‎KULTERMANN ( Udo)‎
‎The history of Art History‎

‎World Art : Themes of Unity in Diversity : Acts of the XXVIth International Congress of the History of Art. ‎

‎, Penn State University Press, 1990 Hardcover, 3 Volumes; 265 + 535 + 893 = 1693 pages, In very Good condition, illustrated dustjackets, Language = 90 pct. English + partly French, Italian , German., images / illustrations in b/w. .290 x 225 x 75 mm; ISBN 9780271006079.‎

‎Under the sponsorship of the Comit International d?Histoire de l?Art (CIHA), scholars from 31 countries met in August in Washington, DC, to present papers and discuss the subject of the Congress. The CIHA was created by a group of scholars meeting in Vienna in 1873 to exchange results of research, discuss aspects of the theory of the history of art, and encourage international discourse. CIHA has since sponsored congresses at intervals of three or five years. Until now CIHA focused on European art from Constantine to the present, whereas the XXXVIth Congress, in a critical shift, encompassed the history of art from all periods and places. The seven sessions deal with broad themes that transcend cultural differences and are uniquely perceptible through the discipline of art history. Center and Periphery: Dissemination and Assimilation of Style examines the processes whereby local styles may be formed by ?dissemination? from a dominant cultural center and, conversely, those which form a cosmopolitan style by the ?assimilation? of disparate local tradition. Conceptual Designs: Diagrams and Geometric Patterns discusses form and meaning in diagrams and geometric patterns used as independent compositions or as ?incidental? ornament. The Written Word in Art and as Art explores the relationship between what is written and how it is written, and the contribution of both to an understanding of the work as a whole. The Artist is concerned with significant developments in the history of the artist?s self-consciousness. Art and Ritual examines the contribution of the study of ritual to an understanding of the form and meaning of a work of art, and vice versa. Art and National Identity in the Americas looks at the problems of regional and national self-definition in the art of North, Central, and South America, from the European conquests to the present. Preserving the World Art discusses the history and theory of conservation and restoration of works of art and their settings. Each session was chaired and its program determined by two distinguished scholars from widely divergent fiends, ensuring a broad and varied approach to the subject. Following introductory essays by the Chairs, the papers represent a selection of the best contribution by art historians as well as scholars in other disciplines. Included as well are plenary addresses by three international leaders in the field, Hermann Fillitz, Andr Chastel, and George Kubler.‎

‎THE TROUBLE WITH WOMEN ARTISTS, Reframing the History of Art‎

‎, Flammarion, 2019 Hardcover, 282 x 212 mm, 160 pages, English edition. ISBN 9782080203700.‎

‎Sixty-seven female artists and their work from the sixteenth century to the present demonstrate the evolution of art through a female-empowered lens. The history of art has been forever considered, written, published, and taught by men, primarily for a male audience. For women, the mere possibility of becoming an artist?to have access to the necessary materials, to produce, exhibit, and, against all odds, succeed and sustain the activity?has been an incessant, dangerous, and exhausting fight?physically, mentally, and psychologically. The time has come to reframe the history of art in the context of the brave women who had the courage to defy all rules in order to pursue their vocation and carve out their place in the art world. This book draws the portraits of sixty-seven fascinating woman and their significant artistic achievements, from groundbreaking Renaissance painter Artemisia Gentileschi to the photography of Nan Goldin today. Tracing the painters, sculptors, photographers, and performance artists who shaped modern art, readers discover key figures and their signature works, including Mary Cassatt, Sonia Delaunay, Georgia O'Keefe, Tamara de Lempicka, Frida Kahlo, Dorothea Tanning, Leonora Carrington, Yoko Ono, Eva Hesse, Marina Abramovic, Carrie Mae Weems, and Cindy Sherman. Exploring the codes and archetypes of art history, this celebration of women in art analyzes their slow but steady achievement of artistic independence and the hard-won recognition for their creative work in a domain historically reserved for men.‎

‎Symbols of Time in the History of Art.‎

‎, BREPOLS, 2002 Paperback V 192 p., 100 b/w ill. 10 colour ill., ills., 210 x 297 mm, Languages: English Fine copy. ISBN 9782503511856.‎

‎C. Heck and K. Lippincott, Symbols of Time in the History of Art: Introduction; A. Acres, Small Physical History: Trickling Past of Early Netherlandish Painting; B. Winston Blackmun, ?From Time Immemorial?: Historicism in the Court art of Benin, Nigeria; S. Blumenroder, Andrea Mantegna?s Grisaille Paintings: Colour Metamorphosis as a Metaphor for History; K. Enz Finken, An Early Christian Construction of Time: Salvation History in the Catacomb of Callistus in Rome; M. Wellington Gahtan, Notions of Past and Future in Italian Renaissance Art and Letters; P. Gerrish Nunn, Time and Tide wait for no man: a Victorian apocalypse; J. M. Greenstein, Faces in Time: Temporalities of the Sitter in Renaissance Portraits; J. Berger Hochstrasser, Goede Dingen Willen Tijt Hebben: Time as a Meditation on Painting in Dutch Still Life of the Seventeenth Century; P. Junod, Figures du Temps au siecle de l?histoire; W. Pullan, Death and Praxis in the Funerary Architecture of Mamluk Cairo; S. Sun, The Symbols of Seasonal Changes from Winter to Spring in East Asian Paintings; D. Motycka Weston, ?The Hour of the Enigma?: The Phenomenal Temporality in the Metaphysical Painting of Giorgio de Chirico.‎

‎Ramazanov N.A. Materials for the history of art in Russia. In Russian (ask us if‎

‎Ramazanov N.A. Materials for the history of art in Russia. In Russian (ask us if in doubt)/Ramazanov N.A. Materialy dlya istorii khudozhestv v Rossii.Book One. M. Gubernskaya Printshop of 1863. One of the first works on the history of Russian art which belonged to the pen of the Russian sculptor and art connoisseur Nikolai Alexandrovich Ramazanov (1817-1867) only book 1 was published as the author soon died and was unable to finish the publication. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba7278c76340d6d28‎

‎Verman Karl: The History of Art of All Times and Peoples. In Three Volumes In Ru‎

‎Verman Karl: The History of Art of All Times and Peoples. In Three Volumes In Russian (ask us if in doubt)/Verman Karl. Istoriya iskusstva vsekh vremen i narodov. V trekh tomakhACT 2000-2001. Volume 1 - The Art of Primitive Tribes Pre-Christian Peoples and the Population of Asia and Africa from Ancient Ages to the 19th Century. Volume 2 - Middle-Ages European Art. Volume 3 - The Art of the 16th-19th Centuries.. SKUalba86eac8fa86de6fb.‎