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Charles BOUVET
L'OPERA
Un ouvrage de 46 pages, format 135 x 185 mm, illustré, broché, publié en 1924, Editions Albert Morancé, bon état
Reference : LFA-126719768
L'Opéra de Paris : l'Académie de musique et de danse, le Musée, la Bibliothèque
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Lettre de France, L'Art de Vivre à la Française
M. Olivier Auriol de Bussy
04 74 33 45 19
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Vente par correspondance, lors de salons à l'extérieur ou au Château de Vallin lors de manifestations culturelles. Nous vous accueillerons notamment les 11, 12 et 13 décembre 2026 (de 14 h à 18 h) à l'occasion de "Livres au Château", exposition-vente de plusieurs milliers d'ouvrages organisée au Château de Vallin, demeure historique des XIVe et XVIIIe siècles, située à Saint Victor de Cessieu, proche de La Tour du Pin, en Isère. (entrée libre).
5 book(s) with the same title
SÚvres: L'Utile e L'Incantevole. La Manifattura delle Porcellane all'epoca di Brongniart. Dal Bozzetto all'opera Finita
PrÃaud, Tamara and Maria Elisa Tittoni: SÚvres: L'Utile e L'Incantevole. La Manifattura delle Porcellane all'epoca di Brongniart. Dal Bozzetto all'opera Finita. Exhibition: Rome, Musei Capitolini, 2001. 232pp with 148 colour and 21 monochrome illustrations. Wrappers. 28x25cms. This exhibition catalogue highlights the manufacture of 19th century SÚvres porcelain under the directorship of Alexandre Brongniart (1770-1847) and investigates its influence and patronage in Italy. Text in Italian.
This exhibition catalogue highlights the manufacture of 19th century SÚvres porcelain under the directorship of Alexandre Brongniart (1770-1847) and investigates its influence and patronage in Italy. Text in Italian
Descrizione delle pitture, sculture, e architetture esposte al pubblico di Roma: Opera cominciata dall'abate Filippo Titi.; con l'aggiunta di quanto Ú stato fatto di nouvo fino all' anno presente.
Titi, Filippo revised by Giovanni Bottari: Descrizione delle pitture, sculture, e architetture esposte al pubblico di Roma: Opera cominciata dall'abate Filippo Titi.; con l'aggiunta di quanto Ú stato fatto di nouvo fino all' anno presente. Rome: Nella Stamperia di Marco Pagliarini, 1763. xii, 487, 108 pages bound in full period vellum with pink splashed edges. Inscribed in ink on front fly Amelia Anna Sophia / Oliphanti / Gask (???) il vento di Febraro. / 1789 / Le Don de Mon Pere. Full vellum. 19Ã11cms. The third and 'best' edition of Titi's guide book that Julius Schlosser considered the standard guide to Rome in the eighteenth century, and as such, was one of the formative sources for the trend of the 'Grand Tour'. The guide, first published in 1684 was revised in 1708, in 1721 and finally in 1763 as Bottari explains on pages 447-481. Cicognara 3891.The present volume was given to Amelia Anna Sophia Oliphant (1765-1808) by her father Laurence Oliphant 7th of Gask in 1789. Her father rode with the Duke of Perth's Horse at the Battle of Culloden where his father Laurence Oliphant 6th of Gask was aide de camp to Prince Charles Stuart. Following the battle they both fled to France. Laurence (7th) married Margaret Robertson aged 15 in Versailles in 1755 her husband was exactly double her age.The Oliphants were the staunchest of Jacobites however Lawrence (7th) sent his wife Margaret to Britain to give birth to their children and in 1763 the Oliphants, despite being attainted rebels resolved to brave the Government and go home at the risk of becoming a victim of any informer. Amelia was born in 1765 and her sister Caroline 10 months later. In late 1768, six months after the birth of his son Laurence travelled to Italy with his wife Margaret , leaving their four children at Gask. The couple went to Naples where they spent time with Sir William Hamilton and his wife Catherine with whom they danced Reels and Straspeys (sic). After Naples they continued to Rome where they dined twice with the Young Pretender. They left Rome in April 1770, returning to Gask by July 10th. Margaret gave birth to her next child on July 29th. We do not know the occation of the gift, but that same year Amalia's love of Scottish music is recorded in John Bowie's 'Collection of strathspey reels & country dances &c.' with the publication of 'Miss Amelia Oliphant Gask's Strathspey'. Condition. A fine copy in a contemporary binding that has probably never been read. Damage to top left corner of the spine and a slight damp stain on the last three or four pagesProvenance: Amelia Anna Sophia Oliphant 1765-1808 to whom given to by her father Laurence Oliphant 7th; Giles Robertson, to whom given in 1948 by 'Donald' (his father?) according to ink inscription on front fly; Charles Robertson (his son) from whom acquired.. Text in Italian.
