus furnished with an a priori philosophy of pleasure."" (J.H. Barnard). Warda: 125.
Begrebet Angest. En simpel psychologisk=paapegende Overveielse i Retning af det dogmatiske Problem om Arvesynden. Af Vigilius Hafniensis. - [THE ONLY KNOWN COPY ON SPECIAL PAPER OF THE WORK THAT INTRODUCED ""ANGST"" IN PHILOSOPHY]
Kjøbenhavn, Reitzel, 1844. 8vo. (8), 184 pp. Bound in a black glitted full paper binding mimicking Kierkegaard’s gift-bindings. With Gothic gilt lettering and printing year to spine. Top edge gilt, otherwise uncut. Bound by Anker Kyster’s Eftf. 1958, more specifically Bent Andree, with his name in pencil under the book-binder stamp on front free end-paper. A bit of wear to extremities. One leaf loose. The copy is a most curious one. It was been washed and restored and then bound by one of Denmarks’ best bookbinders of all time, clearly under specific instructions to both keep it original, but to also reflect the typical bindings Kierkegaard had made. The copy is on fine, bright white vellum-paper (!), uncut, and bound with the original back-strip with the original printed title-label, preserving all of the printed text and with blank blue wrappers of the exact same paper as the back-strip. To our knowledge, The Concept of Anxiety did not appear in blue blank wrappers. It did, however, appear in the characteristic blue paper binding. The wrappers here bound in, however, do not match this paper exactly.
A unique copy of the scarce first edition of this classic of Existentialism, being the only known copy printed on fine paper. The Concept of Anxiety is one of Kierkgaard's greatest works, his primary psychological work, and the work with which ""Angst"" is introduced in philosophy. It is futhermore (together with Sixteen Unbuilding Discourses - the amputated Eighteen Upbuilding Discourses), the rarest of Kierkegaard's works, at is was printed in half as many copies as his other works. Not a single presentation-copy of the work is known to exist, no copy on special paper has been registered (before this), and merely a single copy of the work is listed in the auction catalogue of Kierkegaard’s books sold after he died (the whereabouts of this copy unknown). This could possibly be the hitherto unlocated copy from Kierkegaard’s own collection. Or it could be a copy he gave away, the only one to have ever surfaced. It is undoubtedly one or the other, seeing that it is on special vellumpaper, on which Kierkegard only had copies made for himself, for presentation, or for Regine.There could be several explanations for the mystery of the bound in wrappers: 1) they are new wrappers made to match the original spine with the original printed title-label" 2) they are the original blue paper taken off the original cardboard-boards in order to bind them in a binding that mimics a Kierkegaardpresentation-binding 3) they are unknown original wrappers, not previously registered for The Concept of Anxiety. It is this classic of Existentialism that introduced the notion of “Angst” (anxiety) in philosophy. If Kierkegaard had written nothing else, The Concept of Anxiety alone would have cemented him as one of the most important thinkers since antiquity. Nowhere else can one find an account of the concept of anxiety that comes close in importance to the one Kierkegaard gives in the present work. Using the Fall in the Garden of Eden as the foundation of the analysis, he succeeds in describing what no-one has been able to before or since. “Long before modern psychology had entered puberty, Kierkegaard unfurled advanced psychological concepts that in many senses were Freudian before Freud was around. In his primary psychological work, The Concept of Anxiety, he presents his detailed analyses of the relationship of anxiety to phenomena such as freedom, sexuality, original sin, and history.” (The Søren Kierkegaard Research Centre). Being one of his most important and influential philosophical works, The Concept of Anxiety is essential to all later existentialist writers. It was arguably this work that more than any other influenced Existentialism. The work bears a printed dedication to his beloved Poul Martin Møller, one of the most beautiful and moving dedications in a philosophical work. Poul Martin Møller was his philosophy professor, but more than that he was a moral mentor and one of a few people that Kierkegaard truly admired and cared for. Poul Martin Møller died in 1838, leaving almost no published works behind he is the only person outside of Kierkegaard’s immediate family (here including Regine), who had been honoured with a printed dedication in any of his books. Apart from the title Sixteen Upbuilding Discourses (the amputated Eighteen Upbuilding Discourses – without the two that were quickly sold out), The Concept of Anxiety is by far the scarcest of Kierkegaard’s works – “The Concept of Anxiety was only printed in 250 copies!” (Textspejle, p. 58, translated from Danish), which is ca half of most of the other works. It is, interestingly, the only one of the pseudonymous writings from the period that was reprinted, despite the poor sales numbers of the first issue. In the summer of 1847, when Reitzel buys the remainders of the first issue, a mere 165 copies of what is arguably now considered Kierkegaard’s most important work had been sold. The Concept of Anxiety is not only notorious for its pivotal importance in the history of philosophy and for essentially being the theoretical foundation of Existentialism" among Kierkegaard collectors and bibliophiles in general, it is also notorious for its scarcity, having been printed in a mere ca 250 copies. Furthermore, like Fear and Trembling, not a single presentation-copy of the work is known to exist, nor had any copy printed on special paper ever been discovered (until now). A single copy of the work is listed in the auction catalogue of Kierkegaard’s books sold after he died. But the whereabouts of this copy is unknown (possibly until now). Himmelstrup 62. The present copy is no. 24a in Girsel's ""Kierkegaard"" (The Catalogue) which can be found here.
