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Braham Allan National Gallery (Great Britain)
Italian Paintings of the Sixteenth Century
HarperCollins Publishers Ltd 1985 22x27x1cm. 1985. Broché. 128 pages. Bon Etat intérieur propre
Reference : 100086384
ISBN : 0002174022
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Livres-sur-sorgue
M. Philippe Arnaiz
04 90 26 49 32
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2 book(s) with the same title
The Sixteenth-Century Italian Paintings. Vol 1 Paintings from Bergamo, Brescia and Cremona. Vol 1
Penny, Nicholas: The Sixteenth-Century Italian Paintings. Vol 1 Paintings from Bergamo, Brescia and Cremona. Vol 1. London and New Haven: 2004. 430pp with 74 colour and 89 colour and 128 monochrome illustrations. Hardback. 29x22.5cms. 16th-century paintings from the collection of the National Gallery in London. Artists represented include Lorenzo Lotto, Moretto, Moroni, Batolomeo Veneto and Callisto Piaza. For each of the paintings, information is provided about technique, material, conservation, condition, subject and iconography.
16th-century paintings from the collection of the National Gallery in London. Artists represented include Lorenzo Lotto, Moretto, Moroni, Batolomeo Veneto and Callisto Piaza. For each of the paintings, information is provided about technique, material, conservation, condition, subject and iconography. Text in English
The Sixteenth-Century Italian Paintings Volume II: Venice 1540-1600. National Gallery Catalogues. Vol 2
Penny, Nicholas: The Sixteenth-Century Italian Paintings Volume II: Venice 1540-1600. National Gallery Catalogues. Vol 2. London: The National Gallery, 2008. 528pp with 300 colour and 45 monochrome illustrations. Hardback. 28.5x21.6cms. The publication includes some of the greatest pictures in the National Gallery with the influence of Titian pervading the entire period covered. It also serves as an introduction to the major types of painting produced in the city: the altarpiece, the confraternity chapel decoration, the ceiling painting, the portrait and painted furniture. In addition, the author explains how the works were acquired by the gallery.
The publication includes some of the greatest pictures in the National Gallery with the influence of Titian pervading the entire period covered. It also serves as an introduction to the major types of painting produced in the city: the altarpiece, the confraternity chapel decoration, the ceiling painting, the portrait and painted furniture. In addition, the author explains how the works were acquired by the gallery. Text in English
