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Smee Sebastian
Lucian Freud
Taschen America Llc 2007 18 034x0 762x22 86cm. 2007. Broché. 96 pages. Très bon état
Reference : 100112694
ISBN : 3822858056
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5 book(s) with the same title
[" The Artist "] - Nicholas Penny, Robert Flynn Johnson ; Lucian Freud
Reference : 59916
Lucian Freud : Works on Paper
, Thames & Hudson, 1988 Hardcover, 128 pages, ENG, 285 x 260 mm, dustjacket, book is as new, with illustrations in color and b/w, here and there some texts underlined with pencil, better that than with a ballpoint pen, apart from that, the book is really as new. ISBN 9780500091852.
Lucian Michael Freud ( 8 December 1922 - 20 July 2011) was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933 to escape the rise of Nazism. From 1942 to 1943 he attended Goldsmiths College, London. He served at sea with the British Merchant Navy during the Second World War. His early career as a painter was influenced by surrealism, but by the early 1950s his often stark and alienated paintings tended towards realism. Freud was an intensely private and guarded man, and his paintings, completed over a 60-year career, are mostly of friends and family. They are generally sombre and thickly impastoed, often set in unsettling interiors and urban landscapes. The works are noted for their psychological penetration and often discomforting examination of the relationship between artist and model. Freud worked from life studies, and was known for asking for extended and punishing sittings from his models
Lucian Freud. Catalogue Raisonne of Prints
Treves, Toby: Lucian Freud. Catalogue Raisonne of Prints. London: 2022. 300 pages, 140 colour and black and white illustrations. Hardback. 30 x 35cms. A record of every print by Freud, from the early linocuts of the 1930s to his last etching published in 2007. Each work, including uneditioned etchings and unique proofs, is reproduced and discussed in detail. An essay by the critic Sebastian Smee, and an interview between art historian Martin Gayford and Freud's main printmaker, Marc Balakjian, provide further insights into the artist's process.
A record of every print by Freud, from the early linocuts of the 1930s to his last etching published in 2007. Each work, including uneditioned etchings and unique proofs, is reproduced and discussed in detail. An essay by the critic Sebastian Smee, and an interview between art historian Martin Gayford and Freud's main printmaker, Marc Balakjian, provide further insights into the artist's process. Text in English
The Etchings of Lucian Freud. A Catalogue Raisonné 1946-1995
Hartley, Craig: The Etchings of Lucian Freud. A Catalogue Raisonné 1946-1995. London: Marlborough Graphics, 1995. 138pp with 52 monochrome plates and 4 monochrome illustrations. Hardback. 29x25cms. Fully illustrated catalogue of 51 etchings produced during this period, supported by an introduction setting the works in the context of Freud's career and discussing his development of style & technique. Select bibliography.
Fully illustrated catalogue of 51 etchings produced during this period, supported by an introduction setting the works in the context of Freud's career and discussing his development of style & technique. Select bibliography. Text in English
Lucian Freud. The Complete Etchings 1946-1991
Lucian Freud. The Complete Etchings 1946-1991. Exhibition: London, Thomas Gibson Fine Art, 1991. Unpaginated with 38 monochrome plates. Wrappers. 31.5x27cms.
Text in English
Catalogue de l'exposition à la Royal Academy de Londres de 27 octobre 2019 au 26 janvier 2020 et au Museum of Fine Arts de Boston du 22 février au 25 mai 2020.
Reference : 22214
ISBN : 9789462301511
Lucian Freud. Les autoportraits.
<p>Premier ouvrage consacré aux autoportraits de Lucian Freud, ce livre offre une vision pénétrante de l’esprit de cet artiste énigmatique et extrêmement secret. Ces tableaux, dessins, carnets de croquis et lettres intimes constituent pour celui qui les regarde un rappel constant de sa présence écrasante, même quand celle-ci se résume à une ombre ou à un reflet. Plusieurs auteurs, dont certains le côtoyèrent, resituent Lucian Freud dans l’histoire de l’autoportrait et se penchent sur la place qu’occupent les autoportraits au sein de son oeuvre. Leurs textes nous éclairent sur le style changeant du peintre, qui scrutait son corps avec autant d’intensité qu’il en accordait à ses modèles. David Dawson est peintre et photographe et fut l’assistant d’atelier de Lucian Freud. Joseph Leo Koerner est professeur à l’université de Harvard (Victor S. Thomas Professor of History of Art and Architecture) et Senior Fellow de la Society of Fellows en cette même université. Jasper Sharp est conservateur adjoint pour l’art moderne et contemporain au Kunsthistorisches Museum de Vienne. Sebastian Smee est critique d’art, lauréat du Prix Pulitzer. </p> Bruxelles, 2019 Fonds Mercator 150 p., relié. 23,5 x 28,5
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