‎Hall Michael J. W‎
‎Cambridge‎

‎Cambridge Illuminations. The Conference Papers‎

‎, Brepols - Harvey Miller, 2007 HARDCOVER 334 p., 283 b/w ill. + 17 colour ill., 210 x 280 mm, Languages: English, Italian. ISBN 9781905375172.‎

‎George Henderson, ?Introduction?; Andrea Worm, ?The Gospel Book in the Fitzwilliam Museum, MS McClean 21: Some New Aspects of the Artistic Relationship between the Meuse Valley, the Rhineland and Lower-Saxony?; Catherine Karkov, ?Evangelist Portraits and Book Production in Anglo-Saxon England?; Stella Panayotova, ?Tutorials with Slides for Thomas Becket?; Robert Scheller, ?Wreath and Crown in Apocalypse Illustrations?; Martine Meuwese, ?The Exploits of Alexander the Great in Trinity College?; Mary Rouse, ?Keeping Up Appearances: CUL Gg.4.6, Roman de la rose?; Richard Rouse, ?The Illuminator of Marie de St. Pol?s Breviary?; Spike Bucklow, ?A Tale of Two Blues?; Kathleen Scott, ?Manuscripts for Henry VII in Cambridge?; T.A. Heslop, ?Manuscript Illumination at Worcester in 1055-1075?; William Schipper, ?Sacred Cross Word Puzzles: Trinity College, Cambridge, MS B.16.3?; Lawrence Nees, ?Between Carolingian and Romanesque in France: Cambridge Fitzwilliam Museum, MS McClean 19 and its Relatives?; Gennaro Toscano, ?Cristoforo Majorana e la miniature all?antica: a proposito di qualche codice conservato a Cambridge?; Jessica Berenbeim, ?English Fourteenth-Century Pastoral Manuscripts?; Judith Oliver, ?Te matrem laudamus: The Many Roles of Mary in Li ge Psalter Hours in Cambridge?; Lilian Armstrong, ?Venetian Incunables in Cambridge Collections: Modes of Hand-Illumination?; Anne-Marie Legar , ?New Elements on the Oettingen Library: Fitzwilliam MS 22?; Michael Michael, ?Seeing in the Macclesfield Psalter and the Trinity Bede?; Margaret Manion, ?Blending Private and Liturgical Prayer: MS 3-1954 at the Fitzwilliam Museum and Valois Patronage?; Nicholas Rogers, ?From Eleanor of Castile to John Scott the Younger: Evidence for Illumination in Cambridge?; Patrick Zutshi, ?The Provenance of the so-called Hours of Isabella of Aragon?; Roger Wieck, ?The Primer of Claude de France and the Education of the Renaissance Child?; Lucy Sandler, ?The Macclesfield Psalter?; William Noel, ?W. de Brailes and the Illustration of the Psalter in Thirteenth-Century England?; Peter Jones, ?Cambridge University Library MS Gg.1.1: Fancy Horse or Pack-mule??; Eberhard K nig, ?Angers Illumination in Cambridge (FM MSS 62, 39-1950)?; Alison Stones, ?Some Secular Manuscripts in Cambridge Collections?‎

‎The Cambridge History of Iran in eight volumes. Volume I. The Land of Iran. The ‎

‎The Cambridge History of Iran in eight volumes. Volume I. The Land of Iran. The Cambridge History of Iran in eight volumes. Volume I. The Land of Iran. In English (ask us if in doubt)/The Cambridge History of Iran in eight volumes. Volume I. The Land of Iran. Kembridzhskaya istoriya Irana v vosmi tomakh. Tom I. Zemlya Irana. Edited by W.B. Fisher Professor of Geography University of Durbam. In English. Cambridge / Cambridge At the University Press 1968. XIX 784 p. SKUalb53dbabaf658d8118.‎

‎Cambridge Economic History of Europe Volume 6 Set (The Cambridge Economic History of Europe, Series Number 6)‎

‎Cambridge 1965 Cambridge University Press Hardcover 2nd Edition ‎

‎Cambridge Economic History of Europe Volume 6 Set (The Cambridge Economic History of Europe, Series Number 6) part II hard cover, 215 x 140 mm, 439 pg, blue cloth binding, with jacket in good condition, ‎

‎Cambridge Gloss on the Apocalypse. Cambridge University Library Dd.X.16‎

‎, Brepols, 2020 Paperback, 167 pages, Size:156 x 234 mm, Illustrations:1 col., Language: English. ISBN 9782503582405.‎

‎Summary The Glossa in Apocalypsin (Cambridge Gloss on the Apocalypse) is a recently-discovered anonymous Hiberno-Latin (that is, authored by an Irish cleric writing in Latin) commentary on the Apocalypse of John found in a tenth-century manuscript at Cambridge University Library. This gloss is written in a similar style to other Irish-authored exegetical texts of the same period. That is, the author proceeds verse by verse through the entire Apocalypse, citing short phrases or even single words of the biblical text, followed by brief explanations that serve to clarify meaning and are often moral or allegorical in nature, as well as offering alternative interpretations of a given passage. The text has a marked dependence on the hermeneutical method of the fourth-century Donatist Tyconius as laid out in his Liber Regularum (Book of Rules), and applied in his Exposition on the Apocalypse. The Cambridge Gloss promotes an ecclesiological and spiritual interpretation of the Apocalypse, muting speculation about an imminent endtime scenario. The gloss contains numerous references to heretics, emphasises the hierarchy and the privileged role of teachers within the church, and likely dates from the eighth century, the 'Northumbrian Golden Age', exemplified by the works of Bede the Venerable and Alcuin of York. This English translation (accompanied by numerous notes) is intended to give readers an insight into understanding the viewpoint that medieval exegetes held in explaining the Apocalypse of John. The source text of this volume appeared in Corpus Christianorum, Series Latina as Glossa in Apocalypsin e codice Bibliothecae Vniuersitatis Cantabrigiensis Dd.X.16 (CC SL, 108G). References to the corresponding pages of the Corpus Christianorum edition are provided in the margins of this translation.‎

‎Cambridge II‎

‎, Brepols - Harvey Miller, 2022 Paperback, 328 pages, Size:210 x 270 mm, Illustrations:47 b/w, Language: English. ISBN 9781912554270.‎

‎Summary This is the ninth volume in a continuing series of publications listing and identifying all illustrations contained in English manuscripts from the time of Chaucer to Henry VIII. Because representations of all types are included?from miniatures to marginalia? the series provides unparalleled reference to imagery in the long fifteenth century. The present fascicle, the second of two devoted to the collections in Cambridge, catalogues 553 manuscripts for eleven colleges and can be used as a search tool for manuscripts available on line. The manuscript entries in the catalogue note the subject of every illustration, all of which are fully indexed in the index of pictorial subjects. Entries for alchemy and medicine are particularly rich in this fascicle; the largest entry is for costume. The broad range of pictorial information makes the Cambridge fascicles useful supplements to the fifth volume of A Catalogue of Western Illumination in the Fitzwilliam Museum and Cambridge Colleges. Like the other fascicles in the series, Cambridge II includes a manual for users, an extensive glossary of subjects and terms, indexes of authors, texts and incipits, as well as a list of manuscripts with coats of arms. There are forty-seven black and white illustrations.‎