The third and 'best' edition of Titi's guide book that Julius Schlosser considered the standard guide to Rome in the eighteenth century, and as such, was one of the formative sources for the trend of the 'Grand Tour'. The guide, first published in 1684 was revised in 1708, in 1721 and finally in 1763 as Bottari explains on pages 447-481. Cicognara 3891.The present volume was given to Amelia Anna Sophia Oliphant (1765-1808) by her father Laurence Oliphant 7th of Gask in 1789. Her father rode with the Duke of Perth's Horse at the Battle of Culloden where his father Laurence Oliphant 6th of Gask was aide de camp to Prince Charles Stuart. Following the battle they both fled to France. Laurence (7th) married Margaret Robertson aged 15 in Versailles in 1755 her husband was exactly double her age.The Oliphants were the staunchest of Jacobites however Lawrence (7th) sent his wife Margaret to Britain to give birth to their children and in 1763 the Oliphants, despite being attainted rebels resolved to brave the Government and go home at the risk of becoming a victim of any informer. Amelia was born in 1765 and her sister Caroline 10 months later. In late 1768, six months after the birth of his son Laurence travelled to Italy with his wife Margaret , leaving their four children at Gask. The couple went to Naples where they spent time with Sir William Hamilton and his wife Catherine with whom they danced Reels and Straspeys (sic). After Naples they continued to Rome where they dined twice with the Young Pretender. They left Rome in April 1770, returning to Gask by July 10th. Margaret gave birth to her next child on July 29th. We do not know the occation of the gift, but that same year Amalia's love of Scottish music is recorded in John Bowie's 'Collection of strathspey reels & country dances &c.' with the publication of 'Miss Amelia Oliphant Gask's Strathspey'. Condition. A fine copy in a contemporary binding that has probably never been read. Damage to top left corner of the spine and a slight damp stain on the last three or four pagesProvenance: Amelia Anna Sophia Oliphant 1765-1808 to whom given to by her father Laurence Oliphant 7th; Giles Robertson, to whom given in 1948 by 'Donald' (his father?) according to ink inscription on front fly; Charles Robertson (his son) from whom acquired.. Text in Italian
L'Opera Completa del Crivelli. Classici dell'Arte
Bovero, Anna: L'Opera Completa del Crivelli. Milan: Rizzoli, 1974. Series: Classici dell'Arte. 104pp with 64 colour plates and 213 monochrome illustrations. Hardback. 31.5x24.5cms. Text in Italian.
Text in Italian
[Adamo & Diana Scultori] - Bellini, Paolo and Claudio Salsi
Reference : 072395
(1991)
L'Opera incisa di Adamo e Diana Scultori
Bellini, Paolo and Claudio Salsi: L'Opera incisa di Adamo e Diana Scultori. Vincenza: Neri Pozza, 1991. 308pp with 334 monochrome illustrations. Wrappers. 24x20cms. With a catalogue of 166 works by Adamo Scultori (c.1530-1587) and 63 (+24 uncertain) by Diana Scultori (c. 1545 - c. 1590). Text in Italian. Text in Italian.
With a catalogue of 166 works by Adamo Scultori (c.1530-1587) and 63 (+24 uncertain) by Diana Scultori (c. 1545 - c. 1590). Text in Italian. Text in Italian
Seurat Opera Completa. Classici dell'Arte
Chastel, AndrÃ: Seurat Opera Completa. Milan: Rizzoli, 1972. Series: Classici dell'Arte. 120pp with 64 colour plates and c.220 monochrome illustrations. Cloth. 31.5 x 24cms. Text in Italian.
Text in Italian