Fillette, Jeune fille - année 1961 - n°755 à 767 + 769 + 773 + 777 + 781 à 794 + 796 + 797 + 804 - du 5 janvier au 14 décembre 1961 + spécial Pâques, Mai, Juin, Rentrée et Noël - Ce soir, je serai reine - L'adorable homme des neiges - Le goûter d'annivers
Offenstadt / Société Parisienne d'Edition. 1961. In-8. En feuillets. Etat d'usage, Couv. défraîchie, Agraffes rouillées, Papier jauni. 26 pages par numéro - illustrations en couleurs et noir et blanc dans et hors texte - bandes dessinées en couleurs et noir et blanc - possibles pliures et/ou déchirures dans le texte - possibles pages manquantes - Spécial : état d'usage, 48 pages illustrées en noir et blanc dans et hors texte, 2eme plat manquent pour le spécial Noel, plats détachés pour le spécial Pâques, renfort adhésif aux dos - n°757 + 792 + Spécial rentrée et spécial Juin en 2 exemplaires. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Ce soir, je serai reine - L'adorable homme des neiges - Le goûter d'anniversaire - moi je tricote - Vers les cîmes ... Spécial Paques : Madga, une aventure au chateau - Sylvia, Lapins de paques - Le silence est d'or - Le beau billet tout neuf - ... Spécial Mai : L'enfant célèbre d'Emily Bronston - Le bouddha disparu - Une bonne action catastrophique - Silvia, du muguet à croquet - Oscar dans la forêt vierge -... Spécial Juin : Oscar dans la foret vierge - Papillons, amitié et jalousie - Marc en vacances - Une petite faible femme - Sylvia, une partie de campagne - ... spécial Rentrée : Je ne dirai rien - Sylvia en croisière *- Dauphin, le chien galeux - Oscar dans la foret vierge - Le sac de la dame en noir - Le petit roi Ibello - ... Spécial Noel : Oscar dans la foret - Le petit roi Ibello - Un magnifique cadeau - On l'appelait Mélissandre - Moujick ou l'heureux accident - Sylvia fait du karting... Classification Dewey : 70.49-Presse illustrée, magazines, revues
Researches in the theory of analytical transformations, with a special application to the reduction of the general equation of the second order (+) On certain theorems in the calculus of variations (+) On the integration of linear differential equatio... - [FIRST PAPERS BY BOOLE]
Cambridge, Macmillan, Barclay, and Macmillan, 1840-1846. 8vo. Bound in recent brown full cloth with gilt letting to spine. In ""The Cambridge Mathematical Journal, Vol. 1-2, Second edition"". Light writing in pencil to title page and very light miscolouring to borders of pages, otherwise a fine and clean copy. VI, 311, (1), VIII, (2), II, 284 pp. + folded plates.
First printing of four early papers by the influential British mathematician and philosopher. As the inventor of Boolean logic-the basis of modern digital computer logic-Boole is regarded in hindsight as a founder of the field of computer science. His earliest published paper was the ""Researches in the theory of analytical transformations, with a special application to the reduction of the general equation of the second order."" Printed in the Cambridge Mathematical Journal in February 1840 (Volume 2, no. 8, pp. 64-73), and it led to a friendship between Boole and D.F. Gregory, the editor of the journal, which lasted until the death of the latter in 1844.In 1840 he began to contribute to the recently founded Cambridge Mathematical Journal and also to the Royal Society, which awarded him a Royal Medal in 1844 for his papers on operators in analysis"" he was elected a fellow of the Royal Society in 1857.""In papers in the Cambridge Mathematical Journal in 1841 and 1843 [The present], Boole dealt with linear transformations. The algebraic fact had been partly perceived by Lagrange and by Gauss, but Boole's argument drew attention to the (relative) invariance of the discrimiant ab - h2, and also to the absolute invariants of the transformation. This was the starting point of the theory of invariants, so rapidly and extensively developed in the second half of the nineteenth century."" (DSB)
