Ouvrage illustré de 117 gravures, 1 vol. in-4 reliure demi-chagrin à coins rouge, couverture conservée, filet doré en mors et coins, tête dorée, Librairie Renouard, H. Laurens, Paris, 1939, 160 pp.
Reference : 60019
Bel exemplaire très bien relié, en parfait état.
SARL Librairie du Cardinal
M. Vincent Guérin
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Conformes aux usages de la librairie ancienne. Après avoir noté la référence de l'ouvrage (au moins le titre et l'auteur), contactez-nous par téléphone ou e-mail pour réserver l'ouvrage. Nous vous communiquerons le montant total, frais d'envoi compris (en colissimo suivi ou recommandé). Les frais d'envoi sont à la charge de l'acheteur, l'emballage est gratuit, le paiement se fait au choix soit directement par carte bancaire (nous contacter, nous vous enverrons un lien de paiement sécurisé), soit par chèque ou virement bancaire. L'ouvrage est envoyé dès l'encaissement.
Map size 65 x 90 cm, 1/200.000, Magnetische Missweisung für Mitte 1936, s.d., no date, probably 1940 / 1941. Rappel du titre complet : Rotterdam. Bl. 4 Chromo-Typografische Kaart van het Koninkrijk der Nederelanden 1 : 200.000 Sonderausgabe ! Nur für Dienstgebrauch ! [ German military map - Nederlands and Belgium : Rotterdam - Antwerpen (Anvers) - Brügge (Bruges) - Dordrecht - Turnhout ]
Fine original map, used by the german military forces (Wehrmacht or Luftwaffe) during World War II. Très bon état pour cette belle grande carte couvrant de Rotterdam à Bruges, au sud-ouest, et à Turnhout au sud-est, et exclusivement réservée à l'usage des troupes militaires allemandes lors de la Seconde Guerre Mondiale. Les couleurs sont parfaitement conservées.
1967 Bourg-la-Reine 1967; in-folio en feuilles, couverture crème rempliée illustrée d'un blason en couleurs, sous étui formant boite, de reps bleu clair, intérieur de suèdine bleu nuit, signatures de l'auteur et du peintre reproduites en bleu et noir au 1er plat, titre orange au dos; 157pp. - (1)f. Illustré de 25 gouaches, dont 10 dans le texte, 5 hors texte, 6 à double page, et 4 blasons des villes évoquées: Boulogne, Bruxelles, Amsterdam, Bruges.Les gouaches de J. P. Rémon sont reproduites en phototypie et rehaussées au pochoir.
Tiré à 183 exemplaires signés par l'artiste, celui-ci 1 des 30 sur grand papier vélin ( n° XXXVI). Bel exemplaire. (Reu-Bur)
Frankopan, Peter: Connected Worlds of Bruges: 900-1550. 2026. 304 pages, illustrated in colour. Hardback. 30 x 25cms. Catalogue for the inaugural exhibition at BRUSK, Bruges, covering the period 900-1550. 14 essays explore the role of Bruges and its connection to the North Sea World; brides and exiles in Flanders; markets of the early Middle Ages in North-Western Continental Europe, pilgrimage in the Christian East; relationships to the Latin Empire of Constantinople; rituals of the Bruges elite; and the Atlantic expansion and its significance for Bruges.
Catalogue for the inaugural exhibition at BRUSK, Bruges, covering the period 900-1550. 14 essays explore the role of Bruges and its connection to the North Sea World; brides and exiles in Flanders; markets of the early Middle Ages in North-Western Continental Europe, pilgrimage in the Christian East; relationships to the Latin Empire of Constantinople; rituals of the Bruges elite; and the Atlantic expansion and its significance for Bruges
Turnhout, Brepols, :2025 Linnen binding under illustrated dustjacket, vii + 458 pages, 216 x 280 mm, Illustrations:2 b/w, 122 col., 1 tables b/w., 7 maps color. ENG. *NEW. ISBN 9782503618395.
The patrons of civic group portraits were corporate organisations such as confraternities, craft and militia guilds, charitable institutions, and administrative bodies. Up until now, the painted civic group has been primarily seen as a product of the Dutch Republic. While the genre may have been exceptionally important in the Northern Low Countries, the present study shows that such paintings were also fundamental in the South, with Bruges playing a central role. From the late fifteenth century until 1800, both the urban elite and the artisan classes of Bruges commissioned institutional group portraits, and the forms that those artworks took responded to local conditions and needs. The patrons? self-representation in these works was meant to emphasize the internal cohesion and solidarity within their group, and to reinforce that group?s social status in the urban community. In looking carefully at these contexts, this research project has provided new interpretations for civic group portraits and has demonstrated their richness as both cultural heritage and historical sources. The Bruges works, however, represent just a portion of those produced in the Southern Netherlands during the early modern era. The author provides an updated inventory of 190 civic group portraits that he has been able to trace for the Southern Netherlands. All of these works, moreover, need to be set in a broader European context, as civic group portraits are also recorded in Venice, Paris, and England, and were likely produced elsewhere as well. Future researchers will be able to expand our understanding of the genre as a European phenomenon, continuing to reveal the significance of these remarkable artworks and use them to gain deeper insights into the past. TABLE OF CONTENTS Preface Bruges: An Urban History Chapter 1: Design and Methodology Chapter 2: Early Civic Group Portraits in Bruges, Before 1560 Chapter 3: Civic Group Portraits in Bruges, c. 1560?1650 Chapter 4: Civic Group Portraits in Bruges, 1650?1800 Chapter 5: Civic Group Portraits from Bruges in a Southern Low Countries Context, 1450?1800: A status quaestionis Conclusion Addendum: Civic Group Portraits in the Southern Netherlands, 1450?1800 Notes List of Illustrations Illustrations Photo Credits Bibliography Index
(1) Brugge, Imprimerie Houdmont, 1880, in-8°, 12 pp . (2) Bruges, Imprimerie Graphica, s.d. (no author), 14 pp. (3) Bruges, Imprimerie Jean Cuypers, 1882, 46 pp. Bound in blue cloth, leather label on spine, wrappers of (1) and (3) preserved. Rare convolute of three pamphlets or studies on the port of Bruges ( Zeebruges ). The second pamphlet not in De Le Court.