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Hanley James Durix Jean-Pierre Perier Jean
Boy
Joëlle Losfeld 2003 in12. 2003. Broché. 272 pages. envois en suivi pour la france et l'etranger Très Bon Etat
Reference : 166519
ISBN : 2844121756
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Livres-sur-sorgue
M. Philippe Arnaiz
04 90 26 49 32
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5 book(s) with the same title
Boy & Erik Stappaerts ( Exhibition : Conflictpaintings + Research Drawings for Databank )
Antwerpen, Ronny Van De Velde, 2012 Hardcover, pagina's niet genummerd, 30 x 21.5 cm, gelimiteerd tot 560 stuks, gesigneerd. *Prima staat. ISBN 9789075225006.
Boy & Erik Stappaerts ( Exhibition : Conflictpaintings + Research Drawings for Databank )
Boy & Erik Stappaerts : Sit-in Black Space / the Brain of the Panic Zone.
Antwerpen, Provincie Antwerpen / B&ES Institute and Associations., 2005 Openslaande map met 2 pp. tekst en los inlegblad, compleet met de 5 losse glossy gekartonneerde platen. Goede staat.
Zeldzaam artist's book, uitgegeven naar aanleiding van de toekenning van de Procinciale Prijs voor Beeldende Kunsten, 2005
Steve van den Bosch, Vincent Geyskens, Boy & Erik Stappaerts.
, Provincieraad Antwerpen, 2001. , originele geillustreerde uitgeversomslag, 19x28cm, 64pp, ge llustreerd in kleur en z/w.
Tentoonstelling Koningin Fabiolazaal, 19/05-29/06/2001.
Jan Vanriet, the music boy
Brussel, Roberto Polo Gallery, 2016 Hardback, 168 pages, 29.5 x 24 cm, EN. ISBN 9781907363108.
The Music Boy exhibition at the New Art Gallery Walsall is the artist's first in the United Kingdom. A 168-page hardback, illustrated catalogue featuring extensive essays by Andrew Graham-Dixon and Martin Herbert, as well as a foreword by Charlotte Mullins was published on the occasion. The exhibition is titled after a quadriptych of paintings depicting the artist's grandmother and his uncle playing an accordion.Jan Vanriet's work mainly concerns the memory of history and the construction of pictorial surface. As Martin Herbert writes: "Vanriet builds up his paintings in layers, and the strata of underpainting have, in his case, a polyvalent quality. In some cases they form glazes that gift the paintings with an internal glow; in others, the half-visible ghosts of earlier paintings both reaffirm the idea that something is being held back, and situate Vanriet's paintings as a carefully wrought, crafted statement that has gone through stages in order to reach a conclusive point, like a phrase honed through multiple careful edits." Jan Vanriet's mother, father and uncle participated in the Resistance movement and were deported by the Nazis. His parents met in the Mauthausen concentration camp and their stories and memories of the Second World War and its aftermath continue to permeate his paintings. Themes of love, loss, identity, destiny and disappearance pervade his work. And yet Vanriet says: "The starting point may be my family, but I see it as a universal story. I don't want the themes to be too narrow, too close to me, because they should go wider than that. If not, it is only anecdote and I have not painted well enough."
Boy De Sa Majest
Paris, Ren Kieffer, 1928 Cartonnage de l' diteur, 25 pages, imprim e en noir et bleu, illustr e de 7 bois originaux de Frans Masereel, dont cinq hors texte. Tirage 210 exemplaires num rot s. Un des 200 sur Madagascar. Ici num ro 21. 26.5 x 20.5 cm. Tr s belle condition.
Le Boy De Sa Majest